collective accountability, and its leading members would also be closely involved in turning Britain from a ‘ramshackle federal state’16 to something significantly closer to a modern ‘nation state’. The political stability of Britain after 1720 owed much to a sense of common purpose and values among those who wielded power, and the Kit-Cat Club was the prime example of a political grouping formed and sustained around shared ideological and cultural values, ‘Alike in Morals, and alike in Mind’,17 rather than around bonds of kinship. Its members would pursue an ultra-Whig political agenda for over twenty years, such that an opponent could plausibly describe the Kit-Cat in 1704 as a ‘Club that gave Direction to the State’,18 and such that its final generation of members, most notably Robert Walpole, came to dominate the first half-century of Georgian politics.
The Enlightenment philosopher John Locke wrote in 1690 that, alongside Divine Law and Civil Law, the third type of law was ‘the law of opinion…praise or blame, which, by secret and tacit consent, establishes itself in the several societies, tribes and clubs of men in the world’.19 The Kit-Cat Club continued this seventeenth-century tradition of ‘clubs of men’ carving out negative freedoms from the state, not least of which was the right to hold meetings and discuss their opinions freely. Kit-Cat members would help shape the nation's taste, character and international image in the coming decades, planting a particular idea of ‘Englishness’ in the popular imagination and contributing to the building of a more prosperous, polite and self-confident society.
On this evening in 1700, however, the Kit-Cats were first and foremost a remarkable group of friends, several of whom had known each other since childhood. Self-identification by their Kit-Cat name, and demonstrations of unity such as the funding of this ceremony, were now public vows confirming the men's personal and professional commitment to each other—nuptials of Whig fraternity. Dryden's death, several years after the Kit-Cat Club's foundation, marked the Club's coming of age.
You will make Jacob's ladder raise you to immortality.
WILLIAM WYCHERLEY, addressing a poet
soon to be published by Jacob Tonson1
ON ANY DAY but the Sabbath in 1690s London, ships from around the world disgorged Chinese tea, Indian sugar cane, Japanese porcelain, South American medicines and Persian silk at the eastern docks. Many of these cargoes were then carried by barge and cart to the Royal Exchange, ‘a kind of Emporium for the whole Earth’, built a couple of decades earlier between Cornhill and Threadneedle Street.2 Entering the Exchange from the south, the visitor faced an elegant chessboard courtyard surrounded by two-storeyed arcades, containing over two hundred stalls, with the Mediterranean merchants to the right and American plantation traders to the left. At ‘high exchange’ (that is, in the early morning) the courtyard thronged with brokers, salesmen and ‘stock-jobbers’ trading in both tangible products and grand ideas. Upstairs, young girls sold ribbons and other ‘toys’ for ladies' dresses, while downstairs old beggar women sold the morning shoppers warm bags of walnuts, their shells littering the floor. Beadles patrolled, on the look out for trouble from the ‘mumpers’ (beggars) or the crowds of haggling Armenian, Jewish and Dutch merchants. For those unthreatened by London's role as a leading global centre of trade and commerce, in these years before there was a British Empire, the Exchange was a place to throw oneself into the urban melting pot.
Around 500,000 people lived in London at the end of the seventeenth century, out of five to six million in England as a whole. The city's population was densely packed into a small area of low buildings with only a few high steeples rising clear of the rooftops. One particularly large windmill sat on the south bank of the river close to the site of today's London Eye. Brick buildings were replacing wood after the Great Fire, and the West End was just beginning to emerge from open countryside. The Thames' northern bank was the southern perimeter of the city proper, with the old borough of Southwark south of the river, filled with prisons, shipyards, seedy inns and brothels, stinking tanneries and breweries. The other perimeters of London were the several royal palaces of St James's to the west, Old Street and Holborn to the north, King's (later Soho) Square to the northwest, and Whitechapel to the east. It was a time of thriving property developers: ‘New squares and new streets [are] rising up every day to such a prodigy of buildings that nothing in the world does, or ever did, equal it,’ Daniel Defoe declared.3
The Glorious Revolution of 1688—the armed invasion that deposed the Catholic James II and installed a Protestant Dutchman, William of Orange, and his wife (James's daughter), Mary, on the English throne—had had social repercussions as profound as its constitutional consequences. Ordinary people began to re-examine and loosen the bonds that had tied them to their homes and class. For thousands of ambitious younger sons and rural labourers in search of trades or professions, this meant migrating to London, where everything seemed up for grabs—and within reach. Records for 1690 show three-quarters of London apprentices were born outside the city. London was also simmering with energy thanks to an influx of skilled Huguenot refugees and Dutch immigrants, as well as soldiers and sailors on their way to or from William's current war against France, the War of the League of Augsburg, then being fought in Flanders and Ireland. Army and navy commissions were briskly traded, allowing many men to pull themselves up by their bootstraps. Financing the war, meanwhile, required landowners elected to Parliament to start coming into the capital every winter (rather than merely every few years, as during previous reigns) to vote through the army supplies. These landowners were building townhouses and inventing new urban pastimes to amuse themselves through the long, cold parliamentary season.
William's government, as an institution, was itself a social parvenu, and the image of William as a foreign occupier, rather than rightful king, still flashed dangerously in the corner of the English people's collective vision. What mattered was that educated Englishmen should not question the legitimacy of the new regime, nor view the post-Revolutionary constitutional balance, with its greater emphasis on the House of Commons, as too nouveau or alien. Everything had to be overhauled, and new authorities made palatable. Adherents of the Whig party, on the whole more ideologically comfortable than the Tories with the Revolution and the post-Revolutionary social mobility, put their shoulders to this wheel.
Two such self-made Whigs were John Somers, one of the King's leading ministers, and Jacob Tonson, London's most prestigious publisher. Both were flourishing and fattening into comfortable middle age in the 1690s. Their characters were perfectly suited to the times—ambitious and ingenious, yet fundamentally pragmatic—and each was willing to play his part in the national effort of self-reinvention.
Tonson had grown up in central London. A 5-year-old in 1660, the year of Charles II's Restoration, Tonson's father was a barber-surgeon, a freeman of the City of London and a constable of High Holborn, while his mother's family were booksellers with successful shops at the gates of Gray's Inn. At 15, Jacob was apprenticed to the stationer Thomas Basset, where he laboured for the next eight years, elbow-deep in printer's ink and bookbinding resin from morning to night. Tonson read the books in Basset's shop voraciously, acquiring a love of literature, a dose of Latin and a practical understanding of the book trade. The world of books absorbed and comforted Tonson because he was lame in one leg and less physically able than other young men his age. That his nickname ‘left-legged Jacob’4 signified more than mere clumsiness is confirmed by a physician's reference to Tonson's conscience being ‘more paralytic and lost to all Sense of Feeling than his Legs’.5 Tonson was also teased throughout his life for his ginger hair and wide, freckled face ‘With Frowsy Pores that taint the ambient Air’.6