to do it. The Herefords chewed, every jaw moving anti-clockwise, as a tendril grows. Round them the grass stood unmoving, hazed over with a shimmering reddish tinge, ready for hay. The bushes, too, were motionless, but from the crowded stalks and the dense hedges there came a perpetual furtive humming, whining and rustling which suggested an alarming amount of activity out of sight. Twigs snapped and dropped from above, sticky threads drifted across from nowhere, there seemed to be something like an assassination, on a small scale, taking place in the tranquil heart of summer. Fred pounded steadily up the road, which had never been tarmacked and was deeply rutted with cart-tracks which the sun had dried to powder.
Having arrived at a course of action, you should go over it in your mind only once and then prevent yourself from thinking about it until the moment comes. Fred had already decided to speak separately to his mother and to his sisters, Hester aged twenty (he was sure about that) and Julia, who must be sixteen, as she seemed to have stopped learning anything. Separately, because they were scarcely ever in the same room or of the same opinion. There was a kind of agreement to disagree which, however, produced a perfectly orderly life, from day to day, in the Fairly household.
The Rectory had been built in 1830 with a solid dignity which, for the last twenty years or so, had been letting in the water everywhere. The front gate, however, was quite new, and had been designed by the Christian Arts and Crafts Guild of Coventry. It was made of pickled oak, carved and inlaid with copper medallions and what looked like small glazed saucers. The raised lettering read The Rectory, and below that, Welcome, Enter, Have no Fear, Simplicity and Quiet Dwell Here. These two lines, perhaps fortunately, were in a decorative celtic alphabet which was almost impossible to read. The gate had been a gift to the Rector’s predecessor who had been artistic, and it was almost the only part of the house in perfect working order.
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