man,” Desdemona said. “He doesn’t want to live.”
“We have to help him,” Lefty insisted. “He gave me money. He bandaged my hand. Nobody else cared about us. We’ll take him with us.” While they waited for their cousin to wire money, Lefty tried to console the doctor and finally convinced him to come with them to Detroit. “Wherever’s far away,” said Dr. Philobosian. But now on the boat he talked only of death.
The voyage was supposed to take from twelve to fourteen days. Lefty and Desdemona had the schedule all worked out. On the second day at sea, directly after dinner, Lefty made a tour of the ship. He picked his way among the bodies sprawled across the steerage deck. He passed the stairway to the pilothouse and squeezed past the extra cargo, crates of Kalamata olives and olive oil, sea sponges from Kos. He proceeded forward, running his hand along the green tarps of the lifeboats, until he met the chain separating steerage from third class. In its heyday, the Giulia had been part of the Austro-Hungarian Line. Boasting modern conveniences (“lumina electrica, ventilatie et comfortu cel mai mare”), it had traveled once a month between Trieste and New York. Now the electric lights worked only in first class, and even then sporadically. The iron rails were rusted. Smoke from the stack had soiled the Greek flag. The boat smelled of old mop buckets and a history of nausea. Lefty didn’t have his sea legs yet. He kept falling against the railing. He stood at the chain for an appropriate amount of time, then crossed to port and returned aft. Desdemona, as arranged, was standing alone at the rail. As Lefty passed, he smiled and nodded. She nodded coldly and looked back out to sea.
On the third day, Lefty took another after-dinner stroll. He walked forward, crossed to port, and headed aft. He smiled at Desdemona and nodded again. This time, Desdemona smiled back. Rejoining his fellow smokers, Lefty inquired if any of them might happen to know the name of that young woman traveling alone.
On the fourth day out, Lefty stopped and introduced himself.
“So far the weather’s been good.”
“I hope it stays that way.”
“You’re traveling alone?”
“Yes.”
“I am, too. Where are you going to in America?”
“Detroit.”
“What a coincidence! I’m going to Detroit, too.”
They stood chatting for another few minutes. Then Desdemona excused herself and went down below.
Rumors of the budding romance spread quickly through the ship. To pass the time, everybody was soon discussing how the tall young Greek with the elegant bearing had become enamored of the dark beauty who was never seen anywhere without her carved olivewood box. “They’re both traveling alone,” people said. “And they both have relatives in Detroit.”
“I don’t think they’re right for each other.”
“Why not?”
“He’s a higher class than she is. It’ll never work.”
“He seems to like her, though.”
“He’s on a boat in the middle of the ocean! What else does he have to do?”
On the fifth day, Lefty and Desdemona took a stroll on deck together. On the sixth day, he presented his arm and she took it.
“I introduced them!” one man boasted. City girls sniffed. “She wears her hair in braids. She looks like a peasant.”
My grandfather, on the whole, came in for better treatment. He was said to have been a silk merchant from Smyrna who’d lost his fortune in the fire; a son of King Constantine I by a French mistress; a spy for the Kaiser during the Great War. Lefty never discouraged any speculation. He seized the opportunity of transatlantic travel to reinvent himself. He wrapped a ratty blanket over his shoulders like an opera cape. Aware that whatever happened now would become the truth, that whatever he seemed to be would become what he was—already an American, in other words—he waited for Desdemona to come up on deck. When she did, he adjusted his wrap, nodded to his shipmates, and sauntered across the deck to pay his respects.
“He’s smitten!”
“I don’t think so. Type like that, he’s just out for a little fun. That girl better watch it or she’ll have more than that box to carry around.”
My grandparents enjoyed their simulated courtship. When people were within earshot, they engaged in first- or second-date conversations, making up past histories for themselves. “So,” Lefty would ask, “do you have any siblings?”
“I had a brother,” Desdemona replied wistfully. “He ran off with a Turkish girl. My father disowned him.”
“That’s very strict. I think love breaks all taboos. Don’t you?”
Alone, they told each other, “I think it’s working. No one suspects.”
Each time Lefty encountered Desdemona on deck, he pretended he’d only recently met her. He walked up, made small talk, commented on the beauty of the sunset, and then, gallantly, segued into the beauty of her face. Desdemona played her part, too. She was standoffish at first. She withdrew her arm whenever he made an off-color joke. She told him that her mother had warned her about men like him. They passed the voyage playing out this imaginary flirtation and, little by little, they began to believe it. They fabricated memories, improvised fate. (Why did they do it? Why did they go to all that trouble? Couldn’t they have said they were already engaged? Or that their marriage had been arranged years earlier? Yes, of course they could have. But it wasn’t the other travelers they were trying to fool; it was themselves.)
Traveling made it easier. Sailing across the ocean among half a thousand perfect strangers conveyed an anonymity in which my grandparents could re-create themselves. The driving spirit on the Giulia was self-transformation. Staring out to sea, tobacco farmers imagined themselves as race car drivers, silk dyers as Wall Street tycoons, millinery girls as fan dancers in the Ziegfeld Follies. Gray ocean stretched in all directions. Europe and Asia Minor were dead behind them. Ahead lay America and new horizons.
On the eighth day at sea, Lefty Stephanides, grandly, on one knee, in full view of six hundred and sixty-three steerage passengers, proposed to Desdemona Aristos while she sat on a docking cleat. Young women held their breath. Married men nudged bachelors: “Pay attention and you’ll learn something.” My grandmother, displaying a theatrical flair akin to her hypochondria, registered complex emotions: surprise; initial delight; second thoughts; prudent near refusal; and then, to the applause already starting up, dizzy acceptance.
The ceremony took place on deck. In lieu of a wedding dress, Desdemona wore a borrowed silk shawl over her head. Captain Kontoulis loaned Lefty a necktie spotted with gravy stains. “Keep your coat buttoned and nobody will notice,” he said. For Stephana, my grandparents had wedding crowns woven with rope. Flowers weren’t available at sea and so the koumbaros, a guy named Pelos serving as best man, switched the king’s hempen crown to the queen’s head, the queen’s to the king’s, and back again.
Bride and bridegroom performed the Dance of Isaiah. Hip to hip, arms interwoven to hold hands, Desdemona and Lefty circumambulated the captain, once, twice, and then again, spinning the cocoon of their life together. No patriarchal linearity here. We Greeks get married in circles, to impress upon ourselves the essential matrimonial facts: that to be happy you have to find variety in repetition; that to go forward you have to come back where you began.
Or, in my grandparents’ case, the circling worked like this: as they paced around the deck the first time, Lefty and Desdemona were still brother and sister. The second time, they were bride and bridegroom. And the third, they were husband and wife.
The night of my grandparents’ wedding, the sun set directly before the ship’s bow, pointing the way to New York. The moon rose, casting a silver stripe over the ocean. On his nightly tour of the deck, Captain Kontoulis descended from the pilothouse and marched forward. The wind had picked up. The Giulia pitched in high seas. As