Pamela Stephenson

Billy Connolly


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is usually healing to bring one’s dark secrets into the light and find that one is still accepted and loved. And ever since I caught my husband crying by the TV when psychologist John Bradshaw was helping a man come to terms with his childhood abuse, I wanted that for Billy.

      But he was afraid that, when readers discovered his ‘shameful’ secrets, they would turn their backs on him out of scorn, pity, or embarrassment. And I was concerned that, having convinced him to tell the world his extraordinary story – and being the architect of that decision – I bore considerable responsibility for the outcome. What if it went wrong? What if I had misjudged how people would react? What if Billy became retraumatized by it all? Public revelations cannot be retracted. And revisiting terrible events under the wrong circumstances can cause further harm.

      Fortunately, many of the millions of people who read Billy reached out to my husband in wonderfully positive ways. We were both unprepared – not only for the unprecedented success of the book, but for the massive and widespread outpouring of support and acceptance. Readers let Billy know how much they empathized with him, adored him and, in many cases, shared similar stories of violation, torture and humiliation. Far from being rejected, Billy became a poster child for those who seek to overcome the challenging legacy of a painful childhood, who hope eventually to find that the revenge of survival and future happiness – let alone success – is sweet.

      Billy and I received hundreds of letters from people who poured out their own, touching stories of childhood torment. Some even said this was the first time they had dared tell their own story, and that it was Billy who had finally given them the courage. It made Billy very happy to learn that others gleaned hope and healing from his story. And for me, it was particularly gratifying to learn that the book seemed to help depressed, abused, or hopeless people.

      There’s nothing like facing the demons from one’s past – wrenching them from the realm of the unconscious and talking about them with an empathic person – to lead one to a sense of peace and a healthy perspective. Nowadays, Billy speaks compassionately about his father, and says he has forgiven him. But that’s no easy task for any survivor of abuse; psychologists know that forgiveness and healing do not necessarily go hand in hand, and I am well aware Billy still harbours reserves of fury that may never, ever be assuaged. He continues to be a somewhat tortured soul, occasionally as insecure and frightened as he was as an abandoned four-year-old. And he still struggles with his attention disorder (which is only a problem offstage, since losing his way while telling a story has become an aspect of his stand-up concerts that audiences thoroughly enjoy). He also struggles with short-term memory, organization, gaining a gestalt perspective on anything, and anxiety; pitching himself on stage has not become any easier than it was when he first started.

      But no one calls Billy ‘stupid’ like they did when he was a schoolboy – least of all me. Billy is one of the brightest and best-read people I’ve ever met. However, like many others of his generation, he is challenged by the cyber world. He still thinks of the Internet as ‘The Great Anorak in the Sky’. ‘It’s getting worse and worse,’ he complains. ‘It’s made people fucking boring. It’s separating them. Now they’re all sitting in rooms typing to people they don’t know.’ In fact, Billy’s current enemies are inhuman ones: Internet access, passwords (the remembering of them), and ‘How do I get the Celtic scores on this raspberry … blueberry … or whatever the fuck it’s called?’

      Yes, Billy is still an expert in the fine art of swearing. He is also the proud owner of a Glaswegian accent, which has mellowed only slightly over the years. In fact, when I first met the man I could barely understand a word he said, and sometimes I think that was a blessing. Now, I love the Scottish accent, but at home it can lead to the ‘Chinese Whispers’ kind of misunderstanding. Once, when Billy and I were watching the TV news with our adult children and some extended family, I commented that I adored the CNN reporter Anderson Cooper. ‘Grey-haired cunt!’ retorted my husband, in what seemed like jealous pique. Everybody looked at him in alarm. ‘Billy!’ I cried. ‘What’s that poor man ever done to you?’ Billy stared at me, mystified. It turned out he’d actually said ‘Great hair-cut!’

      Over the years, Billy has gradually suffered a little hearing loss, which means he is even more likely to talk about someone in loud, disparaging terms, imagining they can’t hear. A few Christmases ago he fell asleep in the middle of a family outing to the seasonal Rockettes show at Radio City Music Hall in New York – high-kicking glamour girls in furry bikinis, a ridiculously jovial Santa, and way too much fake snow. The kids and I took it in turns to try to keep him awake, or at least minimize his thunderous snoring, until we realized that this was a lost cause. Halfway through the show he suddenly woke up and, to our deep embarrassment, shouted above the orchestra: ‘For fuck’s sake, Pamela, how much more of this shite is left?’

      After Billy I wrote a follow-up book about him – an account of his sixtieth year – called Bravemouth. Once that had been published I decided it would be remarkably unhealthy – not to mention annoying – to write a single word about him, ever again. Frankly, I was exhausted from focusing so unswervingly on my husband; that was well above the call of duty for any wife. ‘I’m sick of you,’ I announced at last. ‘In future, write your own stuff!’ I went on to have adventures in the South Seas and Indonesia, and also scribbled away on the subjects of psychology and sex. It was such a relief.

      But who exactly is our protagonist nowadays? Well, he’s much the same. We now live in New York, where Billy can be spotted tramping the downtown alleys in search of an elusive banjo music shop, a cigar den, or a purveyor of outrageous socks. His sock choices have changed a little over the years; he has gravitated from the luminous to the gaudy stripe. Now he prefers a horizontal red, turquoise, orange, brown, and white repeating stripe to those he was wearing on the original Billy cover: luminous pink, with pictures of Elvis on the ankle. ‘I still love those,’ says Billy, ‘but I find them awful hard to find.’

      Billy claims to be part of an unofficial ‘inner circle’ of people who wear wild socks. ‘We like each other,’ he says. ‘We always give each other a nod in the cigar shop.’ Billy says he’s never met a cigar smoker or a fl y-fisher that he didn’t like. He seeks to land ‘a wee troutie’ in every brook he can find, from Canada to New Zealand, while New York cigar dens have replaced Glaswegian pubs as the haunts where Billy can enjoy largely male company. ‘My New York pals,’ he says, ‘are a great cross-section: Wall Street guys, New York cops, and Arthur who makes art from bashed-up cans that have been run over by cars.’ Nevertheless, Billy keeps close contact with his Glasgow chums. He frequently returns to his home town – where he was recently honoured by being presented with the Freedom of the City of Glasgow. ‘It’s fucking great,’ said Billy. ‘According to old by-laws I can now graze my cows on Glasgow Green, fish in the Clyde, and be present at all court hearings! And if they send me to jail I get my own cell; no bugger’s going to interfere with my jacksie.’

      Billy definitely does not restrict his friends to other living national treasures, although he is beloved by many of that ilk. ‘He is inspirational and I absolutely adore him,’ said Dame Judi Dench. ‘One-off, unique, irreplaceable,’ echoed Sir Michael Parkinson. ‘The most frankly beautiful Scottish person with a shite beard I ever met,’ said Sir Bob Geldof. Billy is considered a ‘comedian’s comedian’, and he’s extraordinarily generous in his appreciation of others in his field. ‘He’s my inspiration,’ said Eddie Izzard. ‘He was doing alternative comedy fifteen years before anybody else.’ ‘He is the funniest man in the world,’ said Robbie Coltrane. But it was Billy’s close pal Robin Williams who summed it all up when he said: ‘I don’t have a clue who Billy is.’

      Age has not slowed Billy down, and I suppose it’s remarkable that he continues to have a flourishing career, both in movies, television, and in his live performances. The run-up months to London’s Olympics alone have seen him undertake a major, sold-out UK tour of forty-two dates. And Billy still seems to hop from one movie to another. One of the highlights of his movie career in recent times was Quartet with Maggie Smith, Michael Gambon, Pauline Collins, and Tom Courtney, about four ageing opera singers who live together in a residential home. It was directed by his pal Dustin Hoffman, who once described Billy as ‘a big fart that carries no offensive odour’.

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