the sunlight winks off its steel-green coachwork. The roof is folded back to leave the top open; music emanates from a mechanical device within, not the raucous drumbeat of the rabble but a music of deep notes and mellow harmonies, flowing like the hills. The girl is driving the car. She looks different, older, her small-boned face hollowed into shape, tapering, purity giving way to definition, a slight pixie-look tempered by the familiar gravitas. More than ever, it is a face of secrets. Her hair is cut in a straight line across her brow and on level with her jaw. As the car accelerates the wind fans it out from her temples and sweeps back her fringe, revealing that irregularity of growth at the parting that we call the Witch’s Crook. Her mouth does not smile. Her companion – another girl – is of no importance. I resist the urge to look too closely, chary of alarming her, plucking Sysselore away from the smoke and letting the picture haze over.
When we need her, we will find her. I know that now.
We must be ready.
She felt it only for an instant, like a cold prickling on the back of her neck: the awareness that she was being watched. Not watched in the ordinary sense or even spied on, but surveyed through occult eyes, her image dancing in a flame or refracted through a crystal prism. She didn’t know how she knew, only that it was one of many instincts lurking in the substratum of her mind, waiting their moment to nudge at her thought. Her hands tightened on the steering wheel. The sensation was gone so quickly she almost believed she might have imagined it, but her pleasure in the drive was over. For her, Yorkshire would always be haunted. ‘Fern –’ her companion was talking to her, but she had not registered a word ‘– Fern, are you listening to me?’
‘Yes. Sorry. What did you say?’
‘If you’d been listening you wouldn’t have to ask. I never saw you so abstracted. I was just wondering why you should want to do the deed in Yarrowdale, when you don’t even like the place.’
‘I don’t dislike it: it isn’t that. It’s a tiny village miles from anywhere: short stroll to a windswept beach, short scramble to a windswept moor. You can freeze your bum off in the North Sea or go for bracing walks in frightful weather. The countryside is scenic – if you like the countryside. I’m a city girl.’
‘I know. So why –?’
‘Marcus, of course. He thinks Yarrowdale is quaint. Characterful village church, friendly local vicar. Anyway, it’s a good excuse not to have so many guests. You tell people you’re doing it quietly, in the country, and they aren’t offended not to be invited. And of those you do invite, lots of them won’t come. It’s too far to trek just to stay in a draughty pub and drink champagne in the rain.’
‘Sounds like a song,’ said Gaynor Mobberley. ‘Champagne in the rain.’ And: ‘Why do you always do what Marcus wants?’
‘I’m going to marry him,’ Fern retorted. ‘I want to please him. Naturally.’
‘If you were in love with him,’ said Gaynor, ‘you wouldn’t be half so conscientious about pleasing him all the time.’
‘That’s a horrible thing to say.’
‘Maybe. Best friends have a special licence to say horrible things, if it’s really necessary.’
‘I like him,’ Fern said after a long pause. ‘That’s much more important than love.’
‘I like him too. He’s clever and witty and very good company and quite attractive considering he’s going a bit thin on top. That doesn’t mean I want to marry him. Besides, he’s twenty years older than you.’
‘Eighteen. I prefer older men. With the young ones you don’t know what they’ll look like when they hit forty. It could be a nasty shock. The older men have passed the danger point so you know the worst already.’
‘Now you’re being frivolous. I just don’t understand why you can’t wait until you fall in love with someone.’
Fern gave a shivery laugh. ‘That’s like … oh, waiting for a shooting star to fall in your lap, or looking for the pot of gold at the foot of the rainbow.’
‘Cynic.’
‘No. I’m not a cynic. It’s simply that I accept the impossibility of romantic idealism.’
‘Do you remember that time in Wales?’ said her friend, harking back unfairly to college days. ‘Morwenna Rhys gave that party at her parents’ house on the bay, and we all got totally drunk, and you rushed down the beach in your best dress straight into the sea. I can still see you running through the waves, and the moonlight on the foam, and your skirt flying. You looked so wild, almost eldritch. Not my cool, sophisticated Fern.’
‘Everyone has to act out of character sometimes. It’s like taking your clothes off: you feel free without your character but very naked, unprotected. Unfinished. So you get dressed again – you put on yourself – and then you know who you are.’
Gaynor appeared unconvinced, but an approaching road junction caused a diversion. Fern had forgotten the way, and they stopped to consult a map. ‘Who’ll be there?’ Gaynor enquired when they resumed their route. ‘When we arrive, I mean.’
‘Only my brother. I asked Abby to keep Dad in London until the day before the wedding. He’d only worry about details and get fussed, and I don’t think I could take it. I can deal with any last minute hitches. Will never fusses.’
‘What’s he doing now? I haven’t seen him for years.’
‘Post-grad at York. Some aspect of art history. He spends a lot of time at the house, painting weird surreal pictures and collecting even weirder friends. He loves it there. He grows marijuana in the garden and litters the place with beer cans and plays pop music full blast; our dour Yorkshire housekeeper pretends to disapprove but actually she dotes on him and cossets him to death. We still call her Mrs Wicklow although her Christian name is Dorothy. She’s really too old to housekeep but she refuses to retire so we pay a succession of helpers for her to find fault with.’
‘The old family retainer,’ suggested Gaynor.
‘Well … in a way.’
‘What’s the house like?’
‘Sort of grey and off-putting. Victorian architecture at its most unattractively solid. We’ve added a few mod cons but there’s only one bathroom and no central heating. We’ve always meant to sell it but somehow we never got around to it. It’s not at all comfortable.’
‘Is it haunted?’
There was an appreciable pause before Fern answered.
‘Not exactly,’ she said.
They had been friends since their days at college, but Gaynor sometimes felt that for all their closeness she knew little of her companion. Outwardly, Fern Capel was smart, successful, self-assured, with a poise that more than compensated for her lack of inches, a sort of compact neatness which implied I am the right height; it is everyone else who is too tall. She had style without flamboyance, generosity without extravagance, an undramatic beauty, a demure sense of humour. A colleague had once said she ‘excelled at moderation’; yet Gaynor had witnessed her, on rare occasions, behaving in a way that was immoderate, even rash, her slight piquancy of feature sharpened into a disturbing wildness, an alien glitter in her eyes. At twenty-eight, she had already risen close to the top in the PR consultancy where she worked. Her fiancé, Marcus Greig, was a well-known figure of academe who had published several books and regularly aired both his knowledge and his wit in the newspapers and on television. ‘I plan my life,’ she had told her friend, and to date everything seemed to be proceeding accordingly, smooth-running and efficient as a computer programme. Or had it been ‘I planned my life’? Gaynor wondered, chilling at the thought, as if, in a moment of unimaginable panic and rejection, Fern had turned her back on natural disorder, on