or g-strings or leopard print or lace. The vaginal sex to go on too long. A thrusting so hard that it burns, it hurts. Swallowing. Breast sucking, breast licking, breast anything. To be asked what are you thinking. For it to be pushed upon you when you’re tired, grubby, not yet wet. Being pinned down. A rush to get in. A penis that’s too big. Loud snorting at climax, or groaning, or any expression like ‘ooh yes, baby’ and ‘c’mon’. For the roll-over after the coming to be too abrupt. To be kicked out too quick.
What you love:
The arch of the foot, its bones, rake-splayed. Wide, blunt, clean fingernails. Michelangelo wrists. Cleanliness. The nape of your neck nuzzled. Your eyelids kissed. Burrowing deep under the blankets. Clothes to be drawn off slowly, in exquisite anticipation. Cold, smooth walls you are rammed against. The sound of a lover’s breath close to your ear. Your hair pulled back when he’s inside. Your name spoken aloud just before he comes. Connecting, a holiness fluttering within you both. Seduction that’s slow, intriguing, unique, by flattery, extravagant gestures, text: poem scraps on napkins, filthy e-mails that should never be sent, love letters scrawled on Underground passes, a line composed in lipstick on your back as you sleep, written backwards, to be read in the mirror; oh yes, all that.
if you have a dog and never let him out the poor fellow will bark and howl miserably
Cole has a gift. He hasn’t given you one for so long, since Marrakech, when you received chocolates and magazines and jewellery from the souks. You protest but you’re smiling, you can’t help it, for it signals a thaw, a softening back into an easier way. You can both feel it, time is smoothing things out. You both want this.
It’s an envelope. You slide your fingers beneath the heavy, cream flap.
Private membership to the London Library. The writers’ library. It’s too ironic, heartbreaking, apt and your heart swells with light and guilt. Your husband’s blackmailing you with generosity and you know exactly what you’ll do, for a writers’ library might, just might, have an actor in it, who’s researching a screenplay, perhaps.
I thought it might give you a kick start, Cole says. For the book.
Ah, the book.
For you’d told him once that one day you’d like to take your cheeky seventeenth-century text and do something with it. It was one reason why he was so insistent you give up the drudgery of teaching, to try something you’d always wanted to do – although sometimes you suspected it was just to keep you all to himself. You’d showed him the section where the author stated that women married not for pleasure but for the propagation of children; and her conclusion that the wives of barren men should be allowed to sleep with other men fit and lusty. Isn’t that gorgeous, you remember teasing him, when can I start? And Cole had grabbed you firmly by the arm and had smacked you, stingingly, on the bum.
The cupboard. Quick.
And you’d laughed and laughed.
You’d told Cole that there was a novel in the text, or a history perhaps, the intimate kind that cracks open private lives. It felt good to tell him, as if it would give some weight to your own life. You’re not sure, now, though, you ever really meant it.
But he didn’t forget.
No one except your husband knows of the cautiousness at the heart of your life. Your adulthood has been a progressive retreat from curiosity and wonder, an endless series of delays and procrastinations. You wanted to be so much, once, but life kept on getting in the way. You shone during your journalism degree but were never quite hungry enough for a newsroom. You dreaded the cold calling, of intruding so much on people’s lives. You did an MA and drifted into teaching and were always doubting your abilities: said shouldn’t it be someone else when your colleagues urged you to apply for a higher post, asked me? Really? when offered a promotion, never pushed for a pay rise. You settled. Shunned creativity, flight, risk, never had the courage to give a dream, any dream, a go.
And now you hold the envelope to your lips and smile and kiss your husband on the forehead. You’ll go to the Library tomorrow, you say it’s the perfect gift. You don’t tell him you’ll be looking for a man in a very neat suit, with a beautiful nape. For Cole is seducing you with thoughtfulness and you want him to know how grateful you are.
But something is all skittery within you and there’s the light and the guilt of that.
You know what Theo would do in this situation. You wonder about your Elizabethan wife. If she ever acted on her words, if she was that courageous, or stupid. Indulgent. Selfish. Bold.
God helps those who help themselves
The London Library arrests time, it drags you into its rich dark depths and holds you there, captive and absorbed and lost. You find a space to write in the old encyclopaedia room; it has discreet plugs for laptops embedded in the floor. Your little volume sits demurely on your desk, with its shiny coffee-coloured leather cover and broken clasps. And its shocking declarations in their firm, neat hand.
Eve be more excellent than Adam. Eve be less sinful than Adam.
A husband they desired to have, not so much to be accounted wives, as to be made mothers. For they know that woemen should be saved by childbearing.
Where, know yee, shall we finde a man be he ever so old, barren, weak and feeble that hathe been so kind and curteouse to his wife that was willing to substitute another more able man in his place, that his wife might have issue.
Woemen bare rule over men.
Why was the author compelled to write such things? What is the remoteness, the chafing within you? Why do you always do things you don’t want to, now that you’re embedded in this relationship? You tolerated so much before, within the glow of new love, now you don’t. Why do you feel stronger and more serene when you’re by yourself, that you don’t want your husband around too much? Everyone’s always considered you an excellent candidate for the role of wife; you’re compliant and companionable, you endure, with feigned enthusiasm, in-law dinners, action films, client drinks. If only they knew of the restlessness within you, the tapping at your elbow, the tugging at your skirt.
You’re not sure what to do with the book, it’s like walking under water when you try to find a way in. But it will come. And there are many distractions – magazines and newspapers and the Internet and the looking for Gabriel, always that.
Especially in the Reading Room, at lunch hour, just in case.
The space is joyous with light from tall windows and hushed with cerebration, thick with an atmosphere of scholarship and sleep. Several old leather armchairs are in a line, in stately repose, their bellies now grazing the floor. You get to know the regular visitors. The beautifully dressed elderly man who places a white linen handkerchief on a seat before taking a very long time to lower himself into it. The large man always asleep, head thrown back, mouth agape, hands crossed protectively over a book on his chest like a dead man’s Bible placed by a widow. The mousy woman who arrives promptly at noon every day and kneels on the floor by a reading man and rests her head on his knees. His fingers sift, absently, through her hair and they don’t speak for half an hour and then they leave and your heart fills with tenderness for what they have together as a couple – for you had it once – and then tightens for what, perhaps, they’ll become.
The Library gives you a feeling of industriousness, props your life. You dress as if going to work; you’re not the only one doing this. A middle-aged man in a pinstriped suit does nothing but read The Times every day from cover to cover and you guess an unsuspecting wife is behind the creamy stiffness of his collars and cuffs, and wonder how long he can sustain it.
Soon