privileged today to introduce to you an individual whose background surpasses anything I have ever encountered: anatomist, architect, botanist, city planner, costume and stage designer, chef, humorist, engineer, equestrian, inventor, geographer, geologist, mathematician, military scientist, musician, painter, philosopher, physicist and raconteur … Ladies and gentlemen, allow me to present … Mr. Michael Gelb!”
Ah, if only …
Well, the talk was a success (no one walked out), and it gave birth to the book you hold in your hands.
Before that unforgettable introduction, one of the members approached me and said, “I don’t believe that anyone can learn to be like Leonardo da Vinci, but I’m going to your lecture anyway.” You may be thinking something similar: Is the premise of this book that every child is born with the capacities and gifts of Leonardo da Vinci? Does the author really believe that we can all be geniuses of Da Vinci’s stature? Well, actually, no. Despite decades devoted to discovering the full scope of human potential and how to awaken it, I side with Da Vinci’s disciple Francesco Melzi, who wrote on the occasion of the maestro’s death: “The loss of such a man is mourned by all, for it is not in the power of Nature to create another.” As I learn more about Da Vinci, my sense of awe and mystery multiplies. All great geniuses are unique, and Leonardo was, perhaps, the greatest of all geniuses.
But the key question remains, Can the fundamentals of Leonardo’s approach to learning and the cultivation of intelligence be abstracted and applied to inspire and guide us toward the realization of our own full potential?
Of course, my answer to this question is: Yes! The essential elements of Leonardo da Vinci’s approach to learning and the cultivation of intelligence are quite clear and can be studied, emulated, and applied.
Is it hubris to imagine that we can learn to be like the greatest of all geniuses? Perhaps. It’s better to think of his example guiding us to be more of what we truly are.
This is a guidebook, inspired by one of history’s great souls, for that journey. An invitation to breathe the vivid air, to feel the fire in your heart’s centre, and the full flowering of your spirit.
Michael J. Gelb
January 1998
On July 15, 2003, I had the delightful opportunity to speak with the audience at the 2nd Stage Theater in New York City following a sold-out performance of Mary Zimmerman’s brilliant play The Notebooks of Leonardo da Vinci. One of the questions from the audience may reflect something in your mind as you hold this book in your hands: “How can the scope and depth of Leonardo’s genius be understood and why does his influence seem to be growing?”
We can speculate about the origins of Leonardo’s unparalleled genius, but the more we learn about him the more the mystery seems to grow. And so does his influence, even in popular culture. In the opening scene of the major motion picture The Italian Job rapper turned actor Mos Def walks along the canal in Venice reading this book. Def shows it to one of his partners in crime, played by Jason Statham, and explains why Leonardo is so “cool.” The maestro also stars in Dan Brown’s best-selling mystery novel The Da Vinci Code, and makes cameo appearances in various episodes of Star Trek as a holographic adviser to the captain of the Enterprise.
This universal fascination with the supreme man of the Renaissance reflects a more personal, intuitive inkling about our own possibilities for creative expression. Beyond all his stellar achievements, Leonardo da Vinci serves as a global archetype of human potential. Since this book was first published in 1998, it’s been translated into 18 languages and I’ve heard from enthusiasts around the world. A Polish elementary school teacher uses the seven principles to organize her class curriculum. The head of strategy for a major London-based consulting firm discovered that Leonardo was an invaluable ally in helping his multinational clients solve some of their most important business problems. And a 32-year-old father from Tennessee commented, “This book gave me everything I always wanted to teach my children but didn’t have the words to say.”
One of my favorite bits of feedback came from renowned anthropologist, visionary, author and shaman Jean Houston. A modern Renaissance woman, Jean serves as an adviser to world leaders on accessing the essential wisdom of the universal archetypes expressed in diverse cultures and traditions. About a year after Think Like Da Vinci was first published I was invited to speak to a group of 500 psychotherapists in Washington, D.C. After the presentation, Jean, who was also there to address the conference, appeared and whispered in my ear, “Leonardo is very pleased.”
It’s easy to imagine Leonardo’s pleasure when Ricardo Muti conducted Beethoven’s Fifth in tribute to him at La Scala in September of 1999. The celebration took place exactly 500 years after the day when the model for Leonardo da Vinci’s magnificent 24-foot-tall equestrian sculpture was destroyed by invading French troops. Now, the “Lost Horse” was being resurrected in Milan, and after leaving the concert one could almost see the smile in the eyes of the statue of Leonardo which graces the center of the La Scala square.
The rebirth of the Horse began in the imagination of a former airline pilot and art collector, Charles Dent, to whom this book is dedicated. Although he died in 1994, Dent’s work continued through the non-profit organization he founded. Honoring a promise made to Dent on his deathbed, the board of Leonardo da Vinci’s Horse, Inc. led a coalition of donors, artists, metallurgists, volunteers and scholars in fulfilling this dream. Sculpted by Nina Akamu, the majestic Horse stands proudly in Milan with a second full size casting in the Fredrik Meijer Gardens in Grand Rapids, Michigan. Smaller scale bronze replicas also adorn Leonardo’s hometown of Vinci, Italy and the Dent family hometown of Allentown, PA.
The rebirth of this lost masterpiece is a testament not only to the maestro’s artistic genius but also to his embodiment and expression of the human creative spirit. This spirit was also alive in October of 2001 when Queen Sonja of Norway dedicated a bridge linking her country and Sweden. Built based on an original design sketched in 1502 by Leonardo da Vinci, the bridge was originally intended for the Turkish Sultan Bejazet II. But, the Sultan declined to proceed with the project because its revolutionary pressed-bow engineering and 720-foot span seemed “too fantastic.” In 1996, Norwegian artist Vebjørn Sand saw Leonardo’s sketch and, moved by its graceful beauty and powerful symbolism, dreamed of recreating it. After six years of fundraising and testing, in cooperation with the Norwegian Transportation Ministry, Sand’s Leonardo Bridge was unveiled just outside Oslo. Spanning the highway connecting Norway to neighboring Sweden, it is the first civil engineering project in history based on an actual Da Vinci design. Sand imagines a Leonardo Bridge on every continent as a global tribute to the remarkable life and genius of Leonardo da Vinci and his inspiration for all of us to express our own creative potential.
Sand and Dent’s nephew Peter were both present at the opening reception of the amazing exhibition of Da Vinci drawings at New York’s Metropolitan Museum of Art in the spring of 2003. Over flutes of prosecco we shared our reflections on the maestro’s drawings and his vivifying presence. We agreed that if God could draw this is what it might look like. Sand then laughed as he shared the story of one municipal council committee that had declined to proceed with the building of a Leonardo bridge because they felt that the design was “too futuristic.” Dent explained that having helped fulfill his uncle’s vision to create Leonardo’s Horse, his organization was now merging with the Discovery Center of Science and Technology, with a mission to bring Leonardo’s inspiration to science education for children around the world. The Center’s educational mission is expressed in the seven principles for thinking like Leonardo that you will learn in the pages that follow.
One of Leonardo’s favorite images was the rippling circles of water that flow out from the center when a stone is dropped into a pool of water. Leonardo’s life was a gem tossed into a pool of time that became known as the Renaissance and his genius ripples on and on into eternity. The art critic Bernhard Berenson summed it up when