Chris Jordan

Torn


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operations desk for many hours. His work hampered by the fact that he dare not use cell, e-mail, or text in the certain knowledge that his adversaries—mostly notably the Ruler security chief, Bagrat Kavashi—have broken his personal cipher and are monitoring all electronic communication coming from the Bunker.

      All of which makes it difficult to marshal his forces, keep them informed. Difficult but not impossible. Back in the day, when Rulers were few, none of those media existed, and yet still he helped build an enterprise whose power and influence extended from Wall Street to the upper echelons of government. And now the entire organization is in grave danger. The county, the village, the institute itself—everything he’s helped forge, build, and create could be destroyed by the willful actions of one woman, in league with her ruthless security chief.

      Weems rises from his command post, goes to the window slit, allows himself to be bathed by the slash of sunlight pouring through the two-foot thickness of the concrete bunker. He has many flaws, but physical vanity is not among them—he’s keenly aware of a homeliness that has not improved with age. At sixty-three his hatchet nose, wattled throat, and severe underbite make him look like an old tortoise without a shell. The curvature of his upper spine, naturally drooping shoulders, and dark, deep-set eyes add to the effect.

      Long ago he accepted his ugliness, learned how to use it to his advantage. Blessed with a resonant voice, he honed his speaking abilities, perfected his courtly good manners, his natural deference. So that, despite an aspect that can make people cringe at first sight, he tends to make a favorable impression in the long run. Those who offer loyalty are always rewarded. Those who misjudge him do so at their peril.

      The woman has misjudged him. But that doesn’t mean she’s not exceedingly dangerous, that the inevitable implosion of her ambition might not be powerful enough to destroy all those around her, the innocent and the guilty alike.

      Behind him a vault door slides open.

      “Evangeline,” he says without turning.

      “You rang, sir?”

      His tortoise head swivels, dewlaps quivering.

      “That’s a joke, Wendall,” she informs him. “The Addams Family, I think. That makes you Lurch the butler. Take away his chin, there’s a distinct resemblance.”

      Weems happens to know she just turned fifty-five, although you’d never know it. The miracles of nip and tuck, priceless ointments, personal trainers, and a low-calorie diet composed, from what he can see, of little more than twigs. Twigs and malice, for never has he known a woman who harbors so many self-sustaining resentments. Her blood must be acid by now, and her eyes, still large and beautiful and hopelessly compelling despite surgical tightening, have, at a closer examination, the sheen of cold anthracite. Animal eyes peering out through a lovely human mask.

      She plops down in his chair, smiling as she takes possession. “Kind a Star Trek thing you’ve got going here,” she observes. “‘Ruler Weems on the bridge, sir!’”

      “You seem to have vintage television shows on your mind,” he says. “TV will rot your brain, Eva. It may already have done so, if what I hear is true.”

      The smile chills.

      “You’ve put us all in danger,” he says. “Terrible, destructive, senseless danger. Are you crazy?”

      The smile stays frozen, but the beautiful eyes are amused. “You know what, Wendall?” she says, somehow swiveling her hips and the chair in the same subtle motion. “You need to grow you some gonads. Doing nothing is not a policy. It’s not a strategy. It’s simply doing nothing.”

      “He wouldn’t want this.”

      “And how would you know what Arthur wants?” she says, taunting. “He hasn’t spoken to you in months.”

      “I visit his bedside many times a day,” Weems responds, defensive despite himself. “He speaks to no one. That part of his mind has been damaged.”

      “He speaks to me,” she insists.

      “Prove it,” he suggests. “Make a digital recording.”

      “It’s more a mind-meld kind of thing,” she says with a seductive smile, shaping her recently plumped lips. “I look into his eyes and I know what he wants. I know it as deeply and as surely as if he’s spoken. Arthur is beyond words now. He wants me to act as his voice to the world.”

      Weems sighs, puts a hand to his forehead, intending to shield the flash of cold rage in his eyes. “If it was only speaking, that would be one thing,” he says, in his most reasonable voice. “But to hatch this lunatic plot? Endangering God knows how many children? To put us all at risk of arrest? Not to mention what it will do to recruitment and revenues if the truth comes out. It’s insane, Eva. And whatever our differences, I never doubted your sanity.”

      “There is no God.”

      “What?”

      “You just said ‘God knows how many children.’”

      “It’s an expression, Eva. Don’t try to change the subject. You reached out, willful and shameless in your ambition, you set loose a man you know is capable of murder, and now terrible things are going to happen in some little town that’s never done us any harm. If your hand is found in this, and surely it will be, we’ll all be destroyed.”

      She laughs. “Wendall, don’t be so dramatic. You sound like some old fruit from a daytime drama. ‘Dear me, we shall all of us be destroyed!’ You’re being ridiculous. No one will ever know—Vash will see to that, and when it’s all over, Arthur’s wish will have been carried out.”

      “And you’ll take control of the entire organization. You, speaking for Arthur, with the help of that thug Kavashi.”

      “Pretty much, yeah.”

      “And where do I figure in your great plan? Me and those I represent?”

      She shrugs. “You don’t. Retire. Write your own book. Start another enterprise. It makes no difference to me. You and all your friends ride off into the sunset, that’s the bottom line.”

      “Which you think will happen because why? Because you want it to?”

      “No, Wendall. Because he wants it to.”

      Weems shakes his head. They’ve had variations on this conversation before, never settled anything. “You lie so well,” he says, almost with admiration. “If I didn’t know better.”

      “When it comes to lying, I stand on the shoulders of giants.”

      “Naked ambition,” he says.

      She stands up from his custom-built command chair, strokes her hands on her hips playfully. Poisonously. “What are you saying, Wendall? You want to see me naked? Does little Wendy have a woody for pretty wittle Eva the Diva?”

      “Get out,” he says.

      She gives him an air kiss as she passes him by. “You’ll try and stop me,” she whispers huskily. “You’ll fail.”

      7. The Bad Clown

      Most of the kids, as they stream into the bleacher seats, contrive to sit with friends. The teachers remain at the aisles, directing traffic, making sure the individual homerooms don’t get blended. Order must be maintained or, as Mrs. Delancey is fond of saying, all heck will break out.

      All heck. Noah loves the way she says it—the twinkle in her eye—and also her other favorite phrases like “think smart and you’ll be smart” and “one fish doesn’t make a school,” which she had to explain to some of the slower kids wasn’t about school construction but the way fish—and people—react to other fish and people.

      Although most of his classmates find Noah interesting or at least entertaining, he doesn’t have