especially the one containing the following highly coloured narration of this ghastly crime:
“A door ajar—an empty hall—a line of sinister looking blotches marking a guilty step diagonally across the flagging—silence—and an unmistakable odour repugnant to all humanity,—such were the indications which met the eyes of Officer O’Leary on his first round last night, and led to the discovery of a murder which will long thrill the city by its mystery and horror.
“Both the house and the victim are well known.” Here followed a description of the same and of Mrs. Doolittle’s manner of life in her ancient home, which Violet hurriedly passed over to come to the following:
“As far as one can judge from appearances, the crime happened in this wise: Mrs. Doolittle had been in her kitchen, as the tea-kettle found singing on the stove goes to prove, and was coming back through her bedroom, when the wretch, who had stolen in by the front door which, to save steps, she was unfortunately in the habit of leaving on the latch till all possibility of customers for the day was over, sprang upon her from behind and dealt her a swinging blow with the poker he had caught up from the hearthstone.
“Whether the struggle which ensued followed immediately upon this first attack or came later, it will take medical experts to determine. But, whenever it did occur, the fierceness of its character is shown by the grip taken upon her throat and the traces of blood which are to be seen all over the house. If the wretch had lugged her into her workroom and thence to the kitchen, and thence back to the spot of first assault, the evidences could not have been more ghastly. Bits of her clothing torn off by a ruthless hand, lay scattered over all these floors. In her bedroom, where she finally breathed her last, there could be seen mingled with these a number of large but worthless glass beads; and close against one of the base-boards, the string which had held them, as shown by the few remaining beads still clinging to it. If in pulling the string from her neck he had hoped to light upon some valuable booty, his fury at his disappointment is evident. You can almost see the frenzy with which he flung the would-be necklace at the wall, and kicked about and stamped upon its rapidly rolling beads.
“Booty! That was what he was after; to find and carry away the poor needlewoman’s supposed hoardings. If the scene baffles description—if, as some believe, he dragged her yet living from spot to spot, demanding information as to her places of concealment under threat of repeated blows, and, finally baffled, dealt the finishing stroke and proceeded on the search alone, no greater devastation could have taken place in this poor woman’s house or effects. Yet such was his precaution and care for himself that he left no finger-print behind him nor any other token which could lead to personal identification. Even though his footsteps could be traced in much the order I have mentioned, they were of so indeterminate and shapeless a character as to convey little to the intelligence of the investigator.
“That these smears (they could not be called footprints) not only crossed the hall but appeared in more than one place on the staircase proves that he did not confine his search to the lower storey; and perhaps one of the most interesting features of the case lies in the indications given by these marks of the raging course he took through these upper rooms. As the accompanying diagram will show [we omit the diagram] he went first into the large front chamber, thence to the rear where we find two rooms, one unfinished and filled with accumulated stuff most of which he left lying loose upon the floor, and the other plastered, and containing a window opening upon an alley-way at the side, but empty of all furniture and without even a carpet on the bare boards.
“Why he should have entered the latter place, and why, having entered he should have crossed to the window, will be plain to those who have studied the conditions. The front chamber windows were tightly shuttered, the attic ones cumbered with boxes and shielded from approach by old bureaus and discarded chairs. This one only was free and, although darkened by the proximity of the house neighbouring it across the alley, was the only spot on the storey where sufficient light could be had at this late hour for the examination of any object of whose value he was doubtful. That he had come across such an object and had brought it to this window for some such purpose is very satisfactorily demonstrated by the discovery of a worn out wallet of ancient make lying on the floor directly in front of this window—a proof of his cupidity but also proof of his ill-luck. For this wallet, when lifted and opened, was found to contain two hundred or more dollars in old bills, which, if not the full hoard of their industrious owner, was certainly worth the taking by one who had risked his neck for the sole purpose of theft.
“This wallet, and the flight of the murderer without it, give to this affair, otherwise simply brutal, a dramatic interest which will be appreciated not only by the very able detectives already hot upon the chase, but by all other inquiring minds anxious to solve a mystery of which so estimable a woman has been the unfortunate victim. A problem is presented to the police—”
There Violet stopped.
When, not long after, the superb limousine of Peter Strange stopped before the little house in Seventeenth Street, it caused a veritable sensation, not only in the curiosity-mongers lingering on the sidewalk, but to the two persons within—the officer on guard and a belated reporter.
Though dressed in her plainest suit, Violet Strange looked much too fashionable and far too young and thoughtless to be observed, without emotion, entering a scene of hideous and brutal crime. Even the young man who accompanied her promised to bring a most incongruous element into this atmosphere of guilt and horror, and, as the detective on guard whispered to the man beside him, might much better have been left behind in the car.
But Violet was great for the proprieties and young Arthur followed her in.
Her entrance was a coup du theatre. She had lifted her veil in crossing the sidewalk and her interesting features and general air of timidity were very fetching. As the man holding open the door noted the impression made upon his companion, he muttered with sly facetiousness:
“You think you’ll show her nothing; but I’m ready to bet a fiver that she’ll want to see it all and that you’ll show it to her.”
The detective’s grin was expressive, notwithstanding the shrug with which he tried to carry it off.
And Violet? The hall into which she now stepped from the most vivid sunlight had never been considered even in its palmiest days as possessing cheer even of the stately kind. The ghastly green light infused through it by the coloured glass on either side of the doorway seemed to promise yet more dismal things beyond.
“Must I go in there?” she asked, pointing, with an admirable simulation of nervous excitement, to a half-shut door at her left. “Is there where it happened? Arthur, do you suppose that there is where it happened?”
“No, no, Miss,” the officer made haste to assure her. “If you are Miss Strange” (Violet bowed), “I need hardly say that the woman was struck in her bedroom. The door beside you leads into the parlour, or as she would have called it, her work-room. You needn’t be afraid of going in there. You will see nothing but the disorder of her boxes. They were pretty well pulled about. Not all of them though,” he added, watching her as closely as the dim light permitted. “There is one which gives no sign of having been tampered with. It was done up in wrapping paper and is addressed to you, which in itself would not have seemed worthy of our attention had not these lines been scribbled on it in a man’s handwriting: ‘Send without opening.’”
“How odd!” exclaimed the little minx with widely opened eyes and an air of guileless innocence. “Whatever can it mean? Nothing serious I am sure, for the woman did not even know me. She was employed to do this work by Madame Pirot.”
“Didn’t you know that it was to be done here?”
“No. I thought Madame Pirot’s own girls did her embroidery for her.”
“So that you were surprised—”
“Wasn’t I!”
“To get our message.”
“I didn’t know what to make of it.”
The earnest, half-injured look with which she uttered this disclaimer, did its appointed work. The detective accepted her for what she seemed and, oblivious to the reporter’s satirical gesture,