The Tourist. Olen Steinhauer

cheeks, shouting at errant children. The elderly tourists move in packs, clutching walkers or fooling with wheelchairs, while the young stop periodically to bitch about the hard sidewalks and whisper, surprised, about how many black people there are in Paris.

      Most of them, just before leaving home, watched Gene Kelly and Leslie Caron dance through white-bread streets and are shocked by today’s rues and avenues. Instead of fat old men with mustaches offering slices of cheese with aperitifs, they’re faced with white boys in dirty dreadlocks playing movie sound tracks on beat-up guitars, suspiciously pushy Africans selling miniature Eiffel Towers and models of the Louvre pyramid, and hordes of tourists like themselves, guided by stern elderly French women waving colored flags to keep them on track.

      Of course, there was plenty of beauty in Paris, but, given his reason for being there, Milo could hardly see it.

      He found a bench at the Place de la Concorde end of the park, facing tree-lined Avenue Gabriel and the embassy at number 2. He gave a smile to the old woman beside him on the bench, surrounded by pigeons. She returned his smile and tossed crumbs at the birds. It was only twelve ten, so he searched his pockets for cigarettes before guilt overwhelmed him and he let them be. He crossed his arms over his chest and stared at the white wedding-cake building with three uniformed marines in its yard wearing automatic rifles.