Experiment to find what works best for you.
Right Hand Now let’s examine the right hand. Hogan liked the club to fit directly in the fingers, along the top joint line underneath the pad of the palm. My contention is that if you held the club up with your right hand only, you would see that it would fit diagonally across your hand and in fact come into contact with the palm just below the little finger. I agree with Hogan’s belief that the right-hand grip is basically a finger grip. But I feel that gripping the club diagonally across the right hand matches the diagonal look of the left hand. Most players, I believe, look more secure with this grip. Once again, hold the club up in front of you, this time with your left hand, at an angle of forty-five degrees. Place the club diagonally across the fingers of the right hand (D). Slide your hand down the club and link the baby finger between the first two knuckles of the left hand (E), a la Hogan. Now fold the right hand over the left thumb, so that the left thumb slots into the hollow underneath the thumb pad that the right hand provides in this position (F). It’s important to neutralize the potentially destructive pincer action of the right index finger and thumb. Position the right index finger and thumb on the club in a trigger-like fashion while allowing a slight gap to form between the first two fingers (G). Without a trigger position, the tendency is for the right hand to grab the club like a hammer, which, apart from the extra tension, places the right arm and shoulder in too dominant a position at address.
Hogan’s preference was to hold the club at the top of the grip-I prefer players to have one-half to an inch showing.
The key to getting a good grip every time (certainly while learning it) is to position the hands on the club while pointing it up in the air at forty-five degrees and looking at it at eye level. Most golfers have a poor grip because they attach their hands to the club while it is angled down to the ball, often grabbing it initially too high in the palm of the left hand and sloppily with the right hand. Trying to adjust your grip from this position is a losing battle. Why not get the grip right from the start? Be disciplined with the grip routine I’ve suggested and your grip will soon feel comfortable and natural.
The end result of a disciplined approach-a correct and comfortable grip.
Because modern-day shafts taper to a large degree and many grips are very skinny at the lower end, I advise my students to add a couple of extra layers of tape under where the right hand fits. This thicker grip encourages a more diagonal look and facilitates a trigger feeling rather than the hammer feeling. The V formed between the thumb and the forefinger on the right hand should point somewhere toward the right shoulder rather than toward the chin as Hogan suggested. However, if you are a good player who has problems hooking, I certainly would explore the idea of getting your right-hand grip a little more in the fingers and on top of the shaft, as Hogan did in order to promote a situation where you get the face more open at impact. It’s one of those trial-and-error situations, and the weaker right hand might help. The general idea, then, is to encourage a grip where the hands are parallel to and match one another so that they sit uniformly on the club.
When looking down at your grip, your hands should generally be parallel to one another–with the V of the right hand pointed approximately toward the right shoulder.
Hogan’s modification to the Vardon grip.
It is vital, as Hogan believed, that the hands work as a unit and not come apart. I’ve always liked Hogan’s slight modification to the Vardon grip—the idea of the baby finger of the right hand fitting between the index and second fingers rather than just riding piggyback as Vardon’s did. Hogan’s grip in my opinion joins the hands more solidly together and is the linking process I recommend. Although some great players with smaller hands do use an interlocking grip—Jack Nicklaus, Tom Kite, and Tiger Woods, to cite three—the overlapping or Vardon-type grip in my opinion puts less stress on the joints of the fingers and works better for players with medium-to-large size hands.
A few closing thoughts on the hands: in assuming your grip, do maintain pressure in the last three fingers of the left hand. Also place and maintain some pressure from the lifeline of the right hand onto the left thumb. This pressure will help keep the hands together and working in synch during the motion of the swing. The golfer who adopts the correct grip, where he feels the balance and weight of the swinging club without undue tension and is able to cock the wrists fully and freely, will usually feel comfortable with it immediately. Many people are wary of changing their grips because they are concerned that it will take them months to feel better with it. But I have found that the player willing to make the change will soon feel as if he has always held the club this way—in my view, the natural way. This grip works very well for all levels and ages of players—men and women, juniors and seniors, even tour players.
The original Vardon grip.
Interlocking grip.
The grip I encourage my students to develop is still primarily a palm grip in the left hand and a finger grip in the right hand, but with some minor alterations that could make a world of difference to your game.
Finally, remember that a grip is not always as it appears. From the outside it may look quite good, but you can only assess a grip once you open it up and see how the club lies in the hands. Check your grip regularly because it’s easy to revert to old habits. If you are going to transfer power through your hands into the clubhead, then you need to position your hands on the club perfectly every time. A good grip sends a strong message that you mean to play your best golf.
Ben Hogan felt that the address position was the next significant step after the grip. The “setup,” as it is commonly called, consists of a golfer aligning himself properly to the target and then positioning his body in such a way that he can move freely during the swing while in balance. Setting up correctly, Hogan believed, would help accomplish the goal of creating power with the big muscles and then transferring it to the clubhead.
When Hogan moved into his setup, he aimed the clubface toward the target and then aligned his body to the clubface. His stance was fairly wide, giving a firm foundation for good balance. In Hogan’s view, a golfer hitting a five-iron should place his feet about shoulder-width apart. The stance should be wider for longer clubs, and narrower for shorter ones. A stance that is too wide or too narrow will compromise balance and freedom of motion.
Right foot at ninety degrees, left foot turned out a quarter of a turn.
Hogan proposed that the golfer place his right foot at ninety degrees to the target line and then place his left foot into position about a quarter of a turn toward the target—approximately twenty degrees. A golfer who sets his left foot in this manner would not over-rotate his hips as he swung the club back. However, Hogan felt that splaying out the right foot in the same manner and not ninety degrees to the target would promote swaying, dipping or collapsing