The Last Runaway. Tracy Chevalier

right moment to be taken up again. Honor looked through the rosettes and stars she had already made, wondering what she should do with them. The shapes and colours – brown and green rosettes made from Grace and Honor’s old dresses, the beginning of a Bethlehem Star in different shades of yellow – reminded her of Dorset, and seemed foreign in the bright American sunlight. She did not think she could make something from them that would complement Ohio life. However, she was not ready to sit with pen and paper and work on a new design: it was too soon, and she needed a clear head, and inspiration.

      Honor glanced at Abigail’s quilt; if she were with her mother, or Grace, or her friend Biddy, she could offer to help if she did not want to work on her own project. However, she did not dare ask Abigail, who would doubtless take the offer the wrong way. Besides, Abigail’s quilt was in a style Honor could not imagine making: a floral appliqué of red flowers and green leaves spilling out of a red urn, sewn on to a white background. Honor had always preferred patchwork to appliqué, feeling that to sew pieces of fabric on top of large squares of material was somehow cheating, a shortcut compared to the harder task of piecing together hundreds of bits of fabric, the colours blended so that the whole was graduated and unified and made a pleasing pattern. Though some quilters despaired of the rigid geometry and the accuracy required for making patchwork, to Honor it was a happy challenge. Since coming to America she had seen these appliquéd quilts – usually red and white, sometimes with green as well – everywhere, in inns and guest houses, hanging on lines and over porch railings for airing. They were bright, cheerful, unsophisticated. Some of the quilting patterns were beautifully executed, of feathers or vines or grapes, sometimes padded so that the pattern stood out. But the overall look was not to her taste.