‘My mind, it grows too busy,’ he explained. ‘The rushing of the many thoughts … Here I believe they will slow down.’
I asked where he lived, expecting the answer ‘France’; I found out a little later that he is Belgian, not French. In response to my question, he walked over to the window, pulled the lace curtain to one side and pointed at a wide, elegant building that was at most three hundred yards away. ‘You live there?’ I said. I thought it must be a joke.
‘Oui. I do not wish to be far from my home,’ Poirot explained. ‘It is most pleasing to me that I am able to see it: the beautiful view!’ He gazed at the mansion block with pride, and for a few moments I wondered if he had forgotten I was there. Then he said, ‘Travel is a wonderful thing. It is stimulating, but not restful. Yet if I do not take myself away somewhere, there will be no vacances for the mind of Poirot! Disturbance will arrive in one form or another. At home one is too easily found. A friend or a stranger will come with a matter of great importance comme toujours—it is always of the greatest importance!—and the little grey cells will once more be busy and unable to conserve their energy. So, Poirot, he is said to have left London for a while, and meanwhile he takes his rest in a place he knows well, protected from the interruption.’
He said all this, and I nodded along, as if it made perfect sense, wondering if people grow ever more peculiar as they age.
Mrs Unsworth never cooks dinner on a Thursday evening—that’s her night for visiting her late husband’s sister—and this was how Poirot came to discover Pleasant’s Coffee House. He told me he could not risk being seen in any of his usual haunts while he was supposed to be out of town, and asked if I could recommend ‘a place where a person like you might go, mon ami—but where the food is excellent’. I told him about Pleasant’s: cramped, a little eccentric, but most people who tried it once went back again and again.
On this particular Thursday evening—the night of Poirot’s encounter with Jennie—he arrived home at ten past ten, much later than usual. I was in the drawing room, sitting close to the fire but unable to warm myself up. I heard Blanche Unsworth whispering to Poirot seconds after I heard the front door open and shut; she must have been waiting for him in the hall.
I couldn’t hear what she was saying but I could guess: she was anxious, and I was the cause of her anxiety. She had arrived back from her sister-in-law’s house at half past nine and decided that something was wrong with me. I looked a fright—as if I hadn’t eaten and wouldn’t sleep. She’d said all this to me herself. I don’t know quite how a person manages to look as if he hasn’t eaten, incidentally. Perhaps I was leaner than I had been at breakfast that morning.
She inspected me from a variety of angles and offered me everything she could think of that might set me right, starting with the obvious remedies one offers in such situations—food, drink, a friendly ear. Once I’d rejected all three as graciously as I could, she proceeded to more outlandish suggestions: a pillow stuffed with herbs, something foul-smelling but apparently beneficial from a dark blue bottle that I must put in my bath water.
I thanked her and refused. She cast her eyes frantically around the drawing room, looking for any unlikely object she might foist upon me with the promise that it would solve all my problems.
Now, more likely than not, she was whispering to Poirot that he must press me to accept the foul-smelling blue bottle or the herb pillow.
Poirot is normally back from Pleasant’s and reading in the drawing room by nine o’clock on a Thursday evening. I had returned from the Bloxham Hotel at a quarter past nine, determined not to think about what I had encountered there, and very much looking forward to finding Poirot in his favourite chair so that we could talk about amusing trivialities as we so often did.
He wasn’t there. His absence made me feel strangely remote from everything, as if the ground had fallen away beneath my feet. Poirot is a regular sort of person who does not like to vary his routines—‘It is the unchanging daily routine, Catchpool, that makes for the restful mind’ he had told me more than once—and yet he was a full quarter of an hour late.
When I heard the front door at half past nine, I hoped it was him, but it was Blanche Unsworth. I nearly let out a groan. If you’re worried about yourself, the last thing you want is the company of somebody whose chief pastime is fussing over nothing.
I was afraid I might not be able to persuade myself to return to the Bloxham Hotel the following day, and I knew that I had to. That was what I was trying not to think about.
‘And now,’ I reflected, ‘Poirot is here at last, and he will be worried about me as well, because Blanche Unsworth has told him he must be.’ I decided I would be better off with neither of them around. If there was no possibility of talking about something easy and entertaining, I preferred not to talk at all.
Poirot appeared in the drawing room, still wearing his hat and coat, and closed the door behind him. I expected a barrage of questions from him, but instead he said with an air of distraction, ‘It is late. I walk and walk around the streets, looking, and I achieve nothing except to make myself late.’
He was worried, all right, but not about me and whether I had eaten or was going to eat. It was a huge relief. ‘Looking?’ I asked.
‘Oui. For a woman, Jennie, whom I very much hope is still alive and not murdered.’
‘Murdered?’ I had that sense of the ground dropping away again. I knew Poirot was a famous detective. He had told me about some of the cases he’d solved. Still, he was supposed to be having a break from all that, and I could have done without him producing that particular word at that moment, in such a portentous fashion.
‘What does she look like, this Jennie?’ I asked. ‘Describe her. I might have seen her. Especially if she’s been murdered. I’ve seen two murdered women tonight, actually, and one man, so you might be in luck. The man didn’t look as if he was likely to be called Jennie, but as for the other two—’
‘Attendez, mon ami,’ Poirot’s calm voice cut through my desperate ramblings. He took off his hat and began to unbutton his coat. ‘So Madame Blanche, she is correct—you are troubled? Ah, but how did I not see this straight away? You are pale. My thoughts, they were elsewhere. They arrange to be elsewhere when they see that Madame Blanche approaches! But please tell Poirot immédiatement: what is the matter?’
‘Three murders are the matter,’ I said. ‘And all three of them like nothing I’ve seen before. Two women and one man. Each one in a different room.’
Of course, I had encountered violent death before many times—I had been with Scotland Yard for nearly two years, and a policeman for five—but most murders had about them an obvious appearance of lost control: somebody had lashed out in a fit of temper, or had one tipple too many and lost his rag. This business at the Bloxham was very different. Whoever had killed three times at the hotel had planned ahead—for months, I guessed. Each of his crime scenes was a work of macabre art with a hidden meaning that I could not decipher. It terrified me to think that this time I was not up against a chaotic ruffian of the sort I was used to, but perhaps a cold, meticulous mind that would not allow itself to be defeated.
I was no doubt being overly gloomy about it, but I couldn’t shake my feelings of foreboding. Three matching corpses: the very idea made me shudder. I told myself I must not develop a phobia; I had rather to treat this case as I would any other, no matter how different it seemed on the surface.
‘Each of the three murders in a different room in the same house?’ Poirot asked.
‘No, at the Bloxham Hotel. Up Piccadilly Circus way. I don’t suppose you know it?’
‘Non.’
‘I had never been inside it before tonight. It’s not the sort of place a chap like me would think to go. It’s palatial.’
Poirot was sitting with his back very straight. ‘Three murders, in the same hotel and each in a different room?’ he said.
‘Yes, and