Peter Conradi J.

Iris Murdoch: A Life: The Authorized Biography


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peace-loving democracies. Iris renounced her own advocacy of peace at all costs only in 1941.

      It could be said that all her fiction, and much of her moral philosophy, are acts of penance for, and attacks upon, the facile rationalistic optimism of her extreme youth, when she thought that setting people free was easy, that ‘socialism (of which we had no very clear idea) would bring freedom and justice to all countries, and the world would get better’.63 This optimism entailed a belief in the imminent birth of a ‘clean-cut rational world’ within the century dominated by Hitler and Stalin. Her work explores, among other matters, those ‘irrational’ psychic forces within the individual which make Hitlers possible, and freedom problematic.

      Despite BMB’s hostility to most films as ‘mental dope’, a school cinema was opened, and Iris gave a speech thanking the Governors. The first film shown was Robert Flaherty’s Man of Aran. She published two promising poems.64 In spring 1938 she was one of four soloists in Pergolesi’s Stabat Mater,65 and she records an expedition to see the Severn bore. She recalled both its strange noise, and the equally strange local pride in it, thirty years later.66 The paper she read to the Literary Club on Modern Poetry is described as ‘exceptionally interesting’. Iris kept her schoolmistress Ida Hinde’s 1937 gift of a book of her own poems, At the Edge of a Dream, inscribed ‘with love’ from its author, with its pièce-de-résistance, ‘Sapphics’. Yet exclusive friendships were closely monitored and frowned upon, and seating arrangements at meals periodically altered, which helped pre-empt them.

      ‘One sound way of preventing complete forgetfulness of school … and its ideals is to become a Life Member of the O.B.A.’ – the Old Badmintonians’ Association – BMB advised the departing Iris and others, and Iris became a ‘Life Member Without Magazine’. BMB’s advice about choosing a husband had her usual gruff good sense: ‘Try to remember that this is the person to whom you will have to pass the marmalade 365 days a year until one of you dies.’ She gave pride of place to a picture by Iris of Lynmouth harbour painted when the school moved there in 1941, and there was an old-girl reunion.67 BMB, who asked Ann Leech to ‘keep an eye’ on Iris at Oxford, may have feared, Leech later thought, that Iris might be ‘wild’ there.68

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      Iris began her first romance, by correspondence, around 1937. When a letter came to tell of his death in 1970, she noted, ‘James is dead. First event of my adult life. Such a good man. And a good influence (on me, then),’ and wrote to his widow that he had been a ‘great awakener’. She gives no surname, but her Belfast cousins remember James Henderson Scott, who would facetiously identify himself as ‘Scott of Belfast’, born in 1913, and a good friend of cousin Cleaver.69 Scott finished his dentistry studies at Queen’s in 1937, medicine in 1942. Born into Methodism, he converted to Catholicism, was gifted and literary, and an enthusiast for that earlier convert Cardinal Newman. When he later became Professor of Dental Anatomy at Queen’s, he gave his inaugural lecture in blank verse.

      Cleaver suggested that clever, bookish, ‘romantic’ James, who wrote and loved poetry, write to Cleaver’s highly intelligent, bookish cousin Iris, who also loved and wrote poetry. Both were Irish and loved Ireland. A correspondence started – ‘an elusive something drew [them] together’. Both had a feeling for Virgil’s ‘tears of things’, something sad and deep that belonged to ‘the very structure of the universe’ – though Iris’s apprehension was then more political, James’s religious. He fell for Iris – at least the dream-Iris he encountered in her imaginative, responsive letters – and then for the being he first met, his journals suggest, at the Peter Pan statue in Kensington Gardens just after noon on Saturday, 2 April 1938. ‘Something snapped’ inside him, he noted a year later, ‘which has never been repaired’. A romantic interest on Iris’s side did not survive this meeting, and she was able slowly to get James to accept this. ‘I want and I need your friendship over and above even that of the girl I marry,’ James noted. They sailed to Belfast on the Duke of Lancaster together on 5 April 1939, and spent time with Iris’s cousins and other friends. Iris and James climbed the tower of Queen’s University, tying a friend’s pyjamas to the flagpost. She witnessed her first operation at the Royal Victoria Hospital, James noting that she ‘would have made a wonderful medical student’, and had a fierce quarrel about Christianity and Communism. Friendship survived: Iris was good at this feat. She was later famous for a complicated private life in which she found it hard to disencumber herself of any of her many admirers. James then fell in unrequited love with cousin Sybil, and married Olive Marron in 1945.

      Summer Irish holidays belong elsewhere in her story. Glimpses of London holidays are given by Margaret Orpen: she and Iris visited each other. Once they were to give a joint lecture to the school Architecture Club, for which they visited London’s Wren churches. On another occasion they went together to the Caledonian market in Islington, where Iris bought a necklace for sixpence. On Wednesday, 28 September 1938, after both had left school, Orpen and Iris found themselves standing in the gods at Covent Garden – they could not afford seats – watching a ballet, probably the de Basil company. It was exceptionally hot and stuffy. It was also the eve of Chamberlain and Hitler’s Munich agreement, the most critical moment of that ‘strange year full of anxiety and fear’.70 The letter Iris wrote Orpen afterwards ended with, ‘If we should meet again, why then we’ll smile,’ from Julius Caesar, a quotation that would resonate with deeper meaning six years later.

       4 A Very Grand Finale 1938–1939