Barrier Street knew Mrs. Berglund from her visits at Christmastime, on the children’s birthdays, and on her own birthday, for which Patty always took her to a local masseuse and plied her with licorice and macadamia nuts and white chocolate, her favorite treats. Merrie Paulsen referred to her, not unkindly, as “Miss Bianca,” after the bespectacled mouse matron in the children’s books by Margery Sharp. She had a crepey, once-pretty face and tremors in her jaw and her hands, one of which had been badly withered by childhood arthritis. She’d been worn out, physically wrecked, Walter said bitterly, by a lifetime of hard labor for his drunk of a dad, at the roadside motel they’d operated near Hibbing, but she was determined to remain independent and look elegant in her widowed years, and so she kept driving her old Chevy Cavalier to the dress shop. At the news of her collapse, Patty and Walter hurried up north, leaving Joey to be supervised by his disdainful older sister. It was soon after the ensuing teen fuckfestival, which Joey conducted in his bedroom in open defiance of Jessica, and which ended only with the sudden death and funeral of Mrs. Berglund, that Patty became a very different kind of neighbor, a much more sarcastic neighbor.
“Oh, Connie, yes,” her tune went now, “such a nice little girl, such a quiet little harmless girl, with such a sterling mom. You know, I hear Carol has a new boyfriend, a real studly man, he’s like half her age. Wouldn’t it be terrible if they moved away now, with everything Carol’s done to brighten our lives? And Connie, wow, I’d sure miss her too. Ha ha. So quiet and nice and grateful.”
Patty was looking a mess, gray-faced, poorly slept, underfed. It had taken her an awfully long time to start looking her age, but now at last Merrie Paulsen had been rewarded in her wait for it to happen.
“Safe to say she’s figured it out,” Merrie said to Seth.
“Theft of her cub—the ultimate crime,” Seth said.
“Theft, exactly,” Merrie said. “Poor innocent blameless Joey, stolen away by that little intellectual powerhouse next door.”
“Well, she is a year and a half older.”
“Calendrically.”
“Say what you will,” Seth said, “but Patty really loved Walter’s mom. She’s got to be hurting.”
“Oh, I know, I know. Seth, I know. And now I can honestly be sad for her.”
Neighbors who were closer to the Berglunds than the Paulsens reported that Miss Bianca had left her little mouse house, on a minor lake near Grand Rapids, exclusively to Walter and not to his two brothers. There was said to be disagreement between Walter and Patty about how to handle this, Walter wanting to sell the house and share the proceeds with his brothers, Patty insisting that he honor his mother’s wish to reward him for being the good son. The younger brother was career military and lived in the Mojave, at the Air Force base there, while the older brother had spent his adult life advancing their father’s program of drinking immoderately, exploiting their mother financially, and otherwise neglecting her. Walter and Patty had always taken the kids to his mother’s for a week or two in the summer, often bringing along one or two of Jessica’s neighborhood friends, who described the property as rustic and woodsy and not too terrible bugwise. As a kindness, perhaps, to Patty, who appeared to be doing some immoderate drinking of her own—her complexion in the morning, when she came out to collect the blue-wrappered New York Times and the green-wrappered Star-Tribune from her front walk, was all Chardonnay Splotch—Walter eventually agreed to keep the house as a vacation place, and in June, as soon as school let out, Patty took Joey up north to help her empty drawers and clean and repaint while Jessica stayed home with Walter and took an enrichment class in poetry.
Several neighbors, the Paulsens not among them, brought their boys for visits to the lakeside house that summer. They found Patty in much better spirits. One father privately invited Seth Paulsen to imagine her suntanned and barefoot, in a black one-piece bathing suit and beltless jeans, a look very much to Seth’s taste. Publicly, everyone remarked on how attentive and unsullen Joey was, and what a good time he and Patty seemed to be having. The two of them made all visitors join them in a complicated parlor game they called Associations. Patty stayed up late in front of her mother-in-law’s TV console, amusing Joey with her intricate knowledge of syndicated sixties and seventies sitcoms. Joey, having discovered that their lake was unidentified on local maps—it was really just a large pond, with one other house on it—had christened it Nameless, and Patty pronounced the name tenderly, sentimentally, “our Nameless Lake.” When Seth Paulsen learned from one of the returning fathers that Joey was working long hours up there, cleaning gutters and cutting brush and scraping paint, he wondered whether Patty might be paying Joey a solid wage for his services, whether this might be part of the deal. But nobody could say.
As for Connie, the Paulsens could hardly look out a Monaghan-side window without seeing her waiting. She really was a very patient girl, she had the metabolism of a fish in winter. She worked evenings busing tables at W. A. Frost, but all afternoon on weekdays she sat waiting on her front stoop while ice-cream trucks went by and younger children played, and on weekends she sat in a lawn chair behind the house, glancing occasionally at the loud, violent, haphazard tree-removal and construction work that her mother’s new boyfriend, Blake, had undertaken with his non-unionized buddies from the building trades, but mostly just waiting.
“So, Connie, what’s interesting in your life these days?” Seth asked her from the alley.
“You mean, apart from Blake?”
“Yes, apart from Blake.”
Connie considered briefly and then shook her head. “Nothing,” she said.
“Are you bored?”
“Not really.”
“Going to movies? Reading books?”
Connie fixed Seth with her steady, we-have-nothing-in-common gaze. “I saw Batman.”
“What about Joey? You guys have been pretty tight, I bet you’re missing him.”
“He’ll be back,” she said.
Once the old cigarette-butt issue had been resolved—Seth and Merrie admitted to having possibly exaggerated the summerlong tally of butts in the wading pool; to having possibly overreacted—they’d discovered in Carol Monaghan a rich source of lore about local Democratic politics, which Merrie was getting more involved with. Carol matter-of-factly told hair-raising stories of the unclean machine, of buried pipelines of slush, of rigged bids, of permeable firewalls, of interesting math, and got a kick out of Merrie’s horror. Merrie came to cherish Carol as a fleshly exemplum of the civic corruption Merrie intended to combat. The great thing about Carol was that she never seemed to change—kept tarting up on Thursday evenings for whoever, year after year after year, keeping alive the patriarchal tradition in urban politics.
And then, one day, she did change. There was already quite a bit of this going around. The city’s mayor, Norm Coleman, had morphed into a Republican, and a former pro wrestler was headed toward the governor’s mansion. The catalyst in Carol’s case was the new boyfriend, Blake, a goateed young backhoe operator she’d met across the counter at the license bureau, and for whom she dramatically changed her look. Out went the complicated hair and escort-service dresses, in came snug pants, a simple shag cut, and less makeup. A Carol nobody had ever seen, an actually happy Carol, hopped buoyantly from Blake’s F-250 pickup, letting anthem rock throb up and down the street, and slammed the passenger-side door with a mighty push. Soon Blake began spending nights at her house, shuffling around in a Vikings jersey with his work boots unlaced and a beer can in his fist, and before long he was chainsawing every tree in her back yard and running wild with a rented backhoe. On the bumper of his truck were the words I’M WHITE AND I VOTE.
The Paulsens, having recently completed a protracted renovation of their own, were reluctant to complain about the noise and mess, and Walter, on the other side, was too nice or too busy, but when Patty finally came home, late in August, after her months in the country with Joey, she was practically unhinged in her dismay, going up and down the street, door to door, wild-eyed, to vilify Carol Monaghan. “Excuse me,” she said, “what happened