I have even placed a small present for her on the trailer steps, a plastic viewfinder and a set of tourist slides of the Nile at Aswan, the humour of which might appeal to her. Last weekend, when I arrived at the trailer, I found that the mattress had been repaired with wire and string, though perhaps for her comfort rather than mine.
The thought that I may be sharing a bed with one of these young desert women adds a special glamour to my dreams of the night-river. If she suffers from eczema or impetigo I will soon carry the infection on my skin, but as I lie in the bunk I prefer to think of her naked to the waist, bathing in the warm waters that flow inside my head.
However, her main interest is clearly in the film strips. When I returned to the trailer I found a plastic bucket tucked behind the wooden step. I knelt in the cold dust, and searched through the curious rubbish which this young woman had collected – empty vaccination syringes from the dispensary floor, the sailing times of the Lake Kotto car ferry, a brass cartridge case and the lens cover of a cine-camera lay among the clouding film strips gathered from the beach.
Together these objects formed a record of my life, an inventory that summed up all the adventures that had begun in this shabby town in the northern province of a remote central African republic. I held the cartridge case to my lips, and tasted the strange scent, as potent as the memory of Noon’s embrace, that clung to its dull metal. I thought of my journey up the Mallory, and of my struggle with the great river which I had created and tried to kill. I remembered my obsession with Noon, my duel with Captain Kagwa’s helicopter, and all the other events which began a year ago when General Harare and his guerillas first came to this crumbling town.
‘Dr Mallory, are you going to be executed?’
I searched for the woman shouting to me, but a rifle barrel struck me across the shoulders. I fell to the ground at the gunmen’s feet, and cut my hand on a discarded canister of newsreel film which the Japanese photographer was feeding into her camera. In a few seconds, I realized, the expensive celluloid would see its first daylight while recording my own death.
Fifteen minutes later, when General Harare had withdrawn his guerillas into the forest, leaving the lakeside town he had occupied for a few frightening hours, I was still trying not to answer this all too loaded question. Thrown at me like a query at a chaotic press conference, it summed up the dangers of that last absurd afternoon at Port-la-Nouvelle.
Was I going to be shot? As the guerillas bundled me on to the beach below the police barracks, I called to the young Japanese in her silver flying overalls.
‘No! Tell Harare I’ve ordered a new dental amalgam for his men. This time the fillings will stay in …’
‘The fillings …?’
Hidden behind her hand-held camera, Miss Matsuoka was swept along by the group of excited soldiers running down to the lake, part beach-party and part lynch mob. There was a confusion of yodelling whoops, weapons playfully aimed at the sun, and knees twisting to the music that pumped from the looted radios and cassette players strung around the gunmen’s necks among their grenades and ammunition pouches.
There was a bellow from General Harare’s sergeant, a former taxi driver who must once have glimpsed a documentary on Sandhurst or St Cyr in a window of the capital’s department store. With good-humoured smiles, the soldiers fractionally lowered the volume of their radios. Harare raised his long arms at his sides, separating himself from his followers. The presence of this Japanese photographer, endlessly scurrying at his heels, flattered his vanity. He stepped from the beach on to the chalky surface of the drained lake-bed, stirring the milled fish bones into white clouds, a Messiah come to claim his kingdom of dust. Dimmed by heavy sunglasses, his sensitive, malarial face was as pointed as an arrowhead. He gazed piercingly at the horizons before him but I knew that he was thinking only of his abscessed teeth.
Behind me a panting twelve-year-old girl in an overlarge camouflage jacket forced me to kneel among the debris of beer bottles, cigarette packs and French pornographic magazines that formed the tide-line of the beach. Prodding me with her antique Lee-Enfield rifle, this child auxiliary had driven me all the way from my cell in the police barracks like a drover steering a large and ill-trained pig. I had treated her infected foot when she wandered into the field clinic that morning with a party of women soldiers, but I knew that at the smallest signal from Harare she would kill me without a thought.
Filmed by the Japanese photographer, the General was walking in his thoughtful tread towards the wooden towers of the artesian wells whose construction I had supervised for the past three months, and which symbolized the one element he most detested. I sucked at the wound on my hand, but I was too frightened to wet my lips. Praying that the wells were as dry as my mouth, I looked back at the deserted town, at the looted stores visible above the teak pillars of the jetty where the car ferry had once moored ten feet above my head. Behind the party of guerillas, some lying back on the beach beside me, others dancing to the music of cassette players, I could see a column of smoke lifting from the warehouse of the cigarette factory, like a parody of a television commercial for the relaxing weed. A pleasant scent bathed the beach, the aroma of the rosemary-flavoured tobacco leaf which the economists at the Institut Agronomique had decided would transform the economy of these neglected people, and provide a stable population from which the local police chief, Captain Kagwa, could recruit his militia.
Turned by the light wind, the smoke drifted towards the dusty jungle that surrounded the town, merging into the haze fed by an untended backyard incinerator. Beyond the scattered tamarinds and shaggy palms the whitening canopy of forest oaks stood at the mouth of a drained stream whose waters had filled Lake Kotto only two years earlier. Their dying leaves blanched by the sun, the huge trees slumped among the stony sand-bars, tilting memorials in a valley of bones.
I inhaled the scented air. If I was to be executed, it seemed only just that I, renegade physician in charge of the drilling mission whose water would irrigate the tobacco projects of Port-la-Nouvelle and supply the cities of the former French East Africa with this agreeable carcinogen, should be given an entire warehouse of last cigarettes.
Still trailed by the Japanese photographer, Harare strode towards the beach. Had one of the dry wells miraculously yielded water for this threadbare redeemer? His thin arms, touching only at the wrists, were pointing to me, making an assegai of his body. I sat up and tried to straighten my blood-stained shirt. The guerillas had turned their backs on me, in a way that I had witnessed on their previous visits. When they no longer bothered to guard their prisoners it was a certain sign that they were about to dispense with them. Only the twelve-year-old sat behind me on the beach, her fierce eyes warning me not even to look at the bandage I had wrapped around her foot. I remembered Harare’s pained expression when he gazed into my cell at the police barracks, and his murmured reproach, as if once again I had wilfully betrayed myself.
‘You were to leave Port-la-Nouvelle, doctor. We made an agreement.’ He seemed unable to grasp my real reasons for clinging to this abandoned town beside the fossil lake. ‘Why do you need to play with your own life, doctor?’
‘There’s the dispensary – it must stay open as long as there are patients. I treated many of your men this morning, General. In a real sense I’m helping your war effort.’
‘And when the government forces come you will help their war effort. You are a strategic asset, Dr Mallory. Captain Kagwa will kill you if he thinks you are useful to us.’
‘I intend to leave. It seems time to go.’
‘Good. This obsession with underground water – your career has suffered so much. You always have to find the extreme position.’
‘I shall be thinking about my career. General.’
‘Your real career, not the one inside your head. It may be too late …’
The