I think back to our conversation on the lake, struck that my words had such an effect on him. “I’m sorry if I was preachy.”
“You were right.” He reaches across the table and takes my hand once more. “You reminded me who I used to be before the war. I want to be that person again.” This time I do not pull away.
Henryk appears at the table then and clears his throat. “Dessert?”
Remembering the chocolate torte earlier, I am tempted, but I don’t want to appear unladylike. “I couldn’t possibly.”
“I think we’d best be going,” Paul adds, handing Henryk several bills.
Henryk puts the money in his apron pocket without counting it. “Before you go I would like for Mademoiselle Marta to meet my Marie.” Before either Paul or I can respond, Henryk takes me by the arm and leads me through the restaurant. The dark-haired woman at the piano stops playing midsong as we approach. Up close, she is elegant, with sparkling green eyes and large gold hoop earrings. Henryk speaks to her in French, then turns to me. “This is my wife.”
Marie stands and takes my hand, her bangle bracelets jingling. “Enchanté.” She turns to her husband, speaking rapidly in French, still holding my hand.
“My wife is quite good at reading palms,” Henryk says. “She wants to know if she can look at yours.”
I hesitate. Growing up in Poland, I had heard of gypsies from the Roma community who could tell the future from the lines of the palm, but I have never met anyone who claimed she could actually do it. I shrug.
Henryk nods to his wife. She turns my hand over, cradling it in hers. Then she raises it to the light, running her thumb over my palm several times, and speaking to Henryk, who translates. “You have suffered through hard times.” That is hardly a prediction, I think. Everyone suffered during the war. “But your life line is strong, and your heart line is very deep. You will have great love …?” As he says this, Henryk looks meaningfully at Paul, who has come up behind me. I shiver. “And that love,” Henryk prompts, but Marie stops, placing her hand on Henryk’s arm to silence him. A troubled look crosses her face. She runs her hand over my palm twice, as if wiping something away. Then she drops my hand as if it is hot and looks up, shaking her head.
“What is it?” I ask.
“Nothing,” Henryk replies quickly, but I can tell from his tone and his wife’s expression that there is more. “I should get back to the other guests.”
“Of course,” Paul replies, shaking Henryk’s hand as Marie turns back to the piano. We make our way to the front of the restaurant and onto the street. It is getting dark now and the gaslights have come on, casting a yellow glow on the pavement. “They’re lovely people, but palm reading is a silly game.”
“Perhaps,” I reply slowly, still troubled by Marie’s refusal to say all that she had seen.
“Are you tired?” Paul asks. I shake my head quickly, not wanting my night with Paul to end. “Good. Why don’t we walk?” He leads me away from the restaurant along a winding street. The buildings here are narrow, seeming to lean on one another. Voices and laughter spill out from the cafés and bars onto the street. Paul points at the window of an apartment on the third floor of one of the buildings, illuminated in yellow light. A young woman sits on a bed reading to three small children clustered around her. “Can you imagine growing up here?”
I do not answer. In my mind, I imagine this street during the occupation. What had those children been through? I think then of the children in the ghetto orphanage where my mother and Emma had worked. What had become of them? I wonder, my stomach aching at the memory.
We walk in comfortable silence. Soon the street ends at the river. “Look.” Paul points to an island where an enormous cathedral sits, its turrets and buttresses bathed in light. “Notre Dame.” I stop, staring up at the massive structure. The church that seemed so massive when I sought shelter the previous night is dwarfed by comparison. “You know, they call Paris the City of Lights,” Paul offers.
I continue to gaze at Notre Dame as Paul leads me left along a path that runs parallel to the Seine. Soon we reach a wide stone bridge that crosses the river. “Careful,” he says, taking me by the arm to guide me onto the pedestrian sidewalk, away from the cars that race on and off of the bridge. A jolt of electricity runs through me. Would I ever be able not to shiver at his touch? “This is the Pont Neuf, the oldest bridge in Paris.” He whistles softly under his breath as we make our way across the bridge. When we reach the midpoint, he stops, pointing at the skyline in the opposite direction from Notre Dame. “Look.”
In the distance, I can see the Eiffel Tower, climbing toward the sky. I lean against the wall of the bridge, staring. “This city … I mean, I couldn’t have imagined …”
“It kind of defies words,” Paul agrees, moving so that he is standing close behind me. “Hard to believe just a few months ago it was still occupied by the Germans.” He puts his arms around me from behind and I can feel his warmth, his heart beating against my back. Other than our brief embrace in the bar, we have not been this close since Salzburg. My desire swells and breaks wide open.
Suddenly, there is shouting on the street behind us, followed by a series of small explosions. We turn toward the commotion. “What on earth …?” Paul steps forward, putting me behind him protectively. His hand drops to the gun holstered at his waist. There is more shouting, followed by someone singing. On the bridge, traffic has stopped. Car horns begin to blare.
“Sounds like a celebration of some sort,” I suggest.
Paul does not answer but takes my hand and leads me across the bridge to the street, where a small crowd has gathered, shouting and cheering. Some people are drinking directly from bottles, others dancing alone or in pairs. The gathering swells as dozens more revelers come running from all directions. Paul grabs an American soldier by the sleeve as he runs past us. “What’s going on?”
“The Japs have surrendered. The war is over!” The soldier lets out a whoop, then continues running to join the crowd.
Paul turns to me and we stare at each other, too stunned to speak. “The war is over,” he repeats at last. He bends down and picks me up. “The war is over!” He spins me around, faster and faster, until the city is just a blur of lights. Then he sets me down, his arms still around me. We look at each other breathlessly for several seconds. Suddenly he brings his lips to mine, and without hesitation I am kissing him back, my mouth open, body pressed tight to his. It is as if we will never stop, as if the street and the people and the world around us no longer exist.
There are more explosions, breaking us apart. “I’m sorry,” Paul says quickly.
“Don’t be. I’m not.” I take a step back, smoothing my skirt. “Look.” I point across the water. Bright flashes of light, red and blue, fill the night sky.
“Fireworks,” Paul remarks. I nod, staring in wonder at the waves of color that fill the sky like confetti. I have heard of fireworks but never seen them before. “You would think after all of the bombings, everyone would have had enough of things exploding,” he says a minute later. “Let’s get out of here.” For a second I hope we will return to the bridge and gaze at the skyline once more. But he leads me through the streets back, I can tell, toward the Servicemen’s Hotel. The war is over, I think, as we walk in silence. I was thirteen years old when the war began and I spent the past six years running for my life.
“What are you thinking?” Paul asks.
“Lots of things. Mostly about what I lost during the war.”
He smiles. “Careful, you’re starting to sound like me.”
Recalling how I had chastised him for self-pity the night on the lake, I laugh. “I suppose I am. I really was preachy, wasn’t I?”
“Not at all. You were right about being grateful to be alive, earning the chance we’ve been given. And now, with the war ending, getting