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MICHAEL RUSSELL
The City of Shadows
For Anita
I have been here before,
But when or how I cannot tell;
I know the grass beyond the door,
The sweet keen smell.
‘Sudden Light’
Dante Gabriel Rossetti
Table of Contents
PART ONE
Free State
Inthe back drawing-room there was a quantity of medical and electrical apparatus. From the ceiling, operated by pulleys, was a large 170 centimetre shadow less operating lamp hanging over a canvas covered object – when the cover was removed it was found to be a gynaecological chair with foot rests. The detective sergeant found a specially padded belt that could be used in conjunction with the chair. Among the objects found in the drawing-room was a sterilising case, in the drawer of which were wads of cotton wool. In the office there was a cardboard box containing a dozen contraceptives and a revolver.
The Irish Times
1. The Phoenix Park
Dublin, June 1932
The moon shone on the Liffey as it moved quietly through Dublin, towards the sea. The river was sparkling. Silver and gold flecks of light shimmered and played between the canal-like embankments of stone and concrete that squeezed it tightly into the city’s streets. By day the river was grey and sluggish, even in sunlight, darker than its sheer walls, dingier and duller than the noisy confusion of buildings that lined the Quays on either side. Its wilder origins, in the emptiness of the Wicklow Mountains, seemed long forgotten as it slid, strait-jacketed and servile, through the city it had given birth to. It wasn’t the kind of river anyone stood and looked at for long. It had neither majesty nor magic. Its spirit had been tamed, even if its city never had been. From Arran Quay to Bachelor’s Walk on one side, from Usher’s Quay to Aston Quay on the other, you walked above the river that oozed below like a great, grey drain. And if you did look at it, crossing from the Southside to the Northside, over Gratton Bridge, the Halfpenny Bridge, O’Connell Bridge, it wasn’t the Liffey itself that held your gaze, but the soft light on the horizon where it escaped its walls and found its way into the sea at last. Yet, sometimes, when the moon was low and heavy over the city, the Liffey seemed to remember the light of the moon and the stars in the mountains, and the nights when its cascading streams were the only sound.
It was three o’clock in the morning as Vincent Walsh walked west along Ormond Quay. There was still no hint of dawn in the night sky. He had no reason at all to imagine that this would be the last day of his short life of only twenty-three years. He caught the glittering moonlight on the water. He saw the Liffey every day and never noticed it, but tonight it was full of light and full of life. More than a good omen, it felt like a blessing, cutting through the darkness that weighed him down. It was a fine night and surely a fine day to come. Turning a corner he saw lights everywhere now, lighting up the fronts of buildings, strung between the lampposts along the Quays, illuminating every shop and every bar. Curtains were drawn back to show lamps and candles in the windows of every home. The night was