At home Kendall throws her backpack onto the big oak kitchen table. “Hi, Mom,” she sings, and gives her mother a kiss on the cheek.
“How was your first day?” Mrs. Fletcher stands at the sink watering her herb garden. She’s tall and dark-haired like Kendall, wearing capri jeans and a red-checked short-sleeved shirt, knotted at her waist.
“Fine.”
“Was it hard without Tiffany there?”
“Yeah, a little. Everybody noticed but nobody said anything—pretty much what I figured.”
“How’s the OCD? Do you feel a little better now that you’re back into the school routine?”
Kendall breaks off a piece of a bran muffin and shoves it into her mouth. “Immensely. Shit, I’m starving.”
“Honey. Inside language, please.”
“Sorry. Man, I’m starving. Better?”
“Yes. What else is new? Did you meet Hector’s grand-kids?”
Kendall tilts her head. “You know about them?”
“They’ve been around for a couple months.”
“Why am I the last to know everything?”
“I didn’t know you didn’t know. The girl’s been sitting at their market stand all summer. Such a striking young woman.”
“Well, I’ve been on that damn tractor all summer, watching my leg muscles atrophy. I’m all wobbly.”
“Language, Kendall.”
“Sorry. Got used to farm talk again. Maybe you shouldn’t make me work so hard with all those swearers.”
Mrs. Fletcher looks like she’s trying not to grin. “I know. But the work is good for you. Builds character.”
Kendall rolls her eyes and pulls the milk jug from the refrigerator. Its label reads fresh as heck from hector farms. How could anybody not adore Hector Morales? She pours an impossibly large tumbler full and drinks it all. Slams it on the counter, empty. “Any mail?”
“Nothing from Juilliard.”
Kendall screws up her nose, disappointed. “Okay. Well, what needs to get done before I start practicing?”
“Dad’s checking the southwest field today to see how close we’re getting to harvest. He wants you out there to show you how he does that. Then dinner. Then homework. Then you can practice.”
“Big sigh, Mummy,” Kendall says. “I am so sick of potatoes, I could scream.”
“Another six weeks and it’ll all be pretty near over.”
Kendall starts jogging to the field, but the milk sloshes in her stomach and her thighs burn from the soccer scrimmage, so she slows down to a walk. Even out here, on her home turf, Kendall feels uneasy walking alone. She heads for the southwest field, looking nervously over her shoulder every thirty paces or so.
After a few minutes she hears her father’s familiar yell and catches up to him. “Hey, Daddy!”
“How’s my girl?” Mr. Fletcher air-hugs Kendall. His hands are filthy.
“Good, now that I’m with you,” she says, demure. “Whatcha got?”
“This here is what we call a potato,” Mr. Fletcher says. “Fascinating.”
They walk the field together a few rows apart, stopping now and then to check for ripeness, rot, and bugs. Kendall’s mind wanders, remembering earlier in the day, picking up random thoughts to obsess over.
“Machines are good,” Mr. Fletcher says, taking on a teaching tone, “but they don’t compare to the human eye, or the touch of a hand. That’s the real way to keep crops, to be one with them, to create potatoes that love you back.”
“Yeppers,” Kendall says, but she’s not paying attention. She’s picturing Jacián sneaking off to kidnap, murder, and chop poor innocent girls into pieces.
By the time she gets her homework done, it’s nine thirty p.m. and her legs ache, but she’s not done. She slips a DVD into the player and sits down on her bedroom floor to stretch and warm up. By nine forty-five she’s running through ballet positions, and then she works into her routine, the one she choreographed herself for the Juilliard application video. It feels good. But she’s exhausted.
By the time Nico calls her phone line at eleven to say goodnight, she’s already asleep. But it’s a good sleep. Being busy and exhausted is about the best thing for Kendall’s brain.
She even forgot to check her window lock six times.
In the morning Kendall rises at six. She gets online and looks up the youth theatre in Bozeman, wondering what productions they’re doing this fall and if there would possibly be time to squeeze in a play on top of soccer and life. Last spring she got the part of Miss Dorothy in Thoroughly Modern Millie. It was the most fun Kendall has had in her entire life. The director called her a natural, and she even got nominated for a local youth theatre award. Not bad for her first musical.
But Kendall has always known she wants to sing, dance, act. She’s been doing it on her own since she was a little kid, always doing productions in the barn, using cats as her other actors if she couldn’t talk Nico, Eli, Travis, or even stupid Brandon into participating.
Nico usually played along. He is the closest neighbor, and their mothers have been friends since before Kendall and Nico were born. Nico was agreeable to doing almost anything Kendall requested, except when it came to singing or dancing, which Kendall thought was probably good, since he’s terrible at both.
Kendall pulls up the theatre’s website and sees they are auditioning for Grease. She scans the rehearsal schedule but knows it’s impossible. She can’t drive all the way out to Bozeman multiple times a week during harvest and soccer season. Too far away. Too many conflicts.
Too many stupid potatoes.
She checks her e-mail and then closes her laptop and gets ready for school.
At school things are pretty much just as they were yesterday. Kendall turns the wastebasket, straightens the markers, opens the curtains, tugs to check the windows, and runs her fingers over each window lock. “All checked and good,” she whispers. Then she makes minor adjustments to the desks.
She watches the students arrive, many of them walking, some driving cars or pickup trucks. Kendall tries to see Cryer’s Cross through the eyes of a newcomer like Marlena. Some of the students wear cowboy hats and boots, others wear Gap or Levi’s or Target or home sewn. It’s not that strange, she guesses.
When Nico comes walking up to the school, Kendall smiles. She’s really proud of him wanting to be a nurse. He’s been bandaging cats and farm animals since the two of them were little. The other guys aren’t jerks about it like Brandon.
The school day progresses. Ms. Hinkler assigns the upper-classmen various things to read and work on, and then she spends the most time with the freshmen, which she’ll do for this first week, until they get used to her and how things work.
In the senior section Brandon and Travis sleep. Eli Greenwood reads for a while, then jiggles his leg and doodles in the margins of his English book. Jacián does trigonometry problems on scratch paper until his work is done, and then he slumps in his seat and traces his finger over the desk graffiti. Nico props his head up with one arm and rests the other on the desk next to his open physics textbook. His eyes close. Kendall pretends to read, but she’s daydreaming about Broadway.
There is something