Robert J. Harris

Will Shakespeare and the Pirate’s Fire


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He thrust out his chin and jabbed an angry finger in the air.

      “I’ve no time for your fiddle-faddle,” he intoned. “I’m here on behalf of the Queen’s Commission to report any hints of treason or immorality. If you don’t step aside, I’ll have you in the stocks before you can cough!”

      Will’s father had held many prominent positions in Stratford, from ale-taster to bailiff, and he could assume the manner of a belligerent official as easily as putting on a hat.

      The stout man hastily swept off his cap and made a humble bow. “A thousand apologies, your honour,” he said. “Nobody told me there was to be an inspection.”

      “Only your ignorance makes me lenient,” said John Shakespeare, sweeping grandly past him. As they entered the great hall he turned to Will and said with a chuckle, “These fellows aren’t the only actors around here.”

      With that they passed through the door into a different world.

       3 The King Must Die

      A curtain had been hung across one end of the Guild Hall, giving the players a private place screened off from the audience. The whole area was filled with bustle as costumes were tossed about, props exchanged and scripts passed from hand to hand.

      A boy’s voice singing some sort of hymn filtered through the curtain and a moment later the boy himself came offstage, lifting his skirts as he traipsed down the small wooden steps. He was dressed as an oriental queen.

      Women were forbidden by law to appear on the stage, so female roles were played by clean-shaven young men. The boy was accompanied by two older men dressed as murderous ruffians with daggers in their hands.

      “Don’t handle me so rough out there,” the player queen complained peevishly. “You’re creasing me royal robes.” He pulled off his crown and the long black wig that was pinned to it, then rubbed a hand over the short-cropped hair beneath.

      One of the ruffians poked him with the butt end of his dagger and laughed. “It’s Cruel and Murder we’re playing, Tom, not Kind and Coddling.”

      A young man in the colourful patchwork costume of a clown was bounding up the steps. “Spice it up out there, Kemp!” one of the others encouraged him as he disappeared through the curtain. His appearance on stage brought a cheer of recognition from the crowd.

      There were seven or eight people backstage now, but they were milling around so busily they seemed like twice that number. Piled all about were boxes of fabric, boxes of wigs, pots of paint and flasks of powder. John Shakespeare bobbed this way and that, trying to see past them. Only slightly muffled by the curtain, Will could hear the clown declaiming on the stage:

       “Cambyses put a judge to death – that was a good deed – But to kill the young child was worse to proceed, To murder his brother, and then his own wife – So help me God and holydom, it is pity of his life!”

      At the far side of all the backstage bustle stood a regal figure with long white hair and a bushy beard, a painted plaster crown perched on his head. He was mouthing words off a script in his hand while a boy fastened a belt round his midriff. Sticking out from this belt was the hilt and half the blade of a wooden sword daubed with red paint.

      “There’s the man,” said John Shakespeare, elbowing his way through the other actors.

      The boy pulled down the makeshift king’s robe so that the fake sword poked out through a convenient rent in the purple cloth then stood back, regarding his work with satisfaction. “You’re properly done to death there, dad,” he said.

      “Harry!” said Will’s father, offering his hand. “Harry Beeston!”

      Beeston looked up from his script with a smile of recognition. “John Shakespeare!” he said, giving a vigorous handshake. “I heard you had – shall we say – retired from public life.”

      “You know what it is to have creditors hounding your tracks, Harry.”

      “I do indeed,” said Beeston, setting aside his script and making sure his crown was sitting straight. “You’ve come a bit late to catch my Cambyses, John. Show’s nearly done and we’re off in the morning.”

      “I didn’t come for the play,” Will’s father began.

      “No time to chat, John,” Beeston interrupted. “About to go on stage and die.”

      John Shakespeare put a restraining hand on Beeston’s arm as he made to go. “Cling to life a little longer, if you please, Harry,” he said. “My boy Will here’s in a spot of trouble, and you owe me a favour, if you recall.”

      Beeston tapped his head with his forefinger. “I keep an exact ledger of every kindness right here, be sure of that. What’s the pickle?”

      John Shakespeare leaned close so that only Beeston could hear him. “Sir Thomas Lucy’s after him for poaching.”

      “Lucy?” Beeston bristled at the name. “The villain that tried to ban our show? Claimed it was lewd – and seditious to boot?”

      “The very same, Harry.”

      “Then the favour’s yours, John. We’ll hoodwink that pompous poltroon.”

      One of the other players, who was peering round the edge of the curtain, turned and said, “There’s some trouble out there, Harry. A bunch of louts forcing their way through the crowd.”

      John Shakespeare took a look for himself and ground his teeth. “It’s Lousy Lucy and his men,” he said. “No time to waste, Harry.”

      Beeston tapped the boy who had been dressing him on the shoulder and pointed at Will. “Kit, trick him up in a wench’s garb. Quick change now!”

      “I’m not dressing up as a girl!” Will protested, raising his hands to keep Kit at bay.

      “Do as he says, Will!” said John Shakespeare sharply. “You stay with Harry and his crew until I tell you otherwise. I’ll get out front and stall Lucy and his boys.” He slipped around the curtain and out of sight.

      Will’s shoulders slumped and he let Kit pull an outsized crimson dress over his head, yanking it down to cover his filthy clothes. The boy tutted as he struggled to straighten out the folds on the ill-fitting gown. “We’re going to have to wash this as soon as it’s off.”

      “Briskly, Kit, briskly!” Beeston urged. “Must get him on stage before the squire’s men start poking around back here.”

      “On stage!” exclaimed Will in shock, as Kit planted a russet wig on his head. “Dressed like this?”

      Beeston tapped himself on the nose and winked. “A man can’t see what’s right under his nose, not unless his eyes fall out.” He whipped out a kerchief and wiped the worst of the dirt from Will’s face. “A spot of red there, Kit, that should set the whole thing off.”

      Kit brushed the trailing locks of the wig aside and dabbed red make-up on to Will’s cheeks. “There!” he said. “Your own mum would hardly know you now.”

      “She wouldn’t want to,” said Will glumly.

      “Right, up you go!” said Beeston, propelling him towards the stage steps.

      Out front Kemp the clown was uttering his climactic lines to introduce the king:

       “He has shed so much blood that his will be shed. If it come to pass, in faith, then his will be sped.”

      “But what am I supposed to do?” Will protested. “I’m no actor.”

      “Stand in the background and look pretty,” said Beeston, “or stupid. Makes no difference. When I make my entrance, look appalled if you will, shed a tear even. There’ll