Dean Koontz

The City


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for it. Your father never paid his share of rent since he moved back in, and he did some damage yesterday. He sure did some damage. So I kept his jar of change as a security deposit, and now he’s buying us a fancy good-bye lunch.”

      Years would pass before I had crème brûlée again and could learn if it really was the best pudding in history or if it just tasted so good because of the circumstances. Nothing could have been better, after all, than the gift of an expensive good-bye lunch from my father without him there to ruin it.

      That afternoon, we saw a funny movie starring Peter Sellers, and that evening I spent with Mr. and Mrs. Lorenzo, where I fell asleep on their sofa with Mr. Gluck’s pendant held tightly in my right hand. Sometimes I half woke and thought I could feel the feather fluttering softly. When my mother came home after midnight, following a four-hour set at Slinky’s, Mr. Lorenzo carried me up to our apartment, and I was so sleepy that Mom tucked me in bed in my underwear rather than make me get into pajamas. She wanted to put the pendant safely in a nightstand drawer, but I held fast to it.

      I dreamed of a great white bird as big as an airplane, and I rode on its back with no fear of falling, the world sparkling below, forests and fields and mountains and valleys and seas where ships sailed, and then the city, our city. People looked up and they pointed and waved, and I waved back at them, and it was only when the bird began to sing that I realized it wasn’t as big as an airplane anymore and wasn’t in fact a bird anymore, but was instead my mother dressed all in flowing white silk, with wings more beautiful than those of a swan. Carried safely upon her back, I could feel her heart beating, her pure heart beating so steady and strong.

       11

      The following Sunday, June 12, Grandpa and Grandma drove downtown in their 1946 black Cadillac Series 62 Club Coupe, which they’d bought nineteen years earlier and which Grandpa had maintained in as-new condition. It was a big boat of a car yet sleek, with enormous bullet-shaped fenders front and back and fastback rooflines. Cadillac never made a car as cool thereafter, especially not when they went finny. Teddy and Anita took us to their place for an early celebration of my birthday, which turned out to be memorable.

      They were amazed by my eidetic memory for music, which matured in me only as I had learned the piano from Mrs. O’Toole. On his piano in the front room, Grandpa Teddy played a number he was sure that I couldn’t have heard before, “Deep in a Dream,” written by Will Hudson and Eddie DeLange, who had a band together for a few years in the 1930s. He played it superbly, and when he finished, I played it with my limited skills and strained reach, but though I could hear the difference between us, I was thrilled to be able to follow him at all. He tested me with a couple of other pieces, and then we sat to play together. He took the left hand of the board plus the pedals, and I took the right, which was a trick but one that worked, and we ran through a tune I already had heard often, Hudson and DeLange’s “Moonglow,” and didn’t make one mistake in tempo or chords or melody, sweet and smooth to the end.

      We might have sat there for hours, but what I think happened is that I was preening too much, and nobody wanted to indulge me if healthy pride in accomplishment might be souring into conceit. My grandparents had taught my mother—and she had taught me—that when you did anything you should do it well, not for praise but for the personal satisfaction of striving to be the best. I was young and only now discovering my talent, and I was exhilarated and prideful and probably getting obnoxious.

      Grandpa Teddy abruptly stood up from the piano and said, “Enough. It’s my day off. Jonah and I are going for a little walk before lunch.”

      The day was warm but not suffocating. The street maples, which would be scarlet by October, were green now, and a faint breeze trembled the leaves, so that on the sidewalk, patterns of light and shadow quivered like dark fish schooling in sun-spangled water, reminding me of the koi in Riverside Commons.

      Grandpa Teddy towered over me, and he had a deep voice that made me sound like a chipmunk. He was as stately in his bearing as a grand ocean liner, while I was a bouncing little boat with a buzzing outboard motor, but he always made me feel that I belonged with him, that there was nowhere else he would rather be. We talked about all kinds of things as we walked, but the purpose of that stroll was what Grandpa Teddy had to say about my father.

      “Your mother gave you a new apartment key.”

      “Yes, sir. She did.” I took it from a pants pocket and dangled it, sunlight winking off the bright brass.

      “Do you know why the locks were changed?”

      “Tilton.”

      “You shouldn’t call your father by his first name. Say, ‘My father.’”

      “Well, but it doesn’t feel that way.”

      “What way doesn’t it feel?”

      “I mean, it doesn’t feel like he’s my father.”

      “But he is, and you owe him some respect.”

      “You feel more like my father.”

      “That’s sweet, Jonah. And I give thanks every day that you’re in my life.”

      “Me, too. I mean, that you’re my grandfather.”

      “Your father isn’t the easiest man to keep your equilibrium with. You know equilibrium?”

      “Yes, sir. Like balance.”

      “It isn’t easy to keep your balance with him, but you always have to walk a line of respect because he’s your father.”

      As we progressed, we passed people sitting on their porches, and they all called out to Grandpa Teddy, and he called back to them and waved. Sometimes drivers of passing cars tooted their horns or passengers shouted his name, and he waved to them, and we met a few people walking their dogs or just out for some fresh air, and they had to talk with him and he with them. In spite of all that, he kept coming back to the subject at hand.

      “You have to walk a line of respect, Jonah, but you also have to be cautious. What I’m going to say to you isn’t meant to make you think any less of your father. I would feel terrible if it did. But I would feel even worse if I didn’t say this—and then had reason to regret holding my tongue.”

      I understood that whatever he told me would be something I must take as seriously as anything that I heard in church. That’s what it felt like—as if Grandpa was churching me not on the meaning of a psalm or the story of Bethlehem, but on the subject of my father.

      “Your mother is a wonderful woman, Jonah.”

      “She’s perfect.”

      “She just about is. None of us is absolutely perfect in this world, but she’s but a breath away from it. She and I were once miles apart in our estimation of your father, but now it’s an inch or two. But it’s an important inch or two.”

      He stopped and looked up into a tree for a long moment, and I looked up, too, but I couldn’t see what interested him. There wasn’t a squirrel up there or any bird, or anything.

      When we started walking again, he said, “I hope this is the right way to say it. Your mother’s current assessment of your father is that he’s basically a good man, means well, wants to do what’s right, but he’s damaged by some bad things that happened to him as a child, and he’s weak. I agree with the weak part. There’s no way to know if what he says happened to him as a boy actually happened. But even if it did, bad things happen to all of us, and that doesn’t mean we can hurt others just because we ourselves have been hurt. Are you with me so far?”

      “Yes, sir. I think so.”

      “Your father’s going to divorce your mother.”

      I almost broke into a dance. “Good. That’s good.”

      “No, son. Divorce is never good. It’s sad. Sometimes it might be necessary, but never