go back now a day or two.
II
A pleasant sound of young voices, that became subdued as the children passed from street to church-yard, rose from the shadowy elm-walk and floated up through the branches towards the window of the organist, who seemed to have been waiting some such summons, for she now threw aside the manuscript music she had been studying, arrayed herself in her shawl, threw a scarf around her head, and looked at the clock. Straight she gazed at it, a moment full, before she seemed instructed in the fact represented on the dial-plate, thinking still, most likely, of the score she had been revising. Some thought at least as profound, as unfathomable, and as immeasurable as was thereon represented, possessed her, as she now, with a glance around the room, retired from it.
With herself in the apartment it was another sort of place from what it looked when she had left it.
There were three pictures on the wall,—three, and no more. One was a copy of the lovely portraiture of Milton's musical inspired youth; the wonderful eyes, the "breezy hair," the impassioned purity of the countenance, looked down on the place where the musician might be found three-fourths of her waking hours, at her piano. In other parts of the room, opposite each other, were pictures of the Virgin ever-blessed! conquering, crowned.
In the first she stood with foot upon the Serpent, that lay coiled on the apex of the globe. She had crushed the Destroyer; the world was free of its monster. Beneath her shone the crescent moon, whose horns were sharp as swords. Rays of blessing, streaming from her hands, revealed the Mother of grace and of all benefaction.
Opposite, her apotheosis. A chariot of clouds was bearing her to her throne in heaven; the loving head was shining with a light that paled the stars above her; far down were the crags of earth, the fearful precipices that lead the weary and adventurous toiler to at last but narrow prospects. Far away now the conquered Devil, and the conquered world,—the foot was withdrawn from destructions,—the writhing of the Enemy was felt now no more.
The organist had bought these pictures for her wall when she had paid her first month's board in this her present abiding-place.
Towards the centre of the room stood her piano, an instrument of finest tone, whose incasing you would not be likely to admire or observe.
White matting covered the floor. Heaps of music were upon the table and the piano. There were few books to indicate the taste or studies of the owner beside these sheets and volumes of music, and they were everywhere. All that ever was written for organ or piano seemed to have found its way in at the door of that chamber.
On a pedestal in the window stood an orange-tree, whose blossoms filled the room with their bright, soft sweetness; a Parian vase held a bouquet of flowers, gathered, none could question whether for the woman whose room they decorated.
One window of this room looked out on a busy street, another into the church-yard, a third upon the sea: not so remote the sea but one could hear the breaking of its waves, and watch its changing glory.
Thus she had for "influences" the loneliness of the grave,—for the church-yard was filled with monuments of a past generation,—the solitude of the ocean, and the busy street. Was she so involved in duties, or in cares, as to be unmindful of all these diverse tongues that told their various story in that lofty and lonely apartment of the old stone house?
Into the church, equally old and gray, covered with ivy, shadowed even to the roof by the vast branching and venerable trees, she now went,—and was not too early. The boys were growing restless, though it needed but the sound of her coming to reduce them all to silence: when they saw her enter the church-door, they all went down quietly to their places, opened their books, and no one could mistake their aspect for constraint. Here was the bright, beautiful, enthusiasm and blissful confidence of youth.
A few words, and all were in working order. The organist touched the keys. Then a solemn softness, beautiful to see, overspread the young faces. It had never been otherwise since she began to teach them. If she controlled, it was not by exhibition of authority.
"Begin."
At that word, with one consent, the voices struck the first notes of the carol,—
"Let the merry church-bells ring,
Hence with tears and sighing;
Frost and cold have fled from spring,
Life hath conquered dying;
Flowers are smiling, fields are gay,
Sunny is the weather;
With our rising Lord to-day
All things rise together."
From strain to strain they bore it along till the old church was glad. How must the birds in the nests of the great elm-branches have rejoiced! And the ivy-vines, did they not cling more closely to the gray stone walls, as if they, too, had something at stake in the music? for they were the children of the church who sang those strains. Among the wonder-working little company within there was no loitering, no laughing, no twitching of coat-sleeves on the sly, no malicious interruptions: all were alert, earnest, conscientious. They sang with a zeal that brought smiles to the face of the organist.
Two or three songs, carols, anthems, and the lesson was over. Now for the reward. It came promptly, and was worth more than the gifts of others.
"You have all done excellently well. I knew you would. If I had found myself mistaken, it would have been a great disappointment. 'T is a great thing to be able to sing such verses as if you were eye-witnesses of what you repeat. That is precisely what you do. Now you may go. Go quietly."
She looked at them all as she spoke; it was a broad, comprehensive glance, but they all felt individualized by it. Then they came, the six lads, with their bright, handsome faces, pride of a mother's heart every one, and took her hand, and carried away, each one, her kiss upon his forehead. Not one of them but had been blest beyond expression in the few half-hours they had been gathered under the instruction of the organist. So they went off, carrying her precious praise with them.
They had scarcely gone, and the organist was yet searching for a sheet of music, when a step was in the aisle, noiseless, rapid, and a young girl came into the singers' seat.
"Am I too early?" she asked,—for her welcome was not immediate, and her courtesy was not just now of the quality that overlooked a seeming lack of it in others. Miss Ives was slightly out of tune.
"Not at all," was the answer. Still it was spoken in a very preoccupied way that might have been provoking,—that would depend on the mood of the person addressed; and that mood, as we know, was not sun-clear or marble-smooth. The organist had now found the music she was looking for, and proceeded to play it from the first page to the last, without vouchsafing an instant's recognition of the singer's presence.
When she had finished, she sat a moment silent; then she turned straight toward Miss Ives, and smiled, and it was a smile that could atone for any amount of seeming incivility.
But not even David, by mere sweep of harp-string, soothed self-beleaguered Saul.
Teacher and pupil did not seem to understand each other as it was best such women should. For, let the swaying, surging hosts throughout the valley deliver themselves as they can from the confusion of tongues, the wanderers among the mountains ought to understand the signals they see flaring from crag and gorge and pinnacle.
Too many shadowy folds were in the mystery that hung about each of these women to satisfy the other: reticence too cold, independence too extreme, self-possession too entire. Why was neither summoned, in a frank, impulsive way, to take up the burden of the other? Was nothing ever to penetrate the seven-walled solitude in which the organist chose to intrench herself? Was nobody ever to bid roses bloom on the colorless face of the singer, and bring smiles, the veritable smiles of youth, and of happiness, into those large, steady, joyless eyes?
But now, while the organist played, and Sybella sat down, supposing she was not wanted yet, she found herself not withdrawn into the indifference she supposed. Presently far more was given than she either looked for or