her eyes open wide. ‘What’s wrong? Is it the babies?’
Lucas pulled out the long white roll of paper and checked through the tracing with Callie. He gave a tiny nod. ‘Olivia, Baby A seems to be a bit upset after each contraction and Baby B doesn’t look too happy either. It may just be because of the reduced room in your uterus and the contractions, but I’d like to be on the safe side.’ He turned to Callie. ‘When was her last examination?’
She checked the notes. ‘Four and a half hours ago. Would you like me to do another?’ They tried to examine women vaginally every four hours during labour. This usually gave the cervix plenty of time to show the changes every midwife and mother wanted to feel.
Lucas turned the full beam of his attention on the mother. ‘Sure. Olivia, we’d like to examine you, if possible, see how you’re getting along. Is that all right?’
‘Of course.’
Lucas looked at Callie and nodded.
‘I’ll be as gentle as I can …’
Callie washed her hands and then put on gloves, settling herself on the side of Olivia’s bed as she did so. She felt as much as she could, her fingers sweeping the edge of the cervix, her eyes on Lucas.
He kept checking with Olivia to make sure she was all right and apologising for any discomfort she might be feeling, but Olivia was quite stoical. The most calm she’d been since Callie had met her. Perhaps she could cope better with men around, supporting her, rather than another woman?
As Callie removed her gloves she smiled. ‘You’re making good progress. Eight centimetres.’
‘Eight!’ Olivia began to suck in gas and air again as another contraction hit, so she didn’t notice Callie take Lucas to one side of the room.
‘I’m concerned there’s some extra blood in the birth canal,’ she whispered. ‘I don’t want to panic her, but I think we need to put a continuous CTG on her and the babies and keep it monitored.’ CTG was cardiotocography—a technical way of recording the foetal heartbeats as well as any uterine contractions.
‘Yes, we need to be alert for any signs of possible placental abruption.’ He kept his voice low.
Placental abruption was a life-threatening condition in which the placenta detached itself from the uterine wall before birth, causing heavy bleeding and potentially fatal consequences for both mother and baby if not caught in time.
‘Possibly.’
‘Okay. I want to move her to Theatre, just in case.’
‘I’ll ring Theatre to let them know we’re coming.’
And just as Callie said this blood soaked into the sheets around Olivia’s legs.
Her husband, James, leapt to his feet. ‘My God! What’s going on?’
Callie and Lucas leapt into action. There wasn’t much time. They had to act fast. They quickly unplugged Olivia from the monitors, grabbed the ends of the bed and began to wheel her from the room.
Lucas kept his voice calm, yet firm, as he gave an explanation to James and Olivia. ‘Your wife’s bleed may mean the placenta has detached early from the wall of her womb. We need to do an emergency Caesarean to get the babies out safely.’ Lucas’s controlled, assertive voice was an oasis of calm in a situation that could so easily be filled with panic or fear.
‘Is she going to be okay?’ The colour had gone from James’s face.
Olivia looked pale and clammy and her head was beginning to loll back against the pillows.
‘Just follow us. It’s going to be a general anaesthetic, so you won’t be allowed into Theatre, I’m afraid.’
They began to push the bed from the room and head up the corridors towards the operating rooms. Lucas called out to passing staff to help and they responded to his firm authority and helped them get Olivia to Theatre.
‘And the babies?’
As they reached the theatre doors there was a large sign stating ‘Staff Only Beyond This Point’ and James slowed to a stop, looking lost and hopeless.
Lucas turned back briefly and laid a reassuring hand on James’s arm. ‘We’ll do our best for all of them.’ And then he and Callie pushed Olivia into Theatre, leaving James behind, bewildered and in shock.
They didn’t like to do it, but James was not their first priority at this point. Time was critical now, and they couldn’t waste it by stopping to talk it through with Olivia’s husband. They could debrief him afterwards.
It was a mad rush of preparation. They’d not had time to call Theatre, so the first the theatre staff knew of an emergency coming was when they wheeled Olivia in. But they were such a well-oiled machine that they all knew what to do.
Within minutes, they had Olivia under general anaesthetic, drapes up, and Lucas was scrubbed and ready to go. The theatre staff were used to emergency sections, and they all liked working with Lucas, who was calm and fair and friendly—unlike some of the other doctors who operated. Lucas could just give a look and everyone would know what he needed. His authority was not questioned, and everyone in his team looked to him for guidance.
‘I’m going to perform a lower segment section.’ He pointed the scalpel to Olivia’s skin and in one quick yet sure movement began the emergency operation.
Callie stood by the side of the bed, her heart pounding, her legs like jelly. She really disliked occasions such as this. Emergencies. If she could have her way then all babies would be born normally, without danger, without the need for Theatre. Babies were meant to arrive in calm environments, with music softly playing in the background, and then to be placed in their mother’s arms afterwards for that all-important cuddle and skin-to-skin contact.
General anaesthetics and emergencies took away all of that. Babies were separate from their mothers until the mother was awake enough to hold the baby without dropping it, and sometimes that initial important breastfeed was missed because the mother was unable to do it, or the baby itself was too drowsy from the cross-over of the drugs the mother had had.
Her lips felt dry beneath the paper mask. She glanced at Lucas, admiring the concentration in his gaze, his composure. Despite the emergency, he knew exactly what needed to be done and how. But as she stood there Callie realised she was beginning to feel a little bit woozy and hot.
The rush from Olivia’s room and pushing the bed through the corridors wouldn’t normally have taken its toll, but now that she was pregnant she felt a little more fragile than normal. She still felt out of breath from the sprint and her brow was becoming sweaty, as was her top lip. Her stomach began to churn like a washing machine, as if she was about to be sick.
It wasn’t the sight of the blood. That sort of thing never bothered her. Nor was it the controlled tension in the room.
No. This was something else. She didn’t feel right at all. She looked at Lucas over her mask in a panic, hoping he’d look up. See her. Notice that something was wrong.
She could feel something … a weird sensation beginning to overcome her. If she could try to focus on his calm, reassuring face she felt it might help, but her vision was going a bit blurry and the noises in the room—the beeping of machines—began to sound distant and echoing.
As she felt herself sway slightly she put one hand on the bed to steady herself. Lucas looked up from his work and frowned.
‘Callie? You okay?’
But his words sounded as if they were coming from far away. She blinked to clear her eyesight, felt her heart pound like a hammer and then heard a weird whooshing noise in her ears. A black curtain descended and she went crashing to the floor, taking a tray of instruments down with her.
‘Callie!’
Lucas was unable to catch her. She’d been standing on the other side of the