and the persons who retired and entered, evidently a locality of great resort and bustle. A sign, bearing the title of the Cat and Fiddle, indicated that it was a place of public entertainment, and kept by one who owned the legal name of John Trottman, though that was but a vulgar appellation, lost in his well-earned and far-famed title of Chaffing Jack.
The companions entered the spacious premises; and making their way to the crowded bar, Stephen, with a glance serious but which indicated intimacy, caught the eye of a comely lady, who presided over the mysteries, and said in a low voice, “Is he here?”
“In the Temple, Mr Morley, asking for you and your friend more than once. I think you had better go up. I know he wishes to see you.”
Stephen whispered to Gerard and after a moment’s pause, he asked the fair president for a couple of tickets for each of which he paid threepence; a sum however, according to the printed declaration of the voucher, convertible into potential liquid refreshments, no great compensation to a very strict member of the Temperance Society of Mowbray.
A handsome staircase with bright brass bannisters led them to an ample landing-place, on which opened a door, now closed and by which sate a boy who collected the tickets of those who would enter it. The portal was of considerable dimensions and of architectural pretension; it was painted of a bright green colour, the panels gilt. Within the pediment, described in letters of flaming gas, you read, “THE TEMPLE OF THE MUSES.”
Gerard and Morley entered an apartment very long and sufficiently lofty, though rather narrow for such proportions. The ceiling was even richly decorated; the walls were painted, and by a brush of considerable power. Each panel represented some well-known scene from Shakespeare, Byron, or Scott: King Richard, Mazeppa, the Lady of the Lake were easily recognized: in one panel, Hubert menaced Arthur; here Haidee rescued Juan; and there Jeanie Deans curtsied before the Queen. The room was very full; some three or four hundred persons were seated in different groups at different tables, eating, drinking, talking, laughing, and even smoking, for notwithstanding the pictures and the gilding it was found impossible to forbid, though there were efforts to discourage, this practice, in the Temple of the Muses. Nothing however could be more decorous than the general conduct of the company, though they consisted principally of factory people. The waiters flew about with as much agility as if they were serving nobles. In general the noise was great, though not disagreeable; sometimes a bell rang and there was comparative silence, while a curtain drew up at the further end of the room, opposite to the entrance, and where there was a theatre, the stage raised at a due elevation, and adorned with side scenes from which issued a lady in a fancy dress who sang a favourite ballad; or a gentleman elaborately habited in a farmer’s costume of the old comedy, a bob-wig, silver buttons and buckles, and blue stockings, and who favoured the company with that melancholy effusion called a comic song. Some nights there was music on the stage; a young lady in a white robe with a golden harp, and attended by a gentleman in black mustachios. This was when the principal harpiste of the King of Saxony and his first fiddler happened to be passing through Mowbray, merely by accident, or on a tour of pleasure and instruction, to witness the famous scenes of British industry. Otherwise the audience of the Cat and Fiddle, we mean the Temple of the Muses, were fain to be content with four Bohemian brothers, or an equal number of Swiss sisters. The most popular amusements however were the “Thespian recitations:” by amateurs, or novices who wished to become professional. They tried their metal on an audience which could be critical.
A sharp waiter, with a keen eye on the entering guests, immediately saluted Gerard and his friend, with profuse offers of hospitality: insisting that they wanted much refreshment; that they were both very hungry and very thirsty: that, if not hungry, they should order something to drink that would give them an appetite: if not inclined to quaff, something to eat that would make them athirst. In the midst of these embarrassing attentions, he was pushed aside by his master with, “There, go; hands wanted at the upper end; two American gentlemen from Lowell singing out for Sherry Cobler; don’t know what it is; give them our bar mixture; if they complain, say it’s the Mowbray slap-bang, and no mistake. Must have a name, Mr Morley; name’s everything; made the fortune of the Temple: if I had called it the Saloon, it never would have filled, and perhaps the magistrates never have granted a licence.”
The speaker was a very portly man who had passed the maturity of manhood, but active as Harlequin. He had a well-favoured countenance; fair, good-humoured, but very sly. He was dressed like the head butler of the London Tavern, and was particular as to his white waistcoats and black silk stockings, punctilious as to his knee-buckles, proud of his diamond pin; that is to say when he officiated at the Temple.
“Your mistress told us we should find you here,” said Stephen, “and that you wished to see us.
“Plenty to tell you,” said their host putting his finger to his nose. “If information is wanted in this part of the world, I flatter myself—Come, Master Gerard, here’s a table; what shall I call for? glass of the Mowbray slap-bang? No better; the receipt has been in our family these fifty years. Mr Morley I know won’t join us. Did you say a cup of tea, Mr Morley? Water, only water; well, that’s strange. Boy alive there, do you hear me call? Water wanted, glass of water for the Secretary of the Mowbray Temperance and Teatotal. Sing it out. I like titled company. Brush!”
“And so you can give us some information about this—”
“Be back directly.” exclaimed their host: and darting off with a swift precision, that carried him through a labyrinth of tables without the slightest inconvenience to their occupiers. “Beg pardon, Mr Morley,” he said, sliding again into his chair; “but saw one of the American gentlemen brandishing his bowie-knife against one of my waiters; called him Colonel; quieted him directly; a man of his rank brawling with a help; oh! no; not to be thought of; no squabbling here; licence in danger.”
“You were saying—” resumed Morley.
“Ah! yes, about that man Hatton; remember him perfectly well; a matter of twenty or it may be nineteen years since he bolted. Queer fellow; lived upon nothing; only drank water; no temperance and teetotal then, so no excuse. Beg pardon, Mr Morley; no offence I hope; can’t bear whims; but respectable societies, if they don’t drink, they make speeches, hire your rooms, leads to business.”
“And this Hatton—” said Gerard.
“Ah! a queer fellow; lent him a one-pound note—never saw it again—always remember it—last one-pound note I had. He offered me an old book instead; not in my way; took a china jar for my wife. He kept a curiosity shop; always prowling about the country, picking up old books and hunting after old monuments; called himself an antiquarian; queer fellow, that Hatton.”
“And you have heard of him since?” said Gerard rather impatiently.
“Not a word,” said their host; “never knew any one who had.”
“I thought you had something to tell us about him,” said Stephen.
“So I have; I can put you in the way of getting hold of him and anything else. I havn’t lived in Mowbray man and boy for fifty years; seen it a village, and now a great town full of first-rate institutions and establishments like this,” added their host surveying the Temple with a glance of admiring complacency; “I say I havn’t lived here all this time and talked to the people for nothing.”
“Well, we are all attention,” said Gerard with a smile.
“Hush!” said their host as a bell sounded, and he jumped up. “Now ladies, now gentlemen, if you please; silence if you please for a song from a Polish lady. The Signora sings English like a new-born babe;” and the curtain drew up amid the hushed voices of the company and the restrained clatter of their knives and forks and glasses.
The Polish lady sang “Cherry Ripe” to the infinite satisfaction of her audience. Young Mowbray indeed, in the shape of Dandy Mick and some of his followers and admirers, insisted on an encore. The lady as she retired curtseyed like a Prima Donna; but the host continued on his legs for some time, throwing open his coat and bowing to his guests, who expressed by their applause how much they approved his enterprise. At length he resumed his seat; “It’s almost too much.” he exclaimed; “the enthusiasm of these people. I believe they look upon me as a father.”
“And