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Unfinished Tales


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fell swiftly down towards the inner hills, and the ravine opened wider, and its sides became less sheer. Its long shoulders were mantled with white snow, and the light of the sky snow-mirrored came white as moonlight through a glimmering mist that filled the air.

      So they came to the Golden Gate, the last of the ancient gates of Turgon that were wrought before the Nirnaeth; and it was much like the Gate of Silver, save that the wall was built of yellow marble, and the globes and parapet were of red gold; and there were six globes, and in the midst upon a golden pyramid was set an image of Laurelin, the Tree of the Sun, with flowers wrought of topaz in long clusters upon chains of gold. And the Gate itself was adorned with discs of gold, many-rayed, in likenesses of the Sun, set amid devices of garnet and topaz and yellow diamonds. In the court beyond were arrayed three hundred archers with long bows, and their mail was gilded, and tall golden plumes rose from their helmets; and their great round shields were red as flame.

      Now sunlight fell upon the further road, for the walls of the hills were low on either side, and green, but for the snows upon their tops; and Elemmakil hastened forward, for the way was short to the Seventh Gate, named the Great, the Gate of Steel that Maeglin wrought after the return from the Nirnaeth, across the wide entrance to the Orfalch Echor.

      No wall stood there, but on either hand were two round towers of great height, many-windowed, tapering in seven storeys to a turret of bright steel, and between the towers there stood a mighty fence of steel that rusted not, but glittered cold and white. Seven great pillars of steel there were, tall with the height and girth of strong young trees, but ending in a bitter spike that rose to the sharpness of a needle; and between the pillars were seven cross-bars of steel, and in each space seven times seven rods of steel upright, with heads like the broad blades of spears. But in the centre, above the midmost pillar and the greatest, was raised a mighty image of the king-helm of Turgon, the Crown of the Hidden Kingdom, set about with diamonds.

      No gate or door could Tuor see in this mighty hedge of steel, but as he drew near through the spaces between its bars there came, as it seemed to him, a dazzling light, and he shaded his eyes, and stood still in dread and wonder. But Elemmakil went forward, and no gate opened to his touch; but he struck upon a bar, and the fence rang like a harp of many strings, giving forth clear notes in harmony that ran from tower to tower.

      Elemmakil saluted him and said: ‘Here have I brought Voronwë Aranwion, returning from Balar; and here is the stranger that he has led hither, who demands to see the King.’

      ‘Speak not ill-boding! If the messenger of the Lord of Waters go by that door, then all those who dwell here will follow him. Lord of the Fountains, hinder not the messenger of the Lord of Waters!’

      Then Voronwë and all those who stood near looked again in wonder at Tuor, marvelling at his words and voice. And to Voronwë it seemed as if he heard a great voice, but as of one who called from afar off. But to Tuor it seemed that he listened to himself speaking, as if another spoke with his mouth.

      Thus he stood and spoke no word. Silent upon either hand stood a host of the army of Gondolin; all of the seven kinds of the Seven Gates were there represented; but their captains and chieftains were upon horses, white and grey. Then even as they gazed on Tuor in wonder, his cloak fell down, and he stood there before them in the mighty livery of Nevrast. And many were there who had seen Turgon himself set these things upon the wall behind the High Seat of Vinyamar.

      Then Ecthelion said at last: ‘Now no further proof is needed; and even the name he claims as son of Huor matters less than this clear truth, that he comes from Ulmo himself.’ 31

      NOTES