she played her fingers out along the simple tapestry of wires towards the blind and beautiful stare of the Greek goddess on her column, and then back. Then, for a moment, she paused and let the sounds drift up through the baked lobby air and into all the empty rooms.
If Mr Fremley shouted, above, no one heard. For Mr Terle and Mr Smith were so busy jumping up to stand riven in the shadows, they heard nothing save the storming of their own hearts and the shocked rush of all the air in their lungs. Eyes wide, mouths dropped, in a kind of pure insanity, they stared at the two women there, the blind Muse proud on her golden pillar, and the seated one, gentle eyes closed, her small hands stretched forth on the air.
Like a girl, they both thought wildly, like a little girl putting her hands out of a window to feel what? Why, of course, of course!
To feel the rain.
The echo of the first shower vanished down remote causeways and roof-drains, away.
Mr Fremley, above, rose from his bed as if pulled round by his ears.
Miss Hillgood played.
She played and it wasn’t a tune they knew at all, but it was a tune they had heard a thousand times in their long lives, words or not, melody or not. She played and each time her fingers moved, the rain fell pattering through the dark hotel. The rain fell cool at the open windows and the rain rinsed down the baked floorboards of the porch. The rain fell on the rooftop and fell on hissing sand, it fell on rusted car and empty stable and dead cactus in the yard. It washed the windows and laid the dust and filled the rain-barrels and curtained the doors with beaded threads that might part and whisper as you walked through. But more than anything, the soft touch and coolness of it fell on Mr Smith and Mr Terle. Its gentle weight and pressure moved them down and down until it had seated them again. By its continuous budding and prickling on their faces, it made them shut up their eyes and mouths and raise their hands to shield it away. Seated there, they felt their heads tilt slowly back to let the rain fall where it would.
The flash flood lasted a minute, then faded away as the fingers trailed down the loom, let drop a few last bursts and squalls and then stopped.
The last chord hung in the air like a picture taken when lightning strikes and freezes a billion drops of water on their downward flight. Then the lightning went out. The last drops fell through darkness in silence.
Miss Hillgood took her hands from the strings, her eyes still shut.
Mr Terle and Mr Smith opened their eyes to see those two miraculous women, way over there across the lobby, somehow come through the storm untouched and dry.
They trembled. They leaned forward as if they wished to speak. They looked helpless, not knowing what to do.
And then a single sound from high above in the hotel corridors drew their attention and told them what to do.
The sound came floating down feebly, fluttering like a tired bird beating its ancient wings.
The two men looked up and listened.
It was the sound of Mr Fremley.
Mr Fremley, in his room, applauding.
It took five seconds for Mr Terle to figure out what it was. Then he nudged Mr Smith and began, himself, to beat his palms together. The two men struck their hands in mighty explosions. The echoes ricocheted around about in the hotel caverns above and below, striking walls, mirrors, windows, trying to fight free of the rooms.
Miss Hillgood opened her eyes now, as if this new storm had come on her in the open, unprepared.
The men gave their own recital. They smashed their hands together so fervently it seemed they had fistfuls of firecrackers to set off, one on another. Mr Fremley shouted. Nobody heard. Hands winged out, banged shut again and again until fingers puffed up and the old men’s breath came short and they put their hands at last on their knees, a heart pounding inside each one.
Then, very slowly, Mr Smith got up and still looking at the harp, went outside and carried in the suitcases. He stood at the foot of the lobby stairs looking for a long while at Miss Hillgood. He glanced down at her single piece of luggage resting there by the first tread. He looked from her suitcase to her and raised his eyebrows, questioningly.
Miss Hillgood looked at her harp, at her suitcase, at Mr Terle, and at last back to Mr Smith.
She nodded once.
Mr Smith bent down and with his own luggage under one arm and her suitcase in the other, he started the long slow climb up the stairs in the gentle dark. As he moved, Miss Hillgood put the harp back on her shoulder and either played in time to his moving or he moved in time to her playing, neither of them knew which.
Half up the flight, Mr Smith met Mr Fremley who, in a faded robe, was testing his slow way down.
Both stood there, looking deep into the lobby at the one man on the far side in the shadows, and the two women farther over, no more than a motion and a gleam. Both thought the same thoughts.
The sound of the harp playing, the sound of the cool water falling every night and every night of their lives, after this. No spraying the roof with the garden hose now, any more. Only sit on the porch or lie in your night bed and hear the falling … the falling … the falling Mr Smith moved on up the stair; Mr Fremley moved down.
The harp, the harp. Listen, listen!
The fifty years of drought were over.
The time of the long rains had come.
GEORGE and Alice Smith detrained at Biarritz one summer noon and in an hour had run through their hotel on to the beach into the ocean and back out to bake upon the sand.
To see George Smith sprawled burning there, you’d think him only a tourist flown fresh as iced lettuce to Europe and soon to be transhipped home. But here was a man who loved art more than life itself.
‘There …’ George Smith sighed. Another ounce of perspiration trickled down his chest. Boil out the Ohio tap-water, he thought, then drink down the best Bordeaux. Silt your blood with rich French sediment so you’ll see with native eyes!
Why? Why eat, breathe, drink everything French? So that, given time, he might really begin to understand the genius of one man.
His mouth moved, forming a name.
‘George?’ His wife loomed over him. ‘I know what you’ve been thinking. I can read your lips.’
He lay perfectly still, waiting.
‘And?’
‘Picasso,’ she said.
He winced. Some day she would learn to pronounce that name.
‘Please,’ she said. ‘Relax. I know you heard the rumour this morning, but you should see your eyes – your tic is back. All right, Picasso’s here, down the coast a few miles away, visiting friends in some small fishing town. But you must forget it or our vacation’s ruined.’
‘I wish I’d never heard the rumour,’ he said honestly.
‘If only,’ she said, ‘you liked other painters.’
Others? Yes, there were others. He could breakfast most congenially on Caravaggio still-lifes of autumn pears and midnight plums. For lunch: those fire-squirting, thick-wormed Van Gogh sunflowers, those blooms a blind man might read with one rush of scorched fingers down fiery canvas. But the great feast? The paintings he saved his palate for? There, filling the horizon, like Neptune risen, crowned with limewood, alabaster, coral, paintbrushes clenched like tridents in horn-nailed fists, and with fishtail vast enough to fluke summer showers out over all Gibraltar – who else but the creator of Girl Before a Mirror and Guernica?
‘Alice,’ he said, patiently, ‘how can I explain? Coming down on the train I thought, Good Lord, it’s