When The Lights Go Out: The addictive new thriller from the bestselling author of The Good Girl
I don’t know what to say. I know I should say something, something empathetic. I should commiserate. But instead I ask, “How did she die?” because I can’t help myself. I want to know, and there’s a part of me convinced she wants me to ask.
“A hit-and-run,” she admits while dropping into an empty armchair in the corner of the room. Same one that I’ve spent the last few days in. She tells me how the girl wandered into the street when she and her husband weren’t paying attention. It was a four-lane road with a speed limit of just twenty-five as it twisted through the small seaside town. The driver rounded a bend at nearly twice that speed, not seeing the little girl before he hit her, before he fled.
“He,” she says then. “He.” And this time, she laughs, a jaded laugh. “I’ll never know one way or the other if the driver was male or female, but to me it’s always been he because for the life of me I can’t see a woman running her car into a child and then fleeing. It goes against our every instinct, to nurture, to protect,” she says.
“It’s so easy to blame someone else. My husband, the driver of the car. Even Madison herself. But the truth is that it was my fault. I was the one not paying attention. I was the one who let my little girl waddle off into the middle of the street.”
And then she shakes her head with the weariness of someone who’s replayed the same scene in her life for many years, trying to pinpoint the moment when it all went wrong. When Madison’s hand slipped from hers, when she fell from view.
I don’t mean for them to, but still, my eyes fill with tears as I picture her little girl in her purple swimsuit, lying in the middle of the road. One minute gathering seashells in the palm of a hand, and the next minute dead. It seems so tragic, so catastrophic, that my own tragedy somehow pales in comparison to hers. Suddenly cancer doesn’t seem so bad.
“I’m sorry,” I say. “I’m so sorry,” but she shoos me off and says no, that she’s the one who should be sorry. “I didn’t mean to make you sad,” she says, seeing my watery eyes. “Just wanted you to know that I can empathize. That I can relate. It’s never easy losing someone you love,” she says again, and then stands quickly from the armchair, gets back to tending to Mom. She tries to change the subject. “Feeling tired yet?” she asks again, and this time I tell her I don’t know. My body feels heavy. That’s as much as I knew. But heavy and tired are two different things.
She suggests then, “Why don’t I tell you a story while we wait? I tell stories to all my patients to help them sleep.”
Mom used to tell me stories. We’d lie together under the covers of my twin-size bed and she’d tell me about her childhood. Her upbringing. Her own mom and dad. But she told it like a fairy tale, like a once upon a time kind of story, and it wasn’t Mom’s story at all, but rather the story of a girl who grew up to marry a prince and become queen.
But then the prince left her. Except she always left that part out. I never knew if he did or if he didn’t, or if he was never there to begin with.
“I’m not your patient,” I remind the nurse but she says, “Close enough,” while dimming the overhead lights so that I can sleep. She sits down on the edge of my bed, pulling the blanket clear up to my neck with warm, competent hands so that for one second I envy Mom her care.
The nurse’s voice is low, her tone flat so she doesn’t wake Mom from her deathbed. Her story begins somewhere just outside of Moab, though it doesn’t go far.
Almost at once, my eyelids grow heavy; my body becomes numb. My mind fills with fog. I become weightless, sinking into the pitted hospital bed so that I become one with it, the bed and me. The nurse’s voice floats away, her words themselves defying gravity and levitating in the air, out of reach but somehow still there, filling my unconscious mind. I close my eyes.
It’s there, under the heavy weight of two thermal blankets and at the sound of the woman’s hypnotic voice, that I fall asleep. The last thing I remember is hearing about the snarling paths and the sandstone walls of someplace known as the Great Wall.
When I wake up in the morning, Mom is dead.
I slept right through it.
May 16, 1996 Egg Harbor
Aaron showed me the house today. I’m in love with it already—a cornflower blue cottage perched on a forty-five-foot cliff that overlooks the bay. Pine floors and whitewashed walls. A screened-in porch. A long wooden staircase that leads down to the dock at the water’s edge where the Realtor promised majestic sunsets and fleets of sailboats floating by. Quaint, charming and serene. Those are the words the Realtor used. Aaron, as always, didn’t say much of anything, just stood on the balding lawn with his hands in the pockets of his jeans, staring out at the bay, thinking. He’s recently taken a job as a line cook at one of the restaurants in town, a chophouse in Ephraim. The cottage will more than cut his commute time in half. It’s also a steal compared to our current mortgage, and set on two acres of waterfront land that spans the heavily wooded backcountry to the rocky shores of Green Bay.
And there’s a garden. A ten-by-twenty-or thirty-foot space overrun with brambles and weeds. It’s in need of work, but already Aaron has promised raised beds. There is a greenhouse, a sorry sight if I’ve ever seen one, set in a sunnier patch of the yard where the grass still grows. Small, shedlike, with aged glass windows and some sort of clear, corrugated roof meant to attract the sun. The door hangs cockeyed, one of its hinges broken. Aaron took a look and said that he can fix it, which comes as no surprise to me. There isn’t a thing in this world that Aaron can’t fix. Cobwebs cling to the corners of the room like lace. Already I’m imagining rows and rows of peat pots of soil and seed soaking up the sun, waiting to be transported into the garden.
Nearby, a swing hangs from the mighty branch of a burr oak tree. It was the tree that cinched it for me. Or maybe not the tree itself, but the promise of the tree, the notion of children one day causing ruckus and mayhem on the tree’s swing, three feet of lumber fastened to the branch with a sturdy rope. I envision them climbing deep into the divots of the tree’s trunk and laughing. I can hear them already, Aaron’s and my unborn children. Laughing and screaming in delight.
Aaron asked if I loved it as much as him, and I didn’t know if he meant whether I loved the cottage as much as I love him, or if I loved the cottage as much as he loves the cottage, but either way I told him I did.
Aaron left the Realtor with our bid. It’s a buyer’s market, he said, trying to finagle the asking price down a good 10 percent. Me, I would have paid asking price, too afraid to lose the cottage otherwise. Tomorrow we’ll know if it’s ours.
Tonight I won’t sleep. How is it possible to love something so much, to want something so badly, when only hours ago I didn’t know it existed?
July 1, 1996 Egg Harbor
The boxes are plentiful. There is no end to the number of cardboard boxes the movers carry through the front door, delivering them to their marked rooms—living room, bedroom, master bath—stomping across our home in dusty work boots. Sixteen hundred square feet of space needing to be filled as Aaron and I divvied up our gender-appropriate tasks, he directing the movers with couches and beds while I unpacked and washed the dishes by hand and placed them in the cabinets. I watched the many laps they took, each man’s head beginning to glimmer with sweat. Aaron’s too, though he hardly carried a thing, and yet the authority in his voice, the obvious clout as grown men trailed him through our home, heeding his every word, was enough to catch my eye. I watched him round the home time and again, wondering how I was so lucky to have him all to my own.
It wasn’t like me to be lucky in love. Not until I met Aaron. The men who came before him were deadbeats and drifters, bottom-feeders. But not Aaron. We dated for a year before he proposed. Tomorrow we celebrate two years. Soon there will be kids, a whole gaggle of little ones spinning circles at our feet. As soon as we’re settled,