Gwendoline Butler

A Coffin for Charley


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an Agatha Christie mystery. It usually is.’

      In bed that night Stella turned to her husband. ‘It’s nice on the top of the tower like this. I think I prefer it to my place.’

      Both the animals had come up with them, Bob on the bed and the cat watching from the window through which he would shortly depart on to a lower roof.

      ‘Open the window for Tiddles.’

      Coffin, who was making a neat pile of his possessions on his bed table, coins stacked, clean handkerchief beside the pile, keys by a pad of paper with a pencil, obliged.

      ‘Funny business about Letty and the daughter,’ said Stella. ‘I don’t always understand her.’

      ‘Who does?’

      Letty was his much younger sister, child of his errant mother and an American serviceman. There was a third sibling called William, issue of yet another father, who was a successful lawyer in Edinburgh. The one thing you could say about his disappearing mother (who must be presumed dead) was that her offspring were surprisingly different and surprisingly successful. He himself had lived in ignorance for years of his true parenthood and of the existence of Letty and William. Even now, he found it hard to believe in them. Well, not Letty. She was around so much. But he still felt surprise sometimes when she walked through the door.

      ‘Did you believe what she said?’

      ‘Well, you can never tell with Letty … No, not altogether.’

      ‘What’s this private detective like?’

      ‘You know him,’ Coffin said tersely. He did not like to be reminded.

      ‘I met him once and I paid his bill, that’s all. Is he honest?’

      ‘As far as I know.’

      Stella settled back against the pillows. Without any conscious effort, she had turned what had been a bachelor’s masculine bedroom into a feminine boudoir. The fourposter bed, an early extravagance of Coffin’s, had been piled with pillows and silk cushions. She had brought in an embroidered bedcover and there was always a scent of rose geranium.

      Coffin liked it but sometimes felt like a member of an alien species.

      ‘John …?’

      ‘Yes?’

      ‘Why did Job Titus say that about Marianna coming to the Theatre?’

      ‘He just wanted to vomit in my backyard,’ said Coffin with some bitterness.

      There was silence for a moment.

      ‘I don’t like this stalker,’ she said softly. ‘Charley frightens me.’

      He drew her down towards him. ‘Don’t worry, I’ll look after you.’

      And Letty, and Letty’s child, and Annie Briggs and all the people in my command.

      But he knew that whatever he said he could not offer total protection. The lunatic always got through.

      Annie Briggs, formerly Dunne, was pleased to see her younger sister home. ‘How did the audition go?’

      ‘I think I’m in. Just a small part, one of the policewomen in Witness for the Prosecution, was a man originally but they have more women auditioning. I’ve got some good lines.’

      ‘I am glad, dear.’ And glad you are home, I am always nervous when you are out late.

      ‘I’m in the second company.’ Anxious to take in as many young amateurs as possible, the ruling body, the Friends, had decided to have two casts who would appear alternately throughout the run of two weeks.

      ‘You’d be surprised at the people who turned up. Even one of those Creeleys.’

      ‘Ah.’

      Didi did not share her sister’s terror of the Creeleys, whom she regarded as harmless relics of the past. The younger Creeleys were different and of considerable interest to her. Especially Eddie Creeley.

      ‘Lots of faces you’d know, Annie.’

      ‘Don’t tell me,’ said Annie, trying as ever to shut out what she could not bear, past, present and future.

      Didi drank the coffee that her sister had poured for her and ate a sandwich. Then swallowed what she was eating. ‘Don’t worry about the Creeleys, love. They’re nothing now. The old ones were stinkers but the young lot are all right. I like Eddie.’ She took her sister’s hand and gave it a little pat. ‘You’ve got Caroline in the flat upstairs.’ It was true that Caroline seemed to her more of an absence than presence. ‘You said yourself she helped.’

      ‘She does,’ Annie admitted. The flat at the top of the old house, with its own entrance up a metal fire escape, was let to C. Royal, it said so on a printed card. ‘But she has a job. She’s away a lot.’

      ‘They were talking about the murder.’ Didi had finished her sandwich. ‘Marianna Manners. I wonder if we ever saw her? In the supermarket or getting on the Tube at Spinnergate maybe, but without knowing.’

      She knew it was better to bring the subject of murder out into the open. ‘Don’t let her hide from the world,’ the social worker had said. ‘She can face it, she can do it, never you mind.’ He was an Alex C. Edwards. Wonder what the C stands for, Didi had thought? He said he had to use it to distinguish himself from another A. Edwards, but Didi thought he liked it. Carolus, Cornell, or what?

      He was a nice man, Alex C. Edwards, too nice really for this world. He’s in love with Annie, of course. This ingenuous comment being her way of recording sexual attraction.

       In the Arches of the Years

      Three people remembered the story of Annie Briggs. She had been Annie Dunne then, but she married young and never dropped entirely from the police’s view.

      The most important memory was that of Annie herself, but she had been so young that she sometimes wondered now how much she truly recalled and how much of it was what she had been told. But some pictures were so vivid she knew they were real. Had been real, were real, would burn into eternity. That was what eternity was, she told herself, an endlessly revolving kaleidoscope of horrors.

      Lizzie Creeley remembered what Annie had said because she had been the subject of it, in company with a corpse or two and her brother Will, but since his stroke he had no memory.

      Coffin had special memories of it all because he had always wondered if they got it right.

      He had his own remembrances of this district to contend with as well, some of them peculiar to say the least. He had lived here as a raw young copper with the woman that politely but falsely he had called ‘Mother’. She had asked him to do so. At the time he had understood that she was a distant relation of his father, a cousin, because the old lady who had certainly been his grandmother and the woman who had probably been his aunt and who had superintended what there was of his childhood, had assured him she was and that he should take rooms with her. People did that sort of thing then, now they lived in bedsits. She had been his mother’s dresser, or so she said, and was a bit mad.

      She had given him ham for his supper and called it kippers and given him kippers and called it ham. But they had rubbed along all right. Every day he had travelled across to South London where he worked.

      After a bit she had moved there to a flat above a shop in the Borough. Soon after this he emancipated himself. But he sat with her when she died in Guy’s Hospital. Died with some pain, still calling herself Mother. He had been the only mourner at her funeral and out of charity he had sent several wreaths in different names.

      Never my true mother, but more of a mother than the other one.

      He had come back to this district, then part of the Met,