board ship, on the way home, who said he knew you—feller named Gastrell. Said he met you in Geneva, and liked you like anything. Struck me as rather a rum sort—what? Couldn't quite make him out. Who is he and what is he? What's he do?"
"I know as little about him as you do," I answered. "I know him only slightly—we were staying at the same hotel in Geneva. I heard Lord Easterton, who was in here half an hour ago, saying he had let his house in Cumberland Place to a man named Gastrell—Hugesson Gastrell. I wonder if it is the man I met in Geneva and that you say you met on board ship. When did you land?"
"Yesterday, at Southampton. Came by the Masonic from Capetown."
"And where did Gastrell come from?"
"Capetown too. I didn't notice him until we were near the end of the voyage. He must have remained below a good deal, I think."
I paused, thinking.
"In that case," I said, "the Gastrell who has leased Easterton's house can't be the man you and I have met, because, from what Easterton said, he saw his man quite recently. Ah, here is Lord Easterton," I added, as the door opened and he re-entered. "You know him, don't you?"
"Quite well," Jack Osborne answered, "Don't you? Come, I'll introduce you, and then we'll clear this thing up."
It was not until Osborne and Lord Easterton had talked for some time about shooting in general, and about "hippo" and "rhino" and "'gator" killing in particular, and I had been forced to listen to a repetition of incidents to do with the sport that Jack Osborne had obtained in Nigeria and elsewhere, that Jack presently said:
"Berrington tells me, Easterton, he heard you say that you have let your house to a man named Gastrell, and we were wondering if he is the Gastrell we both know—a tall man of twenty-eight or so, with dark hair and very good-looking, queer kind of eyes—what?"
"Oh, so you know him?" Easterton exclaimed. "That's good. I want to find out who he is, where he comes from, in fact all about him. I have a reason for wanting to know."
"He came from Capetown with me—landed at Southampton yesterday," Osborne said quickly.
"Capetown? Arrived yesterday? Oh, then yours must be a different man. Tell me what he is like."
Osborne gave a detailed description.
"And at the side of his chin," he ended, "he's got a little scar, sort of scar you see on German students' faces, only quite small—doesn't disfigure him a bit."
"But this is extraordinary," Lord Easterton exclaimed. "You have described my man to the letter—even to the scar. Can they be twins? Even twins, though, wouldn't have the same scar, the result probably of some accident. You say your man landed only yesterday?"
"Yes, we came off the ship together."
"Then he was on board on—let me think—ten days or so ago?"
"Oh, yes."
"It's most singular, this apparent likeness between the two men."
"It is—if they really are alike. When shall you see your man again?" Osborne inquired.
"I have this moment had a letter from him," Easterton answered. "He asks me to lunch with him at the Café Royal to-morrow. Look here, I'll tell you what I'll do—I'll say I'm engaged or somethin', and ask him to dine here one evenin'. Then if you will both give me the pleasure of your company, we shall at once find out if your Gastrell and mine are the same—they can't be the same, of course, as your man was in the middle of the ocean on the day mine was here in London; I mean we'll find out if he has a twin brother."
"Have you met his wife?" Jack Osborne inquired carelessly, as he lit a long cigar.
"Phew! Yes. I should say so. One of the most gloriously beautiful women I have ever seen in my life. She was on board with him, and I believe everybody on the ship was head over ears in love with her. I know I was."
"Ah, that settles it," Easterton said. "My man is a bachelor."
Osborne smiled in a curious way, and blew a cloud of smoke towards the ceiling without saying anything.
"Why, what is it?" Easterton asked, noticing the smile.
"Oh, nothing. A little thought that crept into my brain, that's all."
"Tell us what your Gastrell's wife is like," Easterton pursued.
"Like? What is she not like! Think of all the most lovely girls and women you have ever set eyes on, and roll them into one, and still you won't get the equal of Jasmine Gastrell. What is she like? By heaven, you might as well ask me to describe the taste of nectar!"
"Dark or fair?"
"Both."
"Oh, nonsense."
"It isn't nonsense, Easterton. She has the strangest eyes—they are really green, I suppose, but they look quite blue in some lights, and in other lights deep purple. They are the most extraordinary eyes I have ever seen; a woman with eyes like that must have tremendous intelligence and quite exceptional personality. It's useless for me to try to describe the rest of her face; it's too lovely for anything."
"And her hair?" Easterton asked. "Has she dark hair or fair?"
"Both."
"Ah, Jack, stop rottin'," Easterton exclaimed, laughing. "What is the colour of the hair of this woman who has so set your heart on end?"
"It may be auburn; it may be chestnut-brown; it may be red for all I know, but I am hanged if I can say for certain which it is, or if it's only one colour or all three shades. But whatever it is it's perfectly lovely hair, and she has any amount of it. I wouldn't mind betting that when she lets it down it falls quite to her feet and hangs all round her like a cloak."
"I should like to meet this goddess, Jack," Easterton said, his curiosity aroused. "Though you are so wedded to hippos, and rhinos, and 'gators and things, you don't seem entirely to have lost your sense of appreciation of 'woman beautiful.' Where are she and her husband staying?"
"I've not the least idea."
"Didn't they tell you their plans?"
"They said nothing whatever about themselves, though I tried once or twice to draw them out. In that respect they were extraordinarily reserved. In every other way they were delightful—especially Mrs. Gastrell, though I was greatly attracted by Gastrell too, when I came to know him towards the end of the voyage."
CHAPTER II
THE ANGEL FACES
Hugesson Gastrell had accepted Lord Easterton's invitation to dine at the club, and the three men were seated near the fire as I entered, Easterton and Jack Osborne on one of the large settees, their visitor facing them in an arm-chair, with his back to me. I went towards them across the big room, apologizing for my unpunctuality, for I was nearly ten minutes late. To my surprise they remained silent; even Easterton did not rise, or greet me in any way. He looked strangely serious, and so did Jack, as a rule the cheeriest of mortals.
"I am dreadfully sorry for being so late," I exclaimed, thinking that my unpunctuality must have given them offence. I was about to invent some elaborate excuse to account for my "delay," when the man seated with his back to me suddenly rose, and, turning abruptly, faced me.
I recognized him at once. It was Gastrell, whom I had met at the Hotel Metropol in Geneva. As he stood there before me, with his back half turned to the light of the big bay window, there could be no mistaking him. Again I was struck by his remarkable appearance—the determined, clean-cut features, the straight, short nose, the broad forehead, the square-shaped chin denoting rigid strength of purpose. Once more I noticed the cleft in his chin—it was quite deep. His thick hair was dark, with a slight kink in it behind the ears. But perhaps the strangest, most arresting thing about Gastrell's face was his eyes—daring eyes of a bright, light blue, such as one sees in some Canadians, the bold, almost hard eyes of a man who is accustomed to gazing across far distances of sunlit snow, who habitually looks up into vast, pale blue skies—one might have imagined that his eyes had caught their shade. He wore upon his watch-chain a small gold medallion, a trinket which had attracted my attention before. It was about the