>
There was time for only one thing in those final moments.
Marti, still bound, was able to roll herself onto her side. From that position she used the fingers of one hand to write in the dirt. She prayed the darkness would cover the word, that it wouldn’t be seen until the police arrived.
She prayed for other things, too. For the souls of her dead mother and father, for her own soul, for that of her friends. She prayed for the child she had given up so many years before. And when her killer dragged her to the makeshift cross and lashed her to it with rags so tight they cut into her skin, when it dawned on her what he planned to do, she even found it in the long-lost depths of her soul to pray for the person who was doing this hideous deed.
But even as Marti prayed, she knew it was far too late for that. The mother of God didn’t come around much anymore.
“O’Brien realistically captures the devastating psychological aftermath of childhood trauma. She illustrates its far-reaching effects by giving voice, through intelligent dialogue…”
—Publishers Weekly on Crashing Down
Also available from MIRA Books and MEG O’BRIEN
CRASHING DOWN
Sacred Trust
Meg O’Brien
This one’s for Emily Hope
ACKNOWLEDGMENT
No book is written in a vacuum, and I would like to thank some of the people who helped me throughout the writing of Sacred Trust, either in technical areas or in providing support in a variety of ways.
Many, many thanks to:
The Carmel Police Department, and especially Officer Joe Avila, who generously took me on a ride-along and provided me with invaluable insight into the workings of the Carmel PD. If there’s anything in this book that’s incorrect about local law enforcement, it’s not his fault, but mine.
Al & Pat Tracy, of Tracy’s Kenpo Karate Studios, for advice and technical support in writing the Kenpo scenes. Your generosity in reading those excerpts and assuring me of their authenticity is most appreciated. Special thanks to Pat, good friend, for her ongoing online support.
Cathy Landrum, invaluable friend and research assistant. As always, Cathy, a fabulous job—especially regarding crucifixion and the inner workings of the Catholic Church after Vatican II. I couldn’t have made it through without you.
Merrill Leslie, for being a sensitive Carmel landperson who left me to my endeavors and only showed up when I needed her—a writer’s dream.
The Carmel Il Fornaio coffee group, especially Nancy Baker Jacobs, who offered friendship, advice and support in the darkest of times. One must not, of course, forget “The Master of the Game,” Robert Campbell; “The Curmudgeon,” Bob Irvine; and “The Young Turk,” Bob Norris. Thanks for the great talks, the advice and for being there every day. Oh, and Jeannie?—keep up the excellent artwork. Sol? Not to worry—the Sol in this book bears no resemblance to you, other than his name. I’d never accuse you of being a lawyer.
My editor at MIRA, Amy Moore-Benson, whose excellent direction and editorial skills are beyond compare. Thanks for your faith in me and in this book.
Last but not least, special thanks to my son, Greg, whose wise advice as a reader and writer in his own right, helped me to iron out the plot for Sacred Trust. I must also acknowledge that the ideas for the trepan scenes sprang from his dark, twisted, writer’s mind. Guess the nut doesn’t fall far from the tree.
CONTENTS
Part 1
Land of Milk and Honey
Mishne 13: “Indeed, the blessing of an abundant and profuse nature will cause them harm, by allowing them to slumber in the bosom of idleness…or to fall into evil ways.”
1
MARTI
He grabbed her in the lot of the supermarket in Seaside, grabbed her from behind as she was stepping into her car. He shoved her face forward into the back seat, then blindfolded, bound and gagged her before she ever had a chance to see him.
She thought it must be a him because of the strength it had taken, trying to fight him off. Not once did he let her raise her face off the vinyl seat, his hand and knee pressing her down so hard she thought she would smother.
He took her keys, and she heard him lock the back door then slide into the