It was an elaborate sting and from then on, I knew that I had to be careful.
Later, I decided to ask a few questions, see if I could russell a few feathers. First off, I spoke to friend and fellow cast member, Nigel Planer, about what happened when I was unconscious.
“Oh, were you unconscious?” he said.
“This afternoon, I was lying on the floor next to you.”
“When was that?”
“When we were filming.”
“Filming?”
“Making the television programme.”
“When was I watching television?”
“You weren’t watching it, you were on it.”
“Did I climb on it when I was drunk?”
“No, Nige, you’re an acter.”
“What?”
“Nigel!”
“Who’s that?”
“It’s you.”
“Who?”
“You.”
“Who’s you?”
“Your name is Nigel Planer.”
“I thought I was Anne Acter.”
“Yes you are.”
“So what’s my character called?”
“No, just concentrate, I’m talking to you.”
“So I don’t have a character?”
“No.”
“Don’t I have a job?”
“Yes, you’re an…Oh God, never mind.”
“So I’m not getting paid. That’s a bummer. I’m going to call my agent. Oh, wait a minute.”
“What?”
“What should I call him?”
“It’s a woman.”
“I’ll call him a woman, that’s a good idea.”
So it wasn’t Nigel who had been brainwashed, he was behaving normally. Although it was always difficult to tell with Nige.
I never did find out who was behind the attempt on my life, but what was clear was that I had to watch my back (which means be very cautious) as my work was entering a dangerous phase. I had created a legend with The Young Ones. Let’s face it, you’ve probably got married to it. You’ve probably conceived to it. It has probably revolutionised your entire concept of society. You are probably wearing different clothes because of me. I, Richard Mayall, had televised the revolution. I was in danger, but I had arrived.
Bob Geldof
Basement Flat
126b Kilburn High Road
London NW8
26th November 1984
Dear Bob,
Love you work – or I did until I turned up yesterday at Air Studios to do my bit for Band Aid. What in the name of sweet Fanny fucking Nightingale is going on? All I wanted to do was join my pier group of international stars from the world of pop and rock and record a simple tune which might bring much needed food and provisions to the starving in Africa. But oh no. No, no, no, no, no. Absolutely ruddy bloomin’ well not.
Picture the scene. That’s the one. There I am walking towards Air Studios just as that Phil Collins is going in. I called to him but he pretended not to hear me. Between you and me Bob, I’ve never liked him. There’s something a bit seedy about him. Something not quite right. And those bloody awful records. Anyway, I was on my way in after him when this enormous bloke in a bomber jacket blocked my passage. Ooer I thought but figured this was probably just some sort of joke dreamt up by one of my great popstar mates like Francis Rossi or Kool from Kool and the Gang. The bloke said, “We don’t want your sort around here.” I laughed knowingly but he was deadly serious. I told him to go and tell you that I had arrived and that I had come to do my bit. When he came back a few minutes later, he lied and said that he had spoken to you and you had told him to tell me to fuck off.
It was then that Simon Le Bon arrived with his all-girl backing band. I called across to him and told him there had been a horrible mix up but he pretended he didn’t recognise me. What is wrong with these people? So then I spoke to the big bloke in the bomber jacket again and it was then that he beat me up. Yes Bob, perhaps you should read that sentence again. That’s right, I was beaten up at a charity recording. Your charity recording. How’s that make you feel?
So there I was lying on the pavement when a limo pulls up next to me and out climbs Boy George with George Michael and Bananarama and they all definitely recognised me as they stepped over me and went inside, even though they pretended that they didn’t. You can just tell.
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