Doris Lessing

Doris Lessing Three-Book Edition: The Golden Notebook, The Grass is Singing, The Good Terrorist


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But sjamboks are all very well for the Slatters; not so good for people less sure of themselves. It was he who had told Dick Turner, long ago, when Dick first started farming, that one should buy a sjambok before a plough or a harrow, and that sjambok did not do the Turners any good, as we shall see.

      Slatter was a shortish, broad, powerful man, with heavy shoulders and thick arms. His face was broad and bristled; shrewd, watchful, and a little cunning. He had a crop of fair hair that made him look like a convict; but he did not care for appearances. His small blue eyes were hardly visible, because of the way he screwed them up, after years and years of South African sunshine.

      Bent over the steering wheel, almost hugging it in his determination to get to the Turners quickly, his eyes were little blue chinks in a set face. He was wondering why Marston, the assistant, who was after all his employee, had not come to him about the murder, or at least sent a note. Where was he? The hut he lived in was only a couple of hundred yards from the house itself. Perhaps he had got cold feet and run away? Anything was possible, thought Charlie, from this particular type of young Englishman. He had a rooted contempt for soft-faced, soft-voiced Englishmen, combined with a fascination for their manner and breeding. His own sons, now grown up, were gentlemen. He had spent plenty of money to make them so; but he despised them for it. At the same time he was proud of them. This conflict showed itself in his attitude towards Marston: half hard and indifferent, half subtly deferential. At the moment he felt nothing but irritation.

      Half-way he felt the car rock, and swearing, pulled it up. It was a puncture: no, two punctures. The red mud of the road held fragments of broken glass. His irritation expressed itself in the half-conscious thought, ‘Just like Turner to have glass on his roads!’ But Turner was now necessarily an object of passionate, protective pity, and the irritation was focused on Marston, the assistant who, Slatter felt, should somehow have prevented this murder. What was he being paid for? What had he been engaged for? But Slatter was a fair man in his own way, and where his own race was concerned. He restrained himself, and got down to mending one puncture and changing a tyre, working in the heavy red slush of the roads. This took him three-quarters of an hour, and by the time he was finished, and had picked the pieces of green glass from the mud and thrown them into the bush, the sweat was soaking his face and hair.

      When he reached the house at last, he saw, as he approached through the bush, six glittering bicycles leaning against the walls. And in front of the house, under the trees, stood six native policemen, and among them the native Moses, his hands linked in front of him. The sun glinted on the handcuffs, on the bicycles, on the masses of heavy wet leaves. It was a wet, sultry morning. The sky was a tumult of discoloured clouds: it looked full of billowing dirty washing. Puddles on the pale soil held a sheen of sky.

      Charlie walked up to the policemen, who saluted him. They were in fezes, and their rather fancy-dress uniform. This last thought did not occur to Charlie, who liked his natives either one way or the other: properly dressed according to their station, or in loincloths. He could not bear the half-civilized native. The policemen, picked for their physique, were a fine body of men, but they were put in the shade by Moses, who was a great powerful man, black as polished linoleum, and dressed in a singlet and shorts, which were damp and muddy. Charlie stood directly in front of the murderer and looked into his face. The man stared back, expressionless, indifferent. His own face was curious: it showed a kind of triumph, a guarded vindictiveness, and fear. Why fear? Of Moses, who was as good as hanged already? But he was uneasy, troubled. Then he seemed to shake himself into self-command, and turned and saw Dick Turner, standing a few paces away, covered with mud.

      ‘Turner!’ he said, peremptorily. He stopped, looking into the man’s face. Dick appeared not to know him. Charlie took him by the arm and drew him towards his own car. He did not know he was incurably mad then; otherwise he might have been even more angry than he was. Having put Dick into the back seat of his car, he went into the house. In the front room stood Marston, his hands in his pockets, in a pose that seemed negligently calm. But his face was pale and strained.

      ‘Where were you?’ asked Charlie at once, accusingly.

      ‘Normally Mr Turner wakes me,’ said the youth calmly. ‘This morning I slept late. When I came into the house I found Mrs Turner on the verandah. Then the policemen came. I was expecting you.’ But he was afraid: it was the fear of death that sounded in his voice, not the fear that was controlling Charlie’s actions: he had not been long enough in the country to understand Charlie’s special fear.

      Charlie grunted: he never spoke unless necessary. He looked long and curiously at Marston, as if trying to make out why it was the farm natives had not called a man who lay asleep a few yards off, but had instinctively sent for himself. But it was not with dislike or contempt he looked at Marston now; it was more the look a man gives a prospective partner who has yet to prove himself.

      He turned and went into the bedroom. Mary Turner was a stiff shape under a soiled white sheet. At one end of the sheet protruded a mass of pale strawish hair, and at the other a crinkled yellow foot. Now a curious thing happened. The hate and contempt that one would have expected to show on his face when he looked at the murderer, twisted his features now, as he stared at Mary. His brows knotted, and for a few seconds his lips curled back over his teeth in a vicious grimace. He had his back to Marston, who would have been astonished to see him. Then, with a hard, angry movement, Charlie turned and left the room, driving the young man before him.

      Marston said: ‘She was lying on the verandah. I lifted her on to the bed.’ He shuddered at the memory of the touch of the cold body. ‘I thought she shouldn’t be left lying there.’ He hesitated and added, the muscles of his face contracting whitely: ‘The dogs were licking at her.’

      Charlie nodded, with a keen glance at him. He seemed indifferent as to where she might be lying. At the same time he approved the self-control of the assistant who had performed the unpleasant task.

      ‘There was blood everywhere. I cleaned it up…I thought afterwards I should have left it for the police.’

      ‘It makes no odds,’ said Charlie absently. He sat down on one of the rough wood chairs in the front room, and remained in thought, whistling softly through his front teeth. Marston stood by the window, looking for the arrival of the police car. From time to time Charlie looked round the room alertly, flicking his tongue over his lips. Then he lapsed back into his soft whistling. It got on the young man’s nerves.

      At last, cautiously, almost warningly, Charlie said: ‘What do you know of this?’

      Marston noted the emphasized you, and wondered what Slatter knew. He was well in control of himself, but as taut as wire. He said: ‘I don’t know. Nothing really. It is all so difficult .’ He hesitated, looking appealing at Charlie.

      That look of almost soft appeal irritated Charlie, coming from a man, but it pleased him too: he was pleased the youth deferred to him. He knew the type so well. So many of them came from England to learn farming. They were usually ex-public school, very English, but extremely adaptable. From Charlie’s point of view, the adaptability redeemed them. It was strange to see how quickly they accustomed themselves. At first they were diffident, though proud and withdrawn; cautiously learning the new ways, with a fine sensitiveness, an alert self-consciousness.

      When old settlers say, ‘One has to understand the country,’ what they mean is, ‘You have to get used to our ideas about the native.’ They are saying, in effect, ‘Learn our ideas, or otherwise get out: we don’t want you.’ Most of these young men were brought up with vague ideas about equality. They were shocked, for the first week or so, by the way natives were treated. They were revolted a hundred times a day by the casual way they were spoken of, as if they were so many cattle; or by a blow, or a look. They had been prepared to treat them as human beings. But they could not stand out against the society they were joining. It did not take them long to change. It was hard, of course, becoming as bad oneself. But it was not very long that they thought of it as ‘bad’. And anyway, what had one’s ideas amounted to? Abstract ideas about decency and goodwill, that was all: merely abstract ideas. When it came to the point, one never had contact with natives, except in the master-servant relationship. One never knew them in their own lives, as human beings. A few months, and these