the days since Venetia’s visit Alice had done just as she had said and thrown herself into the theatre. She was working hard in preparation for her opening night at Covent Garden’s Theatre Royal. The enormity of the challenge before her left little time for that. She rose early and tumbled into bed late, exhausted. She loved the smell of the theatre, that dusty polished scent unique to the grand stage. The way it gave her a purpose on which to focus.
Every day brought new challenges, refreshing herself as to the plays and the roles, running through lines last heard a year past. She took home scripts at night and returned them the next morning, pretending she had read them, as if she could, but Alice had no need to read a single line. She only had to hear something once to remember it for ever. It was her special gift. And she was truly thankful for it.
All day, every day was spent at the theatre, with Mr Kemble and the other actors and actresses, rehearsing. Everything that she feared she might have forgotten of the art of playacting came back to her as easily as if she had last stepped upon a stage in a leading role only yesterday. Even the feeling of fear but also of excitement, like walking a knife edge. It made her concentrate, made her focus. It took away the luxury of time during which she might dwell upon Razeby.
Alice was about to leave for rehearsals one morning when the maid brought her a letter.
‘A footman has just delivered this, ma’am.’
She lifted the letter from the maid’s small silver salver, wondering who had written. So far, only Kemble and Venetia knew the address of her new rooms. Kemble she saw in person each day and Venetia knew better than to write. But as soon as she turned the letter over in her hands she knew without opening it, without needing to be able to read a single word of it, the identity of the sender.
‘Have him wait, Meg,’ she instructed.
The thick red-wax seal impressed upon the back was a crest she recognised too well. One that made her pulse thrum uncomfortably hard and her heart beat too fast with anger and too many other emotions she would rather not name. She swallowed, torn between not wanting to open it and the need to know what lay beneath that seal. Wetting her lips, she swallowed again and cracked the wax. The letter unfolded. Inside was a cheque with Razeby’s name signed against a sum she could not read. The letter itself was blank other than signed with his name. That familiar bold black scrawl—Razeby.
It was her severance pay, a common enough negotiation between mistresses and the men in whose keeping they had been. A lump sum to tide them over until they found their next protector. Or to keep them for life. But for Alice there would be no new protector. And she would keep herself, earn her own money. Venetia had been right in that. Too late she realised just what her friend had been warning her against.
She stared at the cheque. She might not know the figure written there, but she knew it was high. Common sense and practicality told her she should accept it. Take it to the bank this very day. You had to be careful with money. Save it. Look after it. The future was never certain and life without money could be very hard indeed. Who better than Alice knew that? But when she looked at the cheque, Razeby’s money, and all that it meant, she could not bring herself to do it.
Folding the cheque within the letter just as it had been, she heated a blob of rich red wax and let it drip to cover and melt away Razeby’s crest. Within a few moments it had cooled and the letter was sealed once more, the wax disc smooth and even.
She took it out to the footman who waited in the hallway. A footman she recognised from Razeby’s town house in Leicester Square. He recognised her, too, although he said nothing. If he knew the contents of the letter, he gave no sign.
‘If you would be so kind as to return this to Lord Razeby.’
‘Certainly, Miss Sweetly. Is there a message you wish relayed?’ he enquired.
‘None other than what is within the letter.’ She smiled at him.
‘Very good, miss.’ He bowed and left.
Alice watched him go.
It had taken Razeby less than a week to find her. Just for a minute she wondered if Venetia had told him. But she knew in her heart her friend would never have broken her word. Razeby was a marquis, a man of power and money and contacts, all of which he had clearly used.
But he could keep his money. She would not touch a damn penny of it.
Razeby had checked every entry in the estate account books. The task kept his mind from wandering to other thoughts he had no wish to think. Thoughts of the future. And even more thoughts of the past… with Alice.
Lifting the pen, he made to enter the figure in the column at the bottom of the open page and found the inkwell dry. He opened the top drawer of his desk to find a fresh bottle of ink and saw, lying there, the cheque he had written to her.
He stilled, his eyes fixed upon it. Four thousand pounds, twice what was specified in their contract, and she had sent it back as if it were some kind of insult. Some men might have construed it as a means of angling for more money, but Razeby knew in his gut that it was not. There was a finality about it, a closure rather than an opening of negotiation, and it made him uncomfortable. Had she asked for three times the sum he would have felt happier. Maybe then he would not be worrying over her.
The memory came again of the expensive dresses still hanging in the wardrobe at Hart Street, all the jewellery still in its casket, the diamond bracelet abandoned upon the bed. And the same uneasiness rippled through him, the gnawing feeling that it was all wrong, the unmistakable essence that there were layers between the two of them that he dare not explore. He quelled the feelings, reassured himself that he had done everything he could. He could no longer be a part of Alice’s life, nor she a part of his. What she chose to do was no longer his concern. Lifting out the bottle of ink, he turned his eyes from the cheque and shut the drawer.
He had just blotted the entry and closed the books when the butler announced that Linwood had come to call.
‘Were we supposed to be riding this morning?’ Razeby asked.
Linwood shook his head. ‘Not this morning. I came to ask if you are attending the Lords this afternoon.
‘I am.’
‘It is the debate on Wellesley-Pole’s circular letter.’
‘The Irish issue.’ Razeby could almost hear the whisper of Alice’s Irish accent, so soft against his ear.
‘I heard that there are plans to bring up the fact that you are biased on the matter.’
Because of Alice. The words went unspoken between them.
‘Do they not know she is no longer my mistress?’ he asked.
‘I am sure they are well aware, but they will still use the association against you. Feelings are running high on the subject. Better be prepared, Razeby.’
‘I will,’ he murmured. ‘Sit down. You’ll take a brandy?’
‘A trifle early in the day, Razeby.’ It was, but he needed it.
‘Coffee, then?’
Linwood gave a nod.
They spoke about horses and other inconsequential things while waiting for the coffee. He waited until they were sipping their coffee, bitter and strong, before he asked what he could no longer stop himself from asking. It was natural, he justified. Any reasonable, fair-minded gentleman would do the same, although the words perhaps would not have clamoured so desperately for release.
‘Have you heard anything of Alice?’ He did not meet Linwood’s eye.
‘She opens tonight in Covent Garden’s Theatre Royal, playing Lady Macbeth,’ said Linwood. ‘Kemble has made quite a fanfare. It has sold out. There is not a