still trying to place these pigeons. ‘Well done you!’
‘And that’s not all. I’ve got some fantastic ideas for draining the garden path which I’m going to draw up during the interval tonight. Maybe I can show them to you later?’
‘Sounds brilliant. Listen, I’m just going to do some reading in the other room. Maybe you’ll look in on me before you go?’
He nods, surveying the living room contentedly. ‘It’s all coming together, Louie. I mean, the place is really starting to shape up. All we need is that lampshade.’
I watch as he switches the Hoover back on.
There is always one more lampshade, one more set of authentic looking faux-Georgian fire utensils, one more non-slip natural hessian runner carpet. Like Daisy’s green light in the Great Gatsby, these things call to us with the promise of a final, lasting happiness, yet somehow remain forever out of reach.
Retreating into the bedroom, I close the door, kick off my shoes and curl up on the bed.
The bed is enormous. It’s actually two single beds that are joined in the centre. ‘Zipped and Linked’ is what the man at John Lewis called it. We needed a bed that was big enough so that we wouldn’t disturb each other in the night: my husband twitches like a dog and I can’t bear noise or any sort of movement.
‘You are sure you want to sleep together?’ the salesman had asked when we briefed him of our requirements. But my husband was adamant. ‘We’ve only just been married,’ he informed the offending fellow haughtily, implying a kind of rampant, newlywed sex life that could only just be contained within the confines of a solidly made double bed. So now he twitches away somewhere west of me and I slumber, comatose, half a mile to the east.
Climbing underneath the duvet, I remove the delicate volume from its brown paper bag. I’m on the verge of something very big, very real.
This is it.
I open to Chapter One.
And the next thing I know, I’m asleep.
When I wake up, he’s already gone to the theatre. There’s a note on the kitchen table. ‘Were snoring, so didn’t bother to wake you.’ My husband is nothing, if not concise.
This is bad.
The truth is, I sleep far too much – wake up late, take naps in the afternoon, go to bed early. I live with one foot dangling in a dark, warm, pool of unconsciousness, ready at any moment to slide into oblivion. But it’s just a little bit anti-social, all this sleeping, so I try to hide it.
I make toast. (I believe that’s what’s known as cooking for one.) Then climb back on board the bed. Turning to the first letter in the alphabet, I try not to get butter on the pages.
You can always tell the character of a woman by the care and attention she lavishes upon the details of her dress. The accessories worn with an outfit – gloves, hat, shoes, and handbag – are among the most important elements of an elegant appearance. A modest dress or suit can triple its face value when worn with an elegant hat, bag, gloves, and shoes, while a designer’s original can lose much of its prestige if its accessories have been carelessly selected. It is indispensable to own a complete set of accessories in black and, if possible, another in brown, plus a pair of beige shoes and a beige straw handbag for the summer. With this basic minimum, almost any combination is attractive.
Of course, it would be ideal to have each set of accessories in two different versions: one for sport and the other dressy. And in this regard I cannot restrain myself from expressing the dismay I feel when I see a woman carry an alligator handbag with a dressy ensemble merely because she has paid an enormous sum of money for it. Alligator is strictly for sports or travel, shoes as well as bags, and this respected reptile should be permitted to retire every evening at 5 pm.
And here, as in no other department, quality is essential. Be strict with yourself. Save. Economize on food if you must (believe me, it will do you good!) but not on your handbags or shoes. Refuse to be seduced by anything that isn’t first rate. The saying, ‘I cannot afford to buy cheaply,’ was never so true. Although I am far from rich, I have bought my handbags for years from Hermès, Germaine Guerin, and Roberta. And without exception, I have ended up by giving away all the cheap little novelty bags that I found irresistible at first. The same is true of shoes and gloves.
I realize that all of this may seem rather austere, and even very expensive. But these efforts are one of the keys, one of the Open Sesames that unlock the door to elegance.
I look down at my own handbag crumpled in a heap on the floor. It’s a navy Gap rucksack – the kind that seems to attract bits of dried biscuit to the bottom, even if you haven’t eaten a biscuit in months. Needless to say, it could do with a wash.
Or a glass of milk.
I wonder if it qualifies as a sports bag. I can remember purchasing it in the ‘Back to School’ department several seasons ago and feeling quite elated that I’d managed to resolve all my handbag dilemmas in a single swoop. It would never occur to me to buy more than one bag, in more than one colour or style.
The only other one I own is a squashed maroon leather shoulder bag I bought in the sale from Hobbs four years ago. The leather has worn away and the framework of the bag is exposed; however I’m too attached to it to throw it away. I keep pretending that I’m going to have it repaired, even though it’s gone out of style.
The more I think of it, the more hard pressed I am to think of any accessories I own that might be described as even remotely stylish, let alone first rate. Certainly not the collection of woolly brown and grey berets I live in, so practical because they won’t blow off your head during the windy London winters and because they’re invaluable for those days (always on the increase) when I haven’t washed or even combed my hair. I like to think of them as ‘emergency hair’.
I find myself gazing at my feet, or rather at the pair of well-worn beige plimsolls that adorn them. It’s been raining and they’re soaked through. The fabric’s worn away above my big toe and I catch a glimpse of the green and red Christmas socks underneath. (My mother sent me those.) I give my big toe a little wiggle.
My nose is running and as I fumble for a tissue in my raincoat pocket, I discover a pair of mismatched black gloves I found on the floor of a movie theatre two weeks ago. They seemed like quite a find at the time but suddenly it’s clear, even to me, that I’ve obviously not been lavishing enough care and attention on the details of my dress.
Elegance may be in the details but my situation appears to be a little more serious than that. Clearly, drastic action is needed. I resolve, in an unprecedented burst of enthusiasm, to begin my transformation with a thorough cleansing of my closet. Systematically working my way through, I’ll weed out the elements that don’t flatter me. And then I’ll be free to construct a new, improved look around those that do.
Fine, let’s get cracking! I fling open my closet door with a dramatic sweep of my arms and nearly pass out from hopelessness.
I possess a rail of items gleaned from second-hand clothing stores all over the country. Everything in front of me symbolizes an element of compromise. Skirts that fit around the waist but flare out like something Maria Von Trapp would wear. Piles of itchy or slightly moth-eaten woolly jumpers – not one of them in my size. Coats in strange fabrics or suit jackets with no matching skirts bought simply because they fit and that in itself is an event.
But that’s not the scariest thing. No, the thing that completely stuns me is the colour. Or rather the lack of it. When did I decide that brown was the new black, grey, scarlet, navy and just about any other shade you can name? What would the Colour Me Beautiful girls make of that? Or Freud, for that matter?
I stare in fascinated