target="_blank" rel="nofollow" href="#ulink_1a916ac2-a8e7-5d67-9ed9-bbf49cba6e14">27 The entry for Thursday, 5 March 1908 is typical – except for the unexpected item with which it concludes: ‘I rise. The lawn is white with frost. I have breakfast. Get on my coat and cap and see Papy off [to the office]. Miss Harper comes, lessons. [The next entry translates the opening sentence of Julius Caesar’s De Bello Gallico.] Dinner. I am carpentring at a sword. I read “Paradise Lost”, reflections there-on.’28
We do not know what these reflections were, nor how much of Milton’s Paradise Lost, the poem which was to mean so much to him in later life, was either read or understood by him in his tenth year; but even as he wrote, his own paradise was on the verge of being lost. ‘There came a night when I was ill and crying both with headache and toothache and distressed because my mother did not come to me,’ he wrote in Surprised by Joy:
That was because she was ill too; and what was odd was that there were several doctors in her room, and voices and comings and goings all over the house and doors shutting and opening. It seemed to last for hours. And then my father, in tears, came into my room and began to try to convey to my terrified mind things it had never conceived before. It was in fact cancer and followed the usual course; an operation (they operated in the patient’s house in those days), an apparent convalescence, a return of the disease, increasing pain, and death. My father never fully recovered from this loss.29
Flora died on 23 August 1908. The effect of her death on Albert Lewis was to alienate him from his two sons just at the time when mutual comfort was most needed. His nerves had never been of the steadiest and his emotions had always been uncontrolled: now he began to speak wildly and act unjustly. To children just entering on their teens the sight of adult grief and fear is apt to produce revulsion rather than sympathy, and adult loss of control is put down to unkindness rather than to its true cause. Warnie and Jack lost their mother slowly as her last illness shut them further and further away from her. When she was dead their father was incapable of taking her place and had already forfeited a great deal of his own, without knowing it. They were driven to rely more and more exclusively on each other for all that made life bearable, to have confidence only in each other – ‘two frightened urchins huddled for warmth in a bleak world’, as one of them was to write in Surprised by Joy. And he continues: ‘With my mother’s death all settled happiness, all that was tranquil and reliable, disappeared from my life. There was to be much fun, many pleasures, many stabs of Joy; but no more of the old security. It was sea and islands now; the great continent had sunk like Atlantis.’30
It was time for Jack to go to school and in September 1908 he accompanied Warnie to Wynyard School. Albert Lewis was probably wise to send him away from the shadow of loss at home, and strive to fill his life with the new and absorbing experiences of school life: but of all the schools in the British Isles he seems to have chosen the very worst. Wynyard School, Watford, Hertfordshire, and its ogre of a headmaster have been described fully in Surprised by Joy (as ‘Belsen’) and little more need be said of them here, save to state that the contemporary evidence of diaries and letters fully bears out the recollections of later years.
When Warnie entered the school in May 1905 it had already begun the easy descent to Avernus precipitated by a law case in 1901 when the headmaster, the Reverend Robert Capron,* treated a boy with such brutality that the father brought a High Court action against him, which was settled out of court and against the defendant. Apart from the rapidly developing mania for inflicting punishment, Capron seems to have run the school very much on the lines of Crichton House described by F. Anstey in Vice Versa, which Lewis called ‘the only truthful school story in existence’.31 But it was an altogether smaller and – towards the end – more squalid affair, though Capron, like Anstey’s Dr Grimstone, seems to have begun as a competent teacher whose pupils at one time gained scholarships to public schools. By the time the Lewis boys were entrusted to his care, however, the instruction had become ‘at once brutalizing and intellectually stupefying’,32 little was taught and still less remembered. As Warnie wrote:
In spite of Capron’s policy of terror, the school was slack and inefficient, and the time-table, if such it could be called, ridiculous. When not saying lessons, the boys spent the whole of school working out sums on slates; of this endless arithmetic there was little or no supervision. Of the remaining subjects, English and Latin consisted, the first solely and the second mainly, of grammar. History was a ceaseless circuit of the late Middle Ages; Geography was a meaningless list of rivers, towns, imports and exports.33
There was no school library at Wynyard, but the boys were by no means illiterate, though Warnie and Jack seem to have had better taste than most of their companions. A ‘Club for getting monthly magazines’ which they formed during Jack’s first term shows this: the other boys’ contributions were the Captain, the Boy’s Own Paper, the Wide World, the Royal, and the London Magazine, but Warnie’s choice was Pearson’s and Jack’s the Strand. As they all shared each other’s magazines, Jack found himself reading ‘twaddling school-stories’, which he dismissed later as ‘mere wish-fulfilment of the hero’34 – surely forgivable in a school such as Capron’s establishment. The Strand, however, was offering at this time E. Nesbit’s excellent pastiches of imagination and history, The House of Arden (1908) and Harding’s Luck (1909), with the odd Sherlock Holmes story and A.E.W. Mason’s At the Villa Rose (1910) for more adult excitement, while Hall Caine’s semi-religious thriller The White Prophet (1909) may have led him on to the taste for romances of the early Christians in Rome which he developed at this time. These he found in Sienkiewicz’s Quo Vadis? (1898), Dean Farrar’s Darkness and Dawn: or, Scenes in the Days of Nero (1891), Whyte-Melville’s The Gladiators: A Tale of Rome and Judaea (1863), and Lew Wallace’s Ben Hur: A Tale of the Christ (1880).
‘They were mostly, as literature, rather bad books,’ he decided. ‘What wore better, and what I took to at the same time, is the work of Rider Haggard.’35 He discovered Haggard’s The Ghost Kings (1908), running as a serial in Pearson’s, and Pearl Maiden, a Tale of the Fall of Jerusalem (1903) at the same time as the Christian romances. He also fell for a while under the spell of H.G. Wells’s science fiction – a taste which did not last, though he was still reading Haggard with enjoyment at the end of his life.
It is curious, however, that Lewis should have missed The Wind in the Willows, which came out in 1908 during his first term at Wynyard, at a time when his interest in ‘dressed animals’ was at its height in the heyday of Boxen. He read neither that nor E. Nesbit’s Bastable stories until he was in his twenties – but ‘I do not think I have enjoyed them any the less on that account.’36
Boxen was not, however, his only literary concern at the time. A fragment of a historical novel written in the summer of 1909 still survives, called ‘The Ajimywanian War’ – so dull that it might be an imitation of the dullest history book in use at Wynyard.37 He was also attempting another diary, or ‘Autobiography’ as he calls it, of his experiences among the ‘five boarders at this ridiculous little “select academy for young gentlemen” – Squiffy [Field], Bowser, Mears, Jeyes and me … Oldy and his son Wyn are the only masters here, and Wyn