40 The Foreign Secretary, 1834–6
41 Portraits and Painters, 1830–50
42 Life at Walmer Castle, 1830–50
45 The Horse Guards and the House of Lords, 1842–50
47 Disturbers of the Peace, 1846–51
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BLACK AND WHITE
Lieutenant-Colonel the Hon. Arthur Wellesley. Portrait by John Hoppner. Reproduced courtesy of The Duke of Wellington KG; photograph Courtauld Institute of Art.
Anne, Countess of Mornington. Reproduced courtesy of The Duke of Wellington KG; photograph Courtauld Institute of Art.
The Hon. William Wellesley-Pole. Portrait by John Hoppner. Reproduced courtesy of The Duke of Wellington KG; photograph Courtauld Institute of Art.
The Rev. the Hon. Gerald Valerian Wellesley. Reproduced courtesy of The Duke of Wellington KG; photograph Courtauld Institute of Art.
Richard Colley, Marquess Wellesley. Photograph Mary Evans Picture Library.
The Hon. Henry Wellesley. Portrait by John Hoppner. Reproduced courtesy of The Duke of Wellington KG; photograph Courtauld Institute of Art.
Caricature of soldiers on the march, by Thomas Rowlandson. Copyright British Museum.
‘Blücher the Brave’: caricature by Thomas Rowlandson. Guildhall Library, Corporation of London. Photograph Bridgeman Art Library, London.
The Duke of Wellington and Marshall Blücher. Photograph Mansell Collection.
Caricature by Isaac Cruikshank. Copyright British Museum.
The Duchess of Wellington, in a drawing by John Hayter. Reproduced courtesy of The Duke of Wellington KG; photograph Courtauld Institute of Art.
Lord Castlereagh. National Portrait Gallery, London. Photograph Mansell Collection.
Harriet Arbuthnot. Photograph Mary Evans Picture Library.
Charles Arbuthnot. Reproduced courtesy of the National Portrait Gallery, London.
Frances Mary Gascoyne-Cecil, second Marchioness of Salisbury. Portrait by Sir Thomas Lawrence. Hatfield House. Reproduced courtesy of Lord Salisbury and National Portrait Gallery, London.
Apsley House, No. i London. Reproduced courtesy of the Board of Trustees of the Wellington Museum, Apsley House.
View of the proposed Waterloo Palace. Reproduced courtesy of the Duke of Wellington KG; photograph Courtauld Institute of Art.
Charles Greville. Photograph Mary Evans Picture Library.
Lady Charlotte Greville. Copyright British Museum.
Oil sketch of the Duke, by Sir Thomas Lawrence. Reproduced courtesy of The Duke of Wellington KG; photograph Courtauld Institute of Art.
‘Achilles in the Sulks’: caricature by Thomas Howell Jones. Copyright British Museum.
Repose, a lithograph by H.B. (John Doyle). Copyright Museum of London.
Punch drawing of the Duke’s statue. Pub. Vol. II, July-December 1846, p. 150. © Punch Ltd.
Walmer Castle. Photograph Mary Evans Picture Library.
‘The Field of Battersea’: caricature by William Heath. Reproduced courtesy of the Board of Trustees of the Wellington Museum, Apsley House.
Sketch by Benjamin Robert Haydon for his Wellington Musing on the Field of Waterloo. Reproduced courtesy of The Duke of Wellington KG; photograph Courtauld Institute of Art.
Wellington Musing on the Field of Waterloo, by Haydon. Reproduced courtesy of the Board of Trustees of the National Museums and Galleries on Merseyside (Walker Art Gallery).
Queen Victoria’s first Privy Council meeting, by Sir David Wilkie. The Royal Collection © Her Majesty The Queen.
Miniature engraving of the Duke aged seventy-five. Reproduced courtesy of The Duke of Wellington KG; photograph Courtauld Institute of Art.
Franz Xaver Winterhalter’s portrait of the Duke with Sir Robert Peel. The Royal Collection © Her Majesty The Queen.
Baroness Burdett-Coutts, by Sir William Charles Ross. Reproduced courtesy of the National Portrait Gallery, London.
Elizabeth Hay, later Duchess of Wellington, the first Duke’s daughter-in-law. Photograph Mary Evans Picture Library.
Arthur Richard Wellesley, the Duke’s elder son, later second Duke of Wellington. Reproduced courtesy of The Duke of Wellington KG; photograph Courtauld Institute of Art.
Robert Thorburn’s painting of the Duke with his grandchildren. Reproduced courtesy of The Duke of Wellington KG; photograph Courtauld Institute of Art.
COLOUR
Goya’s portrait of Wellington painted in August 1812. The National Gallery London; photograph Bridgeman Art Library, London.
Wellington at Waterloo. Copyright British Museum.
Equestrian portrait by Sir Thomas Lawrence. Private Collection; photograph Bridgeman Art Library, London.
Sir David Wilkie’s Chelsea Pensioners reading the Waterloo Despatch. Reproduced courtesy of the Board of Trustees of the Wellington Museum, Apsley House.
Princess Lieven, by Sir Thomas Lawrence. The Hermitage, St Petersburg; photograph Bridgeman Art Library, London.
The Stratfield Saye estate. Reproduced courtesy of The Duke of Wellington KG.
The library at Stratfield Saye. Reproduced courtesy of The Duke of Wellington KG.
The Duke’s bedroom at Apsley House. Reproduced courtesy of the Board of Trustees of the Wellington Museum, Apsley House.
The Duke in 1824, painted by Sir Thomas Lawrence for Sir Robert Peel. Reproduced courtesy