turns on.’ The mother retreats from the room and switches on a radio somewhere. Peter ignores the music and rumbles ahead:
‘Alex has been playing this game I wrote for VR, called Neo-Tokyo. Actually, we play together. You’re the renegade pilot of a high-speed police hovercraft, and you have to steer your vehicle through the city, shooting out billboard advertisements. It’s cute.’
‘Everything breaks,’ remarks Alex, unasked. ‘I shot a window and I shot a sign.’ He dismisses the light stick and climbs up into his father’s lap.
‘You were going everywhere, Dad, and you were shooting.’
‘Yeah,’ says the father.
‘And there were some bad guys and I got them.’ He looks up at his father for a reiteration but the father merely smiles and raises an indulgent eyebrow.
‘No you didn’t, Bud, there aren’t any bad guys in NeoTokyo, remember?’
‘Yes there are,’ says Alex, emphatically. ‘I shot them.’
I suddenly realize that my little game is going to be harder to play than I had first imagined.
Out on the road leading back east to Palo Alto, the rain is punching fierce cold fists, drumming at the windscreen and emerging in dirty great geysers at the side of each wing mirror. The radio hisses in and out of non-stop country hits, overlaying Kenny, Tammy, Dolly, Garth and the rest with the dim waves of a news flash from some other station announcing that a state of emergency has been declared around San Jose.
It’s times like these that an alternate reality would be really handy. And not just a blue VR room, either, but a place with substance, in other colours. You could plug into a beach there and wait until it’s all over. On the other hand, there is something so absolutely American about blustering, muscular weather like this that you’d have to be a fool to want to escape it. Great, roaring weather it is, as big as the forty-eight.
A captive stick begins to whirr its way round the front nearside wheel arch, spinning rainbowed water onto the bonnet. Underneath the chassis, the four low tread tyres skate along on a meniscus of grease and every so often the suspension bumps over fallen branches and other dead things, sending the car sidling towards the silt-laden river by the side of the road. I’m wondering whether I should stop at the first big town, find myself a pay phone and call Nancy, but I can’t make out any exits off the highway.
The police have set up a road block at Mountain View. I pull up and leave my headlights burning. A cop with a torch runs over, hunched against the rain. Leans into the car.
‘We’re about to close 101. There are some nasty holes opened up five miles north of here. Is your journey absolutely necessary, ma’am?’ Shouting against the beat of water on the blacktop.
‘I’m going home.’
‘And where is that?’ I consider how to answer this, think of Nancy.
‘Marin County.’ The cop lifts his hand to cut me short, shouts something into his cop phone, then leans back in again. A rope of rainwater bungees from his hat, blackening the upholstery.
‘When did you begin your journey, ma’am?’
‘At nine o’clock this morning, give or take.’
The cop checks in over the phone, waves me forward.
‘We’d have turned you back if you’d known there was going to be a storm, but we’re gonna let you go through this time ’cause no one saw this thing coming. Stick to the far lane and you’ll miss the holes. Go slow, now.’ I nod, and switch the window up. Only the weather seems to know its own future.
Nancy is sitting at her computer reading off her e-mail.
‘Some storm,’ she says, checking to see I’ve taken my shoes off. ‘Erica was saying that quite a few folks in Marin don’t have any electricity.’
Naturally I’ve no idea who Erica is, but in this case, it doesn’t matter.
‘How was Alex?’
‘Sweet. Normal. I mean, I don’t know, I haven’t really had time to think about it.’
‘I tell you,’ says Nancy, ‘Silicon Valley is like one big prototype-farm right now. Some kind of mutant factory. They’re turning out new patents down there fast as McDonald’s turn out burgers. Software prototypes, business prototypes, chip prototypes, even prototype kids.’
I snicker, expecting Nancy to join in the joke, but she surprises me by tossing out one of her super-serious looks:
‘You’d better believe it, Sweetheart.’
THURSDAY
Vote now!
The sun is back this morning, burning off the rainwater and leaving a crust of dried mud, twigs and storm debris on the blacktop of the 101 freeway running south from Marin. In the queue for the post office in Sausalito the talk is of the neighbours’ broken shingles and the sleepless night, and the air down at the houseboat pier fronting onto San Francisco Bay still smells as strongly of static cling as the upholstery on rental cars. And all this some four or five hours after the final lightning strike.
Nancy has given me a list of groceries to buy at Mollie Stone’s and a book – the first published guide to the Net, signed by the author, an acquaintance of Nancy’s from her college days. She makes me swear on a carton of Ben & Jerry’s not to lose it.
The inside of Mollie Stone’s feels more like a provisions cathedral than a supermarket. Along either side of the aisles sweet indulgences dazzle the nose and promises of edible heaven line the shelves. At the fish counter the whole of the sea bed from San Francisco to Patagonia lies outstretched and odourless upon its icy lilo. Trial titbits of this and that lie in wait round each corner to assault your senses and dizzy you into a purchase. A sales clerk lurks about to take your money while your eyes are still in reflex action. There are six varieties of sun-dried tomato, twenty-four styles of chocolate biscuit, spaghetti in seven flavours. In the fruit and veg section organic Guatemalan mange tout fight for space with Napa Valley chanterelles and things I’ve never heard of. There’s no lettuce, as such, only Batavia, Butternut, Beet leaf, Romaine, Radicchio, Rocket and Stone’s special selection, all ready to go. The whole store reeks of money. Northern California reeks of it.
Turning left at the end of the Oakland Bay Bridge I find myself in Emeryville, a strip of waterfront warehouses, malls, parking lots and golf driving ranges looking out over the black quays of Oakland to San Francisco. Mr Payback, billed as the world’s first interactive movie is playing at a specially converted theatre in the United Artists multiplex just round the corner.
A typical matinée crowd of truant teens, retired couples, students and lonely housewives beats about the ticket counter chewing popcorn and waiting for friends or for the start of their movies. Further inside the overactive air conditioning blows the smell of estery butter sauce out through a series of metal vents into the larger space of the foyer. TV screens show clipped versions of the new releases to a scattering of people sitting on the padded benches set around the walls. An atmosphere of quiet separation prevails, lending the building the genteel air of a public records office with all its dark secrets locked up in mysterious boxrooms off to the sides.
While my eyes are still adjusting to the shade in theatre five, six Chinese boys press past, heading towards the screen, murmuring, ‘Hey, cool,’ at their first sighting of the modified seats, each fitted with a joystick carrying three buttons in green, orange and yellow. I check my ticket, move down the steps to row L and settle myself into a seat behind the boys. The speakers begin to spew out soft rock numbers by Bread and Captain Beefheart. Within seconds of finding their places, the boys have already mastered their joysticks and are lost in a thick din of clicking thumb candy. Aside from myself and the boys, huddled