Nigel Slater

The Kitchen Diaries II


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more than that too. So very much more.

      A note on the chronology

      The first volume of The Kitchen Diaries was a chronological record of what I had cooked and eaten over the course of a single year. This second volume is slightly different in that it is compiled from a collection of my notes taken over several years, so a piece dated June 3 or November 5 could be from one of two or even three years.

      The specific dates are relevant because they give a clear and essential link between what I cook and the seasons, a way of eating that has long been dear to my heart, but also because of the structure they bring to the disparate and somewhat chaotic form in which the jottings in my kitchen diaries tend to appear.

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      JANUARY 1

      A humble loaf and a soup of roots

      The mistletoe – magical, pagan, sacred to Norsemen and the Druids – is still hanging over the low doorway to the kitchen. Part of the bough I dragged back from the market the Sunday before Christmas, my hands numb from the cold. Its leaves are dull now, the last few golden-white berries scattered over the stone floor. Like the holly in the hearth, its presence was a peace offering to the new kitchen that still awaits its work surface, cupboards, sink, taps.

      There is an English mistletoe fair at the market in Tenbury Wells each Saturday throughout December. Vast, cloud-like bunches are cut from local cider-apple orchards and sold along with holly and skeins of ivy. Mine came from an oak tree in Hereford, though nowadays much of the folklore-laden evergreen arrives by less-than-romantic truck from northern France. It is only the mistletoe grown on oak that is imbued with magical powers.

      Empty glasses are scattered around the room, perched on shelves and window ledges from where we toasted the new, albeit unfinished kitchen. And there is just enough Champagne left in a bottle in the fridge for me to celebrate, in secret, the first morning of the New Year.

      This January 1st is no different from all the others, in that I will make soup and a loaf in what is now an annual ritual. Kneading is a good way to start the year. Tactile, peaceful, creative, there is something grounding about baking a loaf on New Year’s Day. We have baked bread since the New Stone Age.

      There has been a decade of New Year’s loaves in this house: a simple white bun, its surface softened with a bloom of flour; a dimpled foccacia that left our fingers damp with olive oil; a less than successful baguette, as thin as a wand; a brown, seeded loaf we ate for days like fruit cake; a flatbread; a crispbread; and once a craggy cottage loaf, its top slid to one side like a drunk in a top hat. I forget the others.

      This year’s bread is the simplest of them all, a single, hand-worked loaf of strong white flour and spelt – the ancient cousin of wheat that is currently enjoying a renaissance. (This is less considered than it sounds: they are simply the flours I happen to have left in the cupboard after making mince pies.) Modern spelt is a hybrid of the emmer wheat and goat grass grown since the Iron Age, and has found favour with those who consider modern, commercial wheat heavy on the gut. I like it for the faintly nutty quality it brings to the party.

      Making a loaf is cooking at its most basic – a bag of flour and a pinch of salt, some warm water and something to make it rise (baking powder, yeast, a home-made leaven). Yet there is more to it than that. There is something therapeutic about kneading live, warm dough. We do it in order to make the dough softer and more elastic, but the feel of dough in the hand makes you consider yourself a craftsman of some sort, which of course you are. I often knead my bread dough every twenty minutes or so, rather than the customary twice. Each kneading only lasts for about a minute. I do it gently too, without bumping or slapping. I am not sure any good can come from treating our food like a punch-bag.

      I will attempt to achieve the yeasty sourness I want by using a glass of cider in place of some of the usual water and will get the crust crisp by punching the oven up to almost its highest setting. I want a crackling crust that shatters over the table when you break it, and a soft wholemeal crumb within. A good plain loaf that smells slightly sour and faintly lactic, yeasty, with a subtle fruitiness to it – a quiet and humble loaf with which to start a new year.

      A cider loaf

      Makes one medium-sized round loaf that will keep for two days and is still good for toast after four.

      wholemeal spelt flour: 250g

      strong white bread flour: 250g

      sea salt: a lightly heaped teaspoon

      whole milk: 150ml

      honey: a teaspoon

      fresh yeast: 35g

      dry cider: 250ml

      Warm a large, wide mixing bowl (I pour in water from the kettle or hot tap, leave for a minute, then drain and dry). Weigh the flours into the bowl – there is no point in sifting – then stir in the salt. Warm the milk in a small saucepan. It should be no hotter than your little finger can stand. Stir in the honey until it dissolves. Cream the yeast with a teaspoon in a small bowl, slowly pouring in the warm milk and honey. When it is smooth and latte coloured, pour it on to the flours together with the cider and mix thoroughly. I use my hands, though the mixture can be sticky at this point, but a wooden spoon will work too. When the dough has formed a rough ball, tip it out on to a lightly oiled or floured surface. Knead gently for one minute by firmly but tenderly pushing and stretching the dough with the heel of your hand, turning it round and repeating. Lightly flour the bowl you mixed the dough in and place the kneaded dough in it. Cover with a clean, preferably warm cloth and leave in a warm, draught-free place for an hour. Close proximity to a radiator will do, though not actually on it, as will the back of an Aga, a shelf in the airing cupboard or indeed anywhere the yeast can work.

      Remove the dough, scraping off any that has stuck to the bowl, and knead lightly for one minute. Return to the bowl, cover and replace in the warm for twenty-five to thirty minutes, until the dough has risen once again.

      Set the oven at 240°C/Gas 9. Knead the dough once more, this time forming it into a ball, then place it on a floured baking sheet and dust it generously with flour. Cover with a cloth and keep warm for a further fifteen to twenty minutes.

      Put the dough in the oven and bake for twenty-five minutes. If it is nut-brown and crisp, remove it from the oven, turn it upside down and tap the bottom. Does it sound hollow, like banging a drum? Then it is cooked. Cool on a wire rack.

      A soup of bacon and celeriac

      Celeriac has long been part of the European kitchen, most notably in celeriac remoulade – a classic accompaniment to thinly sliced meats (a few slivers of air-dried ham, a couple of gherkins and a mound of mustardy remoulade is often a winter lunch in our house). The knobbly, ivory root has taken longer to find friends in this country, and we still have no classic British recipe that exploits its clean, mineral qualities. I use it for cold-weather soups, setting it up with bacon, mustard and either thyme or rosemary. The result is deceptively creamy.

      medium onions: 2

      butter: a thick slice, about 25g

      smoked bacon: 120g

      celeriac: 800g (1 large root)

      thyme: the leaves from 3 small sprigs

      chicken or vegetable stock: 500ml

      water: 1 litre

      grain mustard: 4 teaspoons