over a large album once belonging to Barker, the English artist, which Landor had purchased to relieve him of certain debts, and particularly admiring four original sketches by Turner—two in oil and two in india-ink—that had been given by this artist to his brother-painter. No sooner had I spoken than Landor went in search of the scissors, and, had I not earnestly protested, would have cut out the Turners and given them to me. Such being Landor's disposition, one can well imagine how easily he could be imposed upon by designing people. There is an instance of his kindly feeling so prominent and so honorable both to himself and the object of it, that it is but right the public should read the contents of two letters belonging to and greatly treasured by me. They were put into my hands nearly four years ago by Landor to do with as I pleased after his death. The letters explain themselves.
"Though I very gratefully appreciate the generosity of your intentions, still I must confess that few things have ever affected me more painfully than to see from the 'Times' of to-day my private circumstances—the sacred domain of life—thrust as an object of commiseration upon public discussion,—a miserable subject of public sneers.
"My head turns giddy at the very thought, and my resignation is scarcely able to overcome the shame. I don't know how I shall muster sufficient resolution to appear in public ever hereafter; and I fear, with all your good intentions, you shall have become the involuntary instrument for driving me out of England before my time. I really scarcely can imagine what else I have to do, unless you devise some means for healing the wound.
"I am poor, very poor; but there was, I dare say, something honorable in that poverty, something sacred I would say. But seeing it made the object of a public appeal for commiseration, I feel as if everything that was sacred in my position had undergone a profanation.
"I repeat that I respect and appreciate the nobility of your impulses, but I regret that such a step should have been taken without my having an idea of its possibility.
"I will say no more, but leave it with your prudence and discretion to mitigate the blow your kindness has inflicted on me. And remain with wonted esteem, only mingled with grief,
"To Walter Savage Landor."
Opposite the nervous yet legible scrawl of the noble and maligned Magyar, Landor traced the following answer.
"It is impossible for me to rest until I have attempted to remove the vexation I have caused to the man I most venerate of any upon earth.
"My noble Kossuth! 'the sacred domain of your life' is far more extensive than your measurement. Neither your house nor your banker's are its confines. Do not imagine that the world is ignorant of your circumstances; it would be a crime to be indifferent to them.
"The editor of the Atlas, in announcing that he had secured your co-operation, published a manifesto. I know nothing of this editor; but so long as you contributed to the paper, I was your humble subsidiary.
"Consider how many men, wealthier than you and me, have accepted the offers of those who came forward to indemnify the persecuted for the demolition of their property. Ask yourself if Demosthenes or Milton, the two most illustrious defenders of liberty, by speech and pen, would have thrust aside the tribute which is due to such men alone. Would you dash out the signature of one who declares you his trustee for a legacy to your children? No, you would not. Neither will you reject the proofs of high esteem, however manifested, which England, however debased, is anxious to give.
"Believe me ever sincerely and affectionately yours,
"March 27."
Landor was essentially a hero-worshipper. His admiration for Washington exceeded that entertained by him for any man of any time. Franklin, too, he greatly esteemed. "Ah, if you had but another Washington and Franklin!" he exclaimed one day. To have suffered for freedom was the open-sesame to Landor's heart; nor did age in any way chill this noble enthusiasm, as the letter here inserted amply proves. It was sufficient to name Kossuth to bring fire to the old man's eye and eulogistic volubility to his tongue.
Orsini, too, was a great favorite with him. Coming in one morning as usual, and sitting down in the arm-chair by the fire, he took from under his arm a small paper-covered book, saying: "I have brought you something that I know you will like to read. Giallo and I have enjoyed it immensely; and a better critic than Giallo is not to be found in all Italy, though I say it who shouldn't. An approving wag of his tail is worth all the praise of all the Quarterlies published in the United Kingdom." Hereupon Giallo, apparently delighted at this compliment, barked and frisked about like a creature bewitched, jumped into his master's lap, and did not return to a quiescent state until he had kissed his master's face. "Down, Giallo, down!" finally cried Landor. "Where are your manners, sir? Don't you know it is very uncivil to interrupt a conversation? And, moreover, remember never to spoil a tête-à-tête." Then turning to me, Landor continued, presenting the book, "Here it is; the Memorie Politiche di Felice Orsini, which you will find vastly entertaining and far more romantic than any novel. A very noble, brave fellow was that Orsini, and handsome too! It is a great pity he did not succeed in his plot against that scoundrel Napoleon, although it was not well planned, and failure was written on the face of it." Right gladly did I read memoirs which were all that Landor (and Giallo) claimed. It is strange that this book should be so little known. Were students of Italian to transfer their affections from Le mie Prigioni to these Memorie Politiche, they would be the gainers; for the patriotism of Silvio Pellico is but a sick and weakly sentiment compared with the dauntless energy and unflinching determination of Orsini. His escape from Mantua, aided by no other friends than four sheets and four towels, and described most admirably and in detail by him, is one of the most brilliant and perilous exploits in the annals of prison history. Those who knew Orsini have since told me that he was one of the most lovable of men, as he was one of the most handsome,—full of the fire of intense and stalwart manhood, yet as gentle as a young girl. Disappointed and wronged in his domestic relations, a loving but wretched father, and stung to madness by his country's servitude, whose cause he early made his own, Orsini's life was from the beginning a tragedy. Fate seemed to have wrested from him every form of happiness in order to make him a more desperate conspirator. He conspired from pure love of liberty, for which at any moment he was ready to die. Those who merely know Orsini by the last act of his life can have no proper appreciation of the wonderful purity and nobility of his character. In his attempt to assassinate Louis Napoleon, he was actuated by as exalted motives as led Charlotte Corday to do a bloody deed. Exiled, a price upon his head, deceived by those in whom he had put faith, in despair at the state of Italian affairs, Orsini committed what he himself, in a letter to his intended victim, Napoleon, confessed to be un fatale errore mentale,—assassination being in direct opposition to the faith and facts of his life up to the conspiracy of the 14th of January. For this fatal error he offered his own blood as an expiatory sacrifice. Few nobler heads than Orsini's have bowed before the guillotine.
In "Pericles and Aspasia," Cleone has written with Landor's pen, that "study is the bane of boyhood, the aliment of youth, the indulgence of manhood, and the restorative of old age." Of this theory there could be no better example than Landor's self. That life which outlasted all the friends of its zenith was made endurable by a constant devotion to the greatest works of the greatest men. Milton and Shakespeare were his constant companions, by night as well as by day. "I never tire of them," he would say; "they are always a revelation. And how grand is Milton's prose! quite as fine as his poetry!" He was very fond of repeating the following celebrated lines that have the true ring to a tuneful ear as well as to an appreciative intellect:—
"But when God commands to take the trumpet
And blow a dolorous or thrilling blast,
It rests not with man's will what he shall say
Or what he shall conceal."
"Was anything more harmonious ever written?" Landor would ask. "But Milton, you know, is old-fashioned. I believe I am old-fashioned. However, it is rather an honor to be classed thus, if one may keep such distinguished