toward the house, and finally disappear with him down the lane, behind a wheelbarrow laden with boards, she gave orders that she was not at home, waited half an hour, and followed.
The lane wound coolly green and deserted from the Prentiss place into the heart of the country. Katrina, walking steadily, passed her own, passed the Graham and the Haskell boundaries, and stopped in surprise. At a branching path hung a new and conspicuous sign. "Private Road! No Trespassing, Under Penalty of the Law."
It was a churlish sign. The people of the neighborhood—a summer settlement of friends and pleasant informalities—were used to no such signs. And Katrina, knowing Grandfather McBride, turned at once into the branching path. At some distance in, she passed a similar sign, with every mark of disdain. Finally, she was brought up short by a wire fence, with a gate, high, wooden, and new, that stretched across the path. She tried the gate, but it did not budge. From the wood beyond came the sound of voices and the strokes of a hammer. With a quick glance behind her, and a determined set to her chin, she began to climb the gate.
She was descending upon the other side in safety, when Grandfather McBride came upon her. His hat was pushed back upon his head, his stick was forgotten. He descended upon her as might a hungry lion upon its prey. He roared—in fact, he bellowed.
"Katrina Prentiss, get back over that fence. Climb back over that gate; you're trespassing. Didn't you see the signs? Are you blind? Can't you read? What do you mean by coming in here where you don't belong? Climb back there and go home at once!"
Katrina, unprepared for battle and aware of being at a disadvantage, swallowed hard and obeyed. She climbed back over the gate. Once upon solid earth, however, and she glared as fiercely at Grandfather McBride as he stared ferociously at her.
"I'm not a child," she said furiously, when he stopped to breathe, "to be ordered about and sent home and insulted. I have never been so treated in my life and I give you fair warning, Grandfather, that I'll stand it no longer. After this I'll do as I please." Whereupon Katrina, having woman-like, in the act of obedience, said her say, retreated with dignity and dispatch. Behind her, Mr. McBride waved his recovered stick over the gate and shouted, but she did not turn nor attempt an answer.
He came home within an hour, slowly, leaning heavily upon his stick. John followed with the empty wheelbarrow. They parted at the barn and Mr. McBride went at once to his room and shut the door. Katrina, sitting at her own window, looked thoughtfully into space and swung a key upon her forefinger. After a time she stood up, smoothed her hair and pinned on her wide, rose-laden hat. Then she went down the hall quietly, stopped before Mr. McBride's door, and listened a moment. A gentle snore proclaimed Mr. McBride's occupation. Katrina fitted the key into the lock and turned it, took it out again and slipped it beneath a corner of the rug, listened a further moment and then walked down the stairs, out through the back garden, and, with a final glance behind her, turned once more into the green and deserted lane.
It must be confessed that Katrina started upon her quest in a spirit far removed from that of your single-minded explorer. She was urged by a variety of causes. Among them was a determination to disobey Grandfather McBride, to serve him with his own medicine, to pay him in his own coin, and to do it as quickly and as frankly as possible. Her rapidly increasing curiosity concerning the region he guarded with so much mystery counted as well, but the paramount force—for Katrina was young enough to take her responsibility seriously—was anxiety over the old gentleman himself. In fact, Katrina departed, as did Lot's wife, with her face and her thought turned backward, a policy not conducive to brilliant success in exploration.
This time, however, she was stopped by no one. She passed the gate safely, penetrated the wood and came at length upon a part of Mr. McBride's secret. It was a rough little flight of steps, made with the help of John, the wheelbarrow, and the boards, which led to the top of a high brick wall. The wall astounded Katrina even more than did the steps, which is saying a good deal. The whole elaborate contrivance for keeping people away, puzzled Katrina. It was some time before she mounted the steps and looked over the wall, but when she finally did so, she ceased to be merely puzzled. She became lost in a maze of wonder.
Stretching before her, was a wide expanse of green. Just opposite stood a long, low building of workmanlike appearance. At the left was a very presentable rose garden. At the right, a rustic summer-house. Surrounding all was the high brick wall. But it was none of these things that amazed Katrina.
Moving toward her, from the door of the long building, came a little procession—men and women, walking slowly, sedately dressed in old-time silks and finery, decked with plumes, jewels, laces, bouquets of flowers. Arrived at a broad space near the summer-house, the company, after a series of low and preliminary bows, launched forth into a stately dance. Katrina, conscious of music, descried an individual in very modern blue overalls, who manipulated a phonograph. A voice from beyond the summer-house, called forth instructions at intervals, with a huskiness vaguely suggestive of old Coney.
"More side-play there, Miss Beals. Just imagine he's a young hobo you're in love with and yer father won't let him up the steps. You're doing the Merry Widow act while the old man's not looking. Don't bow so low you hide your face, Mr. Peters. Your face is worth money to us all. And everybody get a move on! You're too slow! Hit it up a bit, Jim."
The overalls, thus adjured, accelerated the time of his machine, and a new spirit animated the group. Katrina leaned far over the wall in order to miss nothing. At length, the dance, moving toward a finale, reached it with a succession of stirring chords, and a flourish of curtseys, and the group dissolved.
"That'll do for to-day. You can knock off now," began the husky voice, when Jim, glancing up from his phonograph, beheld Katrina in her rose-laden hat, leaning far over the wall. If he had stopped to reflect, he might have ignored the vision, for he was but man, and the vision a guilelessly pretty one, but he did not stop to reflect. With Jim, to see a thing was to proclaim it abroad. Immediately, he yelled:
"Hey! Get on to the lady on the wall! Hey! Mr. Connor, come around here. There's somebody on the wall. Hey!"
At once Katrina, to her utmost discomfort, became the centre of the stage. Everybody turned, saw her, and began to stare. The silken ladies, the velvet gentlemen, delayed their return to modern apparel, and took her in. Jim stared clamorously. Mr. Connor, rounding the summer-house, glared angrily. To Katrina, even the long building blinked its windows at her, and she thought, with sudden longing, of Grandfather McBride. She wished she had not come. Most of all, she wished to go, but she did not quite dare.
At once, Mr. Connor took charge of the situation. "Say, young lady," he demanded, in a truculent manner, "what do you mean by gettin' into these grounds and rubberin' at us over our wall? Don't you know you can be run in for passin' those signs? Didn't you see that gate?"
"Oh, yes," faltered Katrina; "yes—I saw the gate."
"Well, how'd you get past that gate and them signs," Mr. Connor wanted to know.
"I—I climbed the gate," hesitated Katrina.
Clearly this was not what Mr. Connor expected. Such simplicity must cover guile. A suppressed smile glimmered through the group and Mr. Connor became more suspicious of Katrina.
"I don't want no kiddin' now, do you hear?" he burst forth. "You're in a tight place, young woman, and you may as well wake up to the fact at once. The Knickerbocker is doin' things on a plane of high art, and our methods are our own. Now, I want to know who you represent? And freshness don't go, d'you see?"
Katrina hardly heard Mr. Connor. Her mind was occupied with the freedom that lay clear behind her, and the possible patrol-wagons and police stations before her. Perhaps she might conciliate this red-faced man by allowing him to talk, by being mild and meek and polite. Perhaps a chance might come for a desperate attempt at escape. But Mr. Connor, conversing fluently, read her very soul.
"Bring that there light ladder, Jim," he interrupted himself to order, "and if you try to get away, young woman, it'll be the worse for you. Now, I want to know what yellow sheet you represent?"
"Yellow—why do you take me for a newspaper woman?" cried Katrina. "I'm not. I'm nothing of the sort. I've never been inside a newspaper office in my life."
"Of course not," observed Mr. Connor,