portion of Louis’s attention he hadn’t claimed already. “I bought this station eight years ago,” he said. “It had real strong local noose coverage, popular music, also Bruins games. For eight years I try to remove politics from WSNE. It’s my ‘American Dream’—a station where people talk all day long (no music—it’s cheat-ting!) and not a WORD about politics. This is my American Dream. Radio with talk all day and no ideology. Let’s talk about art, philosophy, humor, life. Let’s talk about being a human being. And closer I come to my goal—you can plot this on the graph, Louis—closer I come to my goal, fewer people listen to me! Now we have one hour of current events all total in the morning, and people listen for that one hour of noose. We all know Jack Benny is more fun than Geneva arm talks. But take away Geneva and they stop listening to Jack Benny. This is the way people are. I know this. I have it plotted on a graph.”
He grouped his fingers and tweezed a cigarette out of a Benson & Hedges pack. “Who’s the girl?” he asked, inclining his head towards a snapshot in a half-open drawer. The young woman in the picture had dark rings beneath her eyes and a shaved head.
“A person I knew in Houston,” Louis said.
Alec ducked, and ducked again as if to say: Fair enough. Then he ducked once more, very affirmatively, and left the office without another word.
After work on Friday Louis drove his six-year-old Civic down the Mass Pike into Boston and parked it on the top level of a garage with the dimensions and profile of an aircraft carrier. A wind from the east lent a forlorn sort of finality to his carleaving procedure, which involved peering in through the driver-side window, slapping the keys in his pants pocket, lifting the handle of the locked driver-side door, slowly circling the car and checking the passenger-side door, slapping the keys again, and giving the machine a last, hard, worried look. He was due to meet Rita Kernaghan at the RitzCarlton in two hours.
An advancing warm front had begun to curdle the clear blue of the sky. In the North End, a slender neon boot named ITALIA kicked a monstrous neon boulder named SICILIA. It was impossible to escape the words MEAT MARKET. The Italians who lived here— old women who stalled on the sidewalks like irrationally pausing insects, their print dresses gaping at the neck; young car owners with hairstyles resembling sable pelts—seemed harried by a wind the tourists and moneyed intruders couldn’t feel, a sociological wind laden with the dank dust of renovation, as cold as society’s interest in heavy red sauces with oregano and Frank Sinatra, as keen as Boston’s hunger for real estate in convenient white neighborhoods. MEAT MARKET, MEAT MARKET. Midwestern tourists surged up the hill. A pair of Japanese youths sprinted past Louis, their fingers in green Michelin guides, as he approached the Old North Church, whose actual cramped setting immediately and quietly obliterated the more wooded picture his mind had formed before he saw it. He skirted an ancient cemetery, thinking about Houston, where summer had already arrived, where the downtown streets smelled of cypress swamps and the live oaks shed green leaves, and remem bering a conversation from a humid night there—You’ll be lucky next time. I swear you will. In the buildings facing the cemetery he saw white interiors, entertainment equipment as blatant as ICU technology, large toys in primary colors in the middle of barren rooms.
On Commercial Street there were a thousand windows, bleak and square unornamented windows reaching up as high as the eye cared to wander. Pale green, opaque, unblinking and excluding. There was no trash on the ground for the wind to disturb, nothing for the eye to rest on but new brick walls, new concrete pavement, and new windows. It seemed as if the only glue that kept these walls and streets from collapsing, the only force preserving these clean and impenetrable and uninspired surfaces, was deeds and rents.
Out of Faneuil Hall, haven of meaning and purpose for weary sightseers, there blew a smell of fat: of hamburgers and fried shellfish and fresh croissants and hot pizzas, and chocolate chip cookies and french fries and hot crab meat topped with melted cheese, and baked beans and stuffed peppers and quiches and crispy fried Oriental Nuggets with tamari. Louis slipped in and out of an arcade to appropriate a napkin and blow his nose. The walking and the cold air had numbed him to the point where the entire darkening city seemed like nothing but a hard projection of an individual’s loneliness, a loneliness so deep it muted sounds—secretarial exclamations, truck engines, even the straining woofers outside appliance stores—till he could hardly hear them.
On Tremont Street, under the gaze of windows now transparent enough to reveal unpopulated rooms full of wealth’s technology and wealth’s furnishings, he found himself bucking a heavy flow of anti-abortion demonstrators. They were spilling over the curb into the street as they marched towards the State House. Everybody seemed to be on the verge of angry tears. The women, who were dressed like stewardesses and gym teachers, held the stakes of their placards rigidly vertical, as if to shame the lightness with which other kinds of protesters carried placards. The few men in the crowd shuffled along empty-handed and empty-eyed, their very hair disoriented by the wind. From the way both the men and the women huddled together as they marched, sullenly dodging other pedestrians, it was clear that they’d come to the Common expecting active persecution, the modern equivalent of hungry lions and a jaded crowd of heathen spectators. Interesting, then, that this valley of the shadow was lined with restaurants, deluxe hotels, luggage stores, cold windows.
Louis emerged from the rear of the parade with his necktie on. He’d tied it while avoiding STOP THE SLAUGHTER signs.
It took him more than an hour, at a much-bumped table in the dusky Ritz bar, to realize that Rita Kernaghan had stood him up. The gin and tonic he’d ordered automatically turned his face a stoplight red, and the one conversation that kept surfacing in the sea of vying voices concerned eunuchs. He soon figured out that the word was UNIX, but he kept hearing eunuchs, the great thing about eunuchs, with eunuchs you can-do, I hated eunuchs, I resisted eunuchs, eunuch’s budding monopoly. “I feel very sick,” he murmured aloud every few minutes. “I feel very sick.” Finally he paid and went out through the lobby to find a telephone. He had to swerve around a trio of businessmen who might have been identical triplets. Their mouths moved like the mouths of latex dolls:
You feel it?
We couldn’t, here.
Are you calling me a liar?
The time was 7:10. Louis called directory assistance and to the question of what city, said: Ipswich. The instrument he was using was drenched with a cologne to which he might have been allergic, so denaturing was its effect on his nasal membranes. He let Rita Kernaghan’s number ring eight times and was about to hang up when a man answered and said in a dead, low, institutional voice: “Officer Dobbs.”
Louis asked to speak with Mrs. Kernaghan.
Eunuchs, cologne, fetus. Dobbs. “Who’s calling.”
“This is her grandson.”
Over the line came the wa-wa of palm on mouthpiece and a voice in the background, followed by silence. At length a different man spoke, one Sergeant Akins. “We’re going to need some information from you,” he said. “As you probably know, there’s been an earthquake up here. And you’re not going to be able to speak with Mrs. Kernaghan, because Mrs. Kernaghan was found dead a few hours ago.”
At this point the synthetic operator began to insist on more coins, which Louis fumbled to supply.
Like Rome, Somerville was built on seven hills. The apartment in which Louis had found a share opportunity was on Clarendon Hill, the westernmost of the seven and, by default, the greenest. Elsewhere in the city, trees tended to be hidden behind houses or confined to square holes in the sidewalks, where children tore their limbs off.
Earlier in the century Somerville had been the most densely populated city in the country, a demographic feat achieved by spacing the streets narrowly and dispensing with parks and front lawns. Clapboard triple-deckers encrusted the topography. They had polygonal bays or rickety porches stacked three high, and they were painted in color combinations