the thought of death has flashed across my mind, who fear not death; when they can tell me why, at the burial of my beloved friend, when my very heart-strings seemed bursting, my sorrow has been mocked by the involuntary remembrance of ludicrous adventures and grotesque tales; when they can tell me why, in a dark mountain pass, I have thought of an absent woman’s eyes; or why, when in the very act of squeezing the third lime into a beaker of Burgundy cup, my memory hath been of lean apothecaries and their vile drugs; why then, I say again, glory to the metaphysician’s all-perfect theory! and fare you well, sweet world, and you, my merry masters, whom, perhaps, I have studied somewhat too cunningly: nosce teipsum shall be my motto. I will doff my travelling cap, and on with the monk’s cowl.
There are mysterious moments in some men’s lives when the faces of human beings are very agony to them, and when the sound of the human voice is jarring as discordant music. These fits are not the consequence of violent or contending passions: they grow not out of sorrow, or joy, or hope, or fear, or hatred, or despair. For in the hour of affliction the tones of our fellow-creatures are ravishing as the most delicate lute; and in the flush moment of joy where is the smiler who loves not a witness to his revelry or a listener to his good fortune? Fear makes us feel our humanity, and then we fly to men, and Hope is the parent of kindness. The misanthrope and the reckless are neither agitated nor agonised. It is in these moments that men find in Nature that congeniality of spirit which they seek for in vain in their own species. It is in these moments that we sit by the side of a waterfall and listen to its music the live-long day. It is in these moments that men gaze upon the moon. It is in these moments that Nature becomes our Egeria; and, refreshed and renovated by this beautiful communion, we return to the world better enabled to fight our parts in the hot war of passions, to perform the great duties for which man appeared to have been created, to love, to hate, to slander, and to slay.
It was past midnight, and Vivian was at a considerable distance from the Château. He proposed entering by a side door, which led into the billiard-room, and from thence, crossing the Long Gallery, he could easily reach his apartment without disturbing any of the household. His way led through the little gate at which he had parted with Mrs. Felix Lorraine on the first day of their meeting.
As he softly opened the door which led into the Long Gallery he found he was not alone: leaning against one of the casements was a female. Her profile was to Vivian as he entered, and the moon, which shone bright through the window, lit up a countenance which he might be excused for not immediately recognising as that of Mrs. Felix Lorraine. She was gazing steadfastly, but her eye did not seem fixed upon any particular object. Her features appeared convulsed, but their contortions were not momentary, and, pale as death, a hideous grin seemed chiselled on her idiot countenance.
Vivian scarcely knew whether to stay or to retire. Desirous not to disturb her, he determined not even to breathe; and, as is generally the case, his very exertions to be silent made him nervous, and to save himself from being stifled he coughed.
Mrs. Lorraine immediately started and stared wildly around her, and when her eye caught Vivian’s there was a sound in her throat something like the death-rattle.
“Who are you?” she eagerly asked.
“A friend, and Vivian Grey.”
“How came you here?” and she rushed forward and wildly seized his hand, and then she muttered to herself, “‘tis flesh.”
“I have been playing, I fear, the mooncalf to-night; and find that, though I am a late watcher, I am not a solitary one.”
Mrs. Lorraine stared earnestly at him, and then she endeavoured to assume her usual expression of countenance; but the effort was too much for her. She dropped Vivian’s arm, and buried her face in her own hands. Vivian was retiring, when she again looked up. “Where are you going?” she asked, with a quick voice.
“To sleep, as I would advise all: ‘tis much past midnight.”
“You say not the truth. The brightness of your eye belies the sentence of your tongue. You are not for sleep.”
“Pardon me, dear Mrs. Lorraine; I really have been yawning for the last hour,” said Vivian, and he moved on.
“You are speaking to one who takes her answer from the eye, which does not deceive, and from the speaking lineaments of the face, which are Truth’s witnesses. Keep your voice for those who can credit man’s words. You will go, then? What! are you afraid of a woman, because ‘tis past midnight,’ and you are in an old gallery?”
“Fear, Mrs. Lorraine, is not a word in my vocabulary.”
“The words in your vocabulary are few, boy! as are the years of your age. He who sent you here this night sent you here not to slumber. Come hither!” and she led Vivian to the window: “what see you?”
“I see Nature at rest, Mrs. Lorraine; and I would fain follow the example of beasts, birds, and fishes.”
“Yet gaze upon this scene one second. See the distant hills, how beautifully their rich covering is tinted with the moonbeam! These nearer fir-trees, how radiantly their black skeleton forms are tipped with silver; and the old and thickly foliaged oaks bathed in light! and the purple lake reflecting in its lustrous bosom another heaven? la it not a fair scene?”
“Beautiful! most beautiful!”
“Yet, Vivian, where is the being for whom all this beauty exists? Where is your mighty creature, Man? The peasant on his rough couch enjoys, perchance, slavery’s only service-money, sweet sleep; or, waking in the night, curses at the same time his lot and his lord. And that lord is restless on some downy couch; his night thoughts, not of this sheeny lake and this bright moon, but of some miserable creation of man’s artifice, some mighty nothing, which Nature knows not of, some offspring of her bastard child, Society. Why, then, is Nature loveliest when man looks not on her? For whom, then, Vivian Grey, is this scene so fair?”
“For poets, lady; for philosophers; for all those superior spirits who require some relaxation from the world’s toils; spirits who only commingle with humanity on the condition that they may sometimes commune with Nature.”
“Superior spirits! say you?” and here they paced the gallery. “When Valerian, first Lord Carabas, raised this fair castle; when, profuse for his posterity, all the genius of Italian art and Italian artists was lavished on this English palace; when the stuffs and statues, the marbles and the mirrors, the tapestry, and the carvings, and the paintings of Genoa, and Florence, and Venice, and Padua, and Vicenza, were obtained by him at miraculous cost, and with still more miraculous toil; what think you would have been his sensations. If, while his soul was revelling in the futurity of his descendants keeping their state in this splendid pile, some wizard had foretold to him that, ere three centuries could elapse, the fortunes of his mighty family would be the sport of two individuals; one of them a foreigner, unconnected in blood, or connected only in hatred; and the other a young adventurer alike unconnected with his race, in blood or in love; a being ruling all things by the power of his own genius, and reckless of all consequences save his own prosperity? If the future had been revealed to my great ancestor, the Lord Valerian, think you, Vivian Grey, that you and I should be walking in this Long Gallery?”
“Really, Mrs. Lorraine, I have been so interested in discovering what people think in the nineteenth century, that I have had but little time to speculate on the possible opinions of an old gentleman who flourished in the sixteenth.”
“You may sneer, sir; but I ask you, if there are spirits so superior to that of the slumbering Lord of this castle as those of Vivian Grey and Amelia Lorraine, why may there not be spirits proportionately superior to our own?”
“If you are keeping me from my bed, Mrs. Lorraine, merely to lecture my conceit by proving that there are in this world wiser heads than that of Vivian Grey, on my honour you are giving yourself a great deal of unnecessary trouble.”
“You will misunderstand me, then, you wilful boy!”
“Nay, lady, I will not affect to misunderstand your meaning; but I recognise, you know full well, no intermediate essence between my own good soul and that ineffable and omnipotent spirit in whose existence philosophers and priests alike agree.”
“Omnipotent