took her a moment to realize that he exuded an aura of danger, which defied reason since he’d kept her from falling. But it was there and almost tangible. She had to try twice before she forced words past the tightness in her throat. “I’m sorry. I wasn’t looking where I was going.”
“No damage done,” the man murmured in a low, rough voice as his hands released their hold on her. His dark eyes flicked over her in a heartbeat. “You look like a ghost.”
She nervously smoothed the fine, white material of her dress. “The Ghost of Christmas Past.”
He inclined his head slightly as his eyes narrowed. “My guess would have been the Ghost of Christmas Present,” he muttered, his expression tightening as he spoke.
This wasn’t any light banter, impersonal conversation between strangers. There was an edge to it that disturbed Mallory, almost as much as the man inches from her. Right then she heard the beginning strains of the musical piece that signaled her entrance, and the stranger was blocking her path to stage left. “For tonight, it’s Christmas Past,” she said. “That’s my cue. I need to—”
“Break a leg,” he murmured, then stood aside to let her pass.
Mallory ducked her head and hurried by him to her spot. The music swelled, and as the stagehand pulled the curtain back for her to step onto the stage, she could feel eyes on her. The stranger was watching her.
With a quick look back as she stepped forward, she saw the man had moved into the shadows near the prop room. But that didn’t diminish the intensity of his gaze on her. She’d never reacted like this to a man, attracted to him, yet aware of a danger that surrounded him. It had seemed like forever since she even looked at a man with anything more than passing interest.
When he nodded to her, she looked away. Then, as the actor playing Scrooge called, “Who goes there?” she took a shaky breath and stepped through the curtains into the light. In the next instant she was part of the fantasy she created on stage, a fantasy that didn’t have a place for a dark stranger who disturbed her and made her feel vulnerable.
At one minute to ten, the fantasy ended, and reality came back with a thud. Mallory had made her way back to the dressing room, which was crowded with the other female members of the cast. She had looked back over her shoulder more than once in the hallway, half expecting to see the stranger lingering in the shadows.
But he was nowhere in sight. And once inside, she stripped off her costume, put on her old terry-cloth robe and sat down in front of the mirrors. Methodically she began to spread cold cream on her face, and as she removed the last of the heavy stage makeup, lightning ripped through the night outside, its white glow flashing into the room through the bank of high windows, which were filmed with the grime of the city.
She tossed the last makeup-soiled cotton ball in the trash, then looked at her reflection in the mottled mirrors. She looked tired, her face pale in contrast to her dark hair, as she released her curls from the holly wreath. Her eyes were smudged with shadows from the sleeplessness she’d experienced over the past few days.
She grimaced, her natural ability to ignore the reality of the present and fantasize about a better future almost failing her right then. That little part of her life where she could make-believe and become someone else, that part that took her away from her job as a waitress and the empty apartment where she lived, had been taken from her until she could find another part in another play.
As she tossed the holly wreath into the prop box, she heard someone yell over the din, “King! Mallory King!”
She twisted to look back to the door and saw a stagehand waving in her direction. When he made eye contact with her, he called, “You’ve got a visitor!”
Mallory was surprised. She had never had anyone come backstage to see her after a play, and the house had been less than half-full during the performance. The applause at the curtain call had been more from politeness than enthusiasm. Then she remembered the man she’d run into, and for a second she thought he might have come back. But why would he?
She pointed to herself. “Me?”
The stagehand nodded, then ducked out and shut the door.
She stood and tugged her robe around her, knotting the tie at her waist as she made her way through the room. Nearing the door, she put the idea of the stranger out of her mind. It was crazy. When she opened the door and stepped into the dimly lit hallway, she spotted someone by the outside doors.
It was a woman. She recognized Elaine Bowers, her agent. Elaine, with her short, gray-blond hair curling slightly from the humidity. She was wearing a dark raincoat over a simple gray suit. “Mallory,” she said as she crossed to her.
Mallory slowly closed the door and watched the woman approach. One glance around the hallway and she knew that the dark-haired stranger wasn’t lingering in any of the nooks and crannies in the dingy space. She focused on the woman in front of her. Mallory knew she was one of her agent’s least lucrative clients, and she certainly didn’t warrant a personal visit on such a rainy night. “Elaine, what are you doing here?” Mallory asked.
The short, plump woman looked at her watch. “Looking for you.” She glanced up and down the hallway, grimacing at the faded walls and the low, moisture-stained ceiling. “Boy, I haven’t been in here in years. This old place was once the theater in the city. Can you believe it?”
“If you go out into the foyer and narrow your eyes, you can almost see how it must have looked years ago.”
“My imagination isn’t that good.”
“Right now, mine isn’t too good, either. I’ve been trying to imagine why you’re here, and I can’t come up with anything.”
“I was contacted by a Mr. Welting, an attorney who I’m supposed to meet here.” She took one last look over her shoulder, then moved a bit closer to Mallory. “I wanted to get here a few minutes before him so I could explain a bit to you before he showed up.”
Mallory tugged her robe more tightly around her. “Explain what to me?”
“This whole business is so rushed and odd,” she muttered with a shake of her head. “Mr. Welting contacted me just before five this afternoon. He’s an attorney for Saxon Mills.”
“Saxon Mills? Money, business, wine,” Mallory muttered. “What was his attorney doing contacting you?”
“Offering you a job.”
Mallory almost laughed. “A job for me? Well, I’m desperate, so if he wants me to crush grapes, tell him I’m willing.”
Elaine flicked that away with one hand and only the shadow of a smile. “No, he wants you for an acting job.”
“That’s even better. I’ll take it.”
“You don’t even know what it is.”
“They’re closing the play as of tonight, Elaine. I’m free and broke. I’ll take anything.”
“I thought they might have to close. With this lousy weather and the economy, it’s hard to keep small companies going.”
“And the restaurant’s cutting back, too. I’ve lost two of my shifts, so I need whatever I can get.”
“Then this’ll work out better than I thought. It’s good timing for everyone.”
“It is for me. Now, what’s the part and when do I start?”
“Tomorrow, actually, and it runs through New Year’s. You’re going in as a replacement for someone. One of Welting’s people saw you when you were working at the Garnet last month in the Simon play. He remembered you when this position came up, and Mr. Welting says that you’re just right for what they want.”
“What play is it?”
Elaine looked a bit embarrassed. The woman usually had an answer for every question. “I’m sorry. This all happened