Chambers's Edinburgh Journal, No. 454. Various

a young man of a romantic or sentimental turn, but it is not to be wondered at, that his present occupation should produce a deep effect upon his mind. The form and features he was now endeavouring to portray were certainly the most beautiful he had as yet exercised his art upon—indeed, without exception, the most beautiful he had ever beheld. The melancholy spectacle of youth cut off in the first glow of life's brightest season, and when surrounded by everything that wealth and education can contribute towards rendering existence brilliant and delightful, can never fail to excite deep and solemn emotion. As the artist laboured to give a faithful representation of the sweetly serene face, the raven hair, the marble forehead, the delicately arched brow, the exquisitely formed nose and mouth, and thought how well such noble beauty seemed to suit one who was fit to die—a pure, spotless, bright being—he had more than once to pause in his work while he wiped the tears from his eyes. Few experiences chasten the heart so powerfully as the sight of the early dead; those who live among us a short while, happy and good, loving and beloved, and then are suddenly taken away, ere the rough journey of life is well begun, leaving us to travel on through the perilous and difficult world by ourselves; no more sweet words for us, no more songs, no more companionship, no more loving counsel and assistance—nothing now, save the remembrance of beauty and purity departed. How potent is that remembrance against the assaults of evil thoughts! How impressive the thought of virtue in the shroud!