Warwick Collins

Gents


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      GENTS

      A novel

      Warwick Collins

       COPYRIGHT

      Published by The Friday Project, an imprint of HarperCollinsPublishers Ltd 1 London Bridge Street London SE1 9GF

       www.harpercollins.co.uk

      First published in Great Britain in 1997 by Marion Boyars Publishers

      This edition published in 2007 by The Friday Project

      Text © 2007 Warwick Collins

      Warwick Collins asserts the moral right to be identified as the author of this work.

      A catalogue record for this book is available from the British Library

      HarperCollinsPublishers has made every reasonable effort to ensure that any picture content and written content in this ebook has been included or removed in accordance with the contractual and technological constraints in operation at the time of publication.

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

      Source ISBN: 9781905548767

      Ebook Edition © JULY 2016 ISBN 9780007391783 Version: 2016-07-18

       DEDICATION

      To Scott Pack

      CONTENTS

       Cover

       Title Page

       Chapter 7

       Chapter 8

       Chapter 9

       Chapter 10

       Chapter 11

       Chapter 12

       Chapter 13

       Chapter 14

       Chapter 15

       Chapter 16

       Chapter 17

       Chapter 18

       Chapter 19

       Chapter 20

       Chapter 21

       Chapter 22

       Chapter 23

       Chapter 24

       Keep Reading

       About the Publisher

       CHAPTER 1

      At Charing Cross the two underground trains passed each other like tongues of flame. Ez Murphy saw, in the window’s reflection between a young girl and an elderly woman, his own face dark with the lights shining white on his broad cheekbones.

      The trains roared and razored in the confined tunnel. As they crossed, his faded image, obscure against the glossy dark, was thrown into sudden prominence by the rush of white lights behind it. The faces of the two women became ghostly, obliterated by the surging luminescence.

      He was in his early forties, well-dressed, stocky, broad-shouldered. In the reflection opposite, his hands floated up to adjust his tie, a startling negative against the washed white of his collar. The two trains passed. During the ensuing silence the faces of the women were restored again, two white flowers.

      The train traversed several other stations before it finally slid to a stop with a brief squeal of acquiescence. The doors rumbled open. Ez stepped onto the dimly lit platform and walked to the sign marked EXIT. It was eight twenty-two by the station clock. Travelling up the escalator, he put his ticket in the machine, then paused in the concourse. He felt a sudden, inexplicable urge to see daylight. Walking up a flight of grey flagged stairs, he stepped out into the street.

      Drifts of London sunlight touched his eyes; a flock of pigeons wheeled above the buildings. Traffic fumes hung over the city.

      He approached a sign on a wrought iron stairway which said GENTS. Straightening his tie, he walked down the steps. At the bottom, he faced a turnstile. He glanced around for assistance, but could see no one. Shrugging his shoulders, he shifted the change in his pocket and put ten pence in the slot. Then he walked through the turnstile and paused to glance around him.

      The interior was faced with geometric tiles,