genteelly by the spoonful, claiming it was medicinal. Aunt Dorcas took a more forthright approach. She carried a flask, filled every morning by her devoted maid. For many years, the flask was tucked into her knitting bag, but when Plum was a boy he had poured out her gin and substituted vinegar instead. After that, she took to carrying it in her garters.
Aunt Dorcas opened her mouth again, but Father was too quick for her. “We shall make an outing of it. Any who do not wish to go may stay here, of course, but the rest of us mean to enjoy ourselves, vibrations be damned. Now, let us speak of something else. I am thoroughly bored with this subject. Mrs. King, have you read Lord Dalkeith’s paper on the use of classical allusion in the sonnets of Shakespeare? It’s rubbish of course, but I wondered what you thought of it.”
Aunt Dorcas lapsed into furious silence, or rather into furiously muttering at her vegetables. But as her complaints were not audible to the rest of the company, we ignored her and turned our attention to Mrs. King.
She had ducked her head at Father’s question and was blushing furiously, darting little glances from under her lashes. “Oh, your lordship, I hardly think I possess either the education or the natural intelligence to speak on such matters in such company. But I did think Lord Dalkeith’s point about the Parthenon to be very well-argued, did you not, my lord?” she asked, turning to Brisbane.
Brisbane, in the middle of a very fine gâteau, paused. “Naturally I would defer to Lord March’s opinion. I believe he has already questioned Lord Dalkeith’s sources, is that not correct, my lord?” he asked, returning the question neatly to Father. Portia had mentioned his recent attendance at Father’s society meetings, but to my knowledge Brisbane had no great love of literature. The only books I had seen in his rooms had been of an eclectic and scholarly bent. There were volumes on the natural sciences, history, warfare, and—oddly enough—lives of the mystic saints, but no plays, no poetry, no novels. Why then this sudden attachment to Shakespeare?
I looked from Brisbane, newly enthusiastic on the scriptures of the Bard, to my father, their greatest prophet. And in between them sat Mrs. King, a picture of pink-and-white innocence, wearing a betrothal ring from Brisbane on her left hand and chattering happily with both of them.
And I wondered precisely what my father had been doing while I was away.
After the conversation about Shakespeare had wound to a close and the gâteau was thoroughly savoured, Portia rose and gestured for the ladies to follow. At Bellmont Abbey, ladies withdrew, but not in quite the same fashion as in other great houses. Here, ladies were taken to the lesser drawing room to drink their own spirits and smoke a bit of tobacco without the gentlemen present. Hoots always fussed about the smell getting into the draperies, but Aunt Hermia just told him to open the windows and sweep the carpets, that the dogs were worse. Usually, the ladies greatly enjoyed a chance to “let down their back hair”, and even the primmest of women was seduced into conviviality by our habits. Confidences were exchanged, little jokes made, and many ladies later claimed that the evenings they spent at Bellmont Abbey were among the most amiable of their lives.
I, however, was in no mood to be amiable. I was tired from the journey, and more than a little eager to gain the privacy of my room and turn over the many questions that had been puzzling me all evening. But I did not have the energy to make my excuses to Portia. She could have taught Torquemada a thing or two about extracting information, and I knew I would not escape her without endless questions. It seemed simpler just to follow along and endure.
As we withdrew, I noticed Violante, lagging behind, her hand pressed to her stomach. I slowed my steps to match hers.
“Violante, are you quite all right?”
She nodded. “The English food. It is not very good. Heavy. Like rocks.”
I bristled, but did not mention how perfectly inedible I had found gnocchi. “I am sorry you are unwell. Won’t you join us for a little while? I can have Aquinas brew up a tisane for you.”
She shook her head. “I have the fennel pastilles in my room. They make me right. Buona notte, Giulia.”
I kissed her cheek and sent her on her way, envying her a little. The poor girl looked every bit as exhausted as I felt. But as I entered the lesser drawing room, I noticed an undercurrent that immediately piqued my interest. Lucy and Emma were seated on a sofa, their heads close together as they darted glances about the room and murmured softly. Portia was busy fussing with decanters and glasses, and Aunt Dorcas had entrenched herself firmly in the best armchair. Hortense had taken up a book and was reading placidly. It was left to me to entertain Brisbane’s fiancée. I turned to her, fixing what I hoped was a pleasant expression on my face.
“And how are you enjoying your stay at the Abbey, Mrs. King?”
“Oh, it is an extraordinary place, my lady.” She spread her hands, gesturing toward the single great column standing stalwartly in the centre of the room and the tapestries, older and smaller than those in the great drawing room, but depicting the same subject, a boar hunt. “This room alone quite takes my breath away.”
I shrugged. “I suppose it is impressive enough on first viewing. This room used to be the chapter house, where the monks gathered for the abbot to read the Rule of the Order. The vaulting of the ceiling is quite remarkable, although in the family we think it’s frightfully inconvenient. That central column is necessary for support, but it makes it devilishly difficult to arrange the furniture properly. Besides which, the room is draughty and the chimney never draws properly.”
As if to prove my point, a gust of wind roared down the chimney, scattering sparks and ash on the hearth and a few bits of soot on Aunt Dorcas. If the night grew any windier, we should have to dust her.
“Well, perhaps it is not the most convenient of rooms,” she temporised, “but the history, the very ancientness of the stones. I cannot imagine what they have seen. And the tapestries,” she added, nodding toward the stitched panels. “They are enough to rival anything in a museum, I should think.”
Portia joined us then, passing tiny glasses of port that shimmered like jewels in the candlelight.
“If you like the tapestries, you must ask Emma to tell you the story behind them. No one can spin a tale like Emma,” Portia advised Mrs. King, gesturing with her glass to our cousin. “Emma, pay attention, my dear. I am telling tales out of school about you.”
Emma started like a frightened pony, then relaxed, smiling at Portia. “What have you been saying to Mrs. King?”
“That you are a splendid spinner of stories, actually,” I put in. “Mrs. King was admiring the tapestries, and Portia suggested you tell her the story behind them. She is quite right. No one does it as you do.” I thought to raise her confidence a little. She had always been quiet, but there was a new shyness in her that troubled me. I felt Emma was in danger of becoming a sort of recluse, particularly now that Lucy was marrying. Emma had always lavished all of her attention on Lucy, and I wondered what would become of her once Lucy became Lady Eastley. It was to be hoped Lucy would repay her many kindnesses with a home when it was in her power to provide it. Emma could not be happy governessing in the wilds of Northumberland. It would be a poor showing on Lucy’s part to leave her there.
“Come, Scheherezade, tell us a tale,” I coaxed.
Emma flushed a little, not prettily as Mrs. King did, but a harsh red stain that tipped her nose and ears.
“If you really think that I should,” she said, looking hesitantly at Lucy.
“You must,” Lucy said firmly, and we added our voices to the chorus, insisting she take a chair nearer to the fire. She seated herself, turning so the light threw her face in sharp relief as she began to speak.
THE SIXTH CHAPTER
Her voice was ever soft, Gentle, and low, an excellent thing in a woman. —KING LEAR
“The story begins long ago,” Emma related, her