and sigh. I hate what I have become!
Carefully, slowly I raise my arms, and Pirto gently slips a shift of fine white lawn over my head, and it billows down easily about me, unimpeded by curves, concealing the now frail and wasted figure Robert used to describe as “luscious”, playfully sinking his teeth into my breast, buttock, or hip as if it were a ripe and juicy peach. Gone is the round and rosy Amy he used to love.
Though I have no need of them now—this disease has melted away so much of my flesh, the full, buxom, rounded curves, hips, and bum, and flattened the little round hint of a belly that longed to swell with the promise of a baby nesting inside—I insist that Pirto fetch my stays from the chest at the foot of my bed, so prettily embroidered with bright yellow buttercups, and lace me up tightly, even though it ignites a lightning storm of pain rippling across my ribs and up and down my spine. Pain plays my spine like the ivory keys of a virginal, but I don’t care; I want to be perfectly dressed today. I want to look like Lady Dudley, Robert’s wife, should look.
Then come the petticoats, starched and crisp. I want my skirts to billow and rustle; I want to have full, feminine hips again, even if it is just an illusion. And then the gown, a glossy satin the colour of high-polished oak, festooned with frills of golden lace, and embroidered all over with green and gold oak leaves and amber acorns—my husband’s personal emblem.
Though everyone knows it is a play on the Latin word for his name, robur, which means oak, only I know this device once had another, more intimate and loving, meaning. Perhaps even Robert himself has forgotten, but I remember the day we stood in the drizzling rain huddled together in our cloaks beneath a mighty oak overlooking the crumbling ruins of Syderstone, fallen into decay and disrepair, too sprawling and expensive to keep up, the lands gone to seed and weed, overtaken by thistles and grazing sheep with burrs studding their woolly coats. Robert promised me that he, as my husband, would be like a mighty oak unto me, to shelter and protect me all the days of my life, and these acorns represented the many children we would have. Syderstone would rise again, he swore, and be a greater, grander estate than it had ever been before. He would double—nay, quadruple!—the size of our flock, and he would breed and train horses that would be famed throughout the land and even abroad. And, best of all, the halls of Syderstone would ring with the joyous laughter of our children playing. My husband was one of thirteen children, though five of them had died before they reached the age of ten, and, as we held our hands together, cupping a shared handful of acorns, we both dreamed that each tiny acorn represented a child that would someday grace our nursery. We both wanted a large family, “the more the merrier,” we smiled and agreed. And with a broad sweep of his arm at Syderstone, he vowed that we would have an avenue of oaks leading to the house, a new sapling planted each time my womb quickened with a new life, and we would bring our children out and show them their own special tree, planted the day they first stirred inside of me. Oh, it was a beautiful, grand, wonderful dream!
But not all dreams come true, and there were so many promises that he didn’t keep. There were never any children, not even one, to fill our nursery; we never even had a nursery. And there was no avenue of oaks. Syderstone still lies in ruins, the sheep still munch thistles, and the burrs still snag their coats, but someone else owns it all now. Robert sold it—to pay off his gambling debts and buy lavish gifts for the Queen, the one who holds his future in the palm of her hand, the one who can make him a pauper or a prince upon a moment’s whim. And though he might be a mighty oak, he does not shelter and protect me. It isn’t fair! If Robert can afford to hang the Queen’s hair with diamonds, he can afford to put a roof of my own over my head to shelter me; it’s as simple as that. I needn’t spend my days as a constant guest in the homes of others but never the proud chatelaine of my own domain. And he certainly does not protect me; even in the rustic wilds of England the rumours still find me. Divorce, poison, murder, madness, adultery! I’ve heard them all. My father would weep and spin like a chicken roasting on a spit in his grave if he knew that his daughter had become the centre of such a lurid, raging scandal, her name being bandied about like a bawdy woman’s in every alehouse in England.
I cross the shadowy room and go to sit upon my bed, made fresh by dear Pirto while I rested in my bath, enveloped by soothing clouds of steam. A sad smile flits across my face, like a pebble skimming a pond, as my hand caresses the apple green and gold brocade coverlet woven with a pattern of apples and apple blossoms and trimmed with frills of golden lace. Apples remind me of the happy years of my childhood spent at Syderstone before it became unfit to inhabit and we moved, a good, long but brisk, invigorating walk away, to my mother’s more elegant abode, Stanfield Hall. I love apples, everything about them—their colours, their smell, their taste, especially that first juicy, crisp bite, whether it be tart or sweet.
Pirto comes and kneels before me to put on my shoes and stockings, tying the satin garters into pretty bows just below my knees and easing my feet into the dainty brown velvet slippers sewn with tiny amber and gold beads. I always loved to go barefoot whenever I could. I loved the freedom and the feel of the grass, or wood or stone, rough or smooth, chilled or sun-baked, beneath my bare feet. Robert used to send me velvet and satin slippers, a dozen or more pairs at a time, as a silent signal of his disapproval, but I never let that stop me; I gave up too many other things for Robert.
When Pirto starts to gather my hair up, I stop her. “No, the pins make my head ache. Leave it free.” This is my one and only concession to comfort—a proper married lady wears her hair pinned up, while a maiden leaves hers unbound—but no one will see. Pirto, however, still thinks I mean to go out today, to church and afterwards the fair.
At times it seems too great an effort and a silly charade. I love Pirto, but I am the lady, and she is my servant, and it is not for me to placate her. I could have done without all these tedious preparations and put on my night shift and taken to my bed, unencumbered by corset and the stiff and rustling confines of petticoats and gown, garters, stockings, and shoes, all the accoutrements of a lady, but for some reason I don’t quite understand, it is important to me to be dressed today, to not lounge about languid and loose as a concubine in a sultan’s harem.
“As you wish, love,” Pirto agrees and gently sets the gold-braided satin hood that matches my gown upon my head, fastening the strap and adding just a couple of pins, placing them carefully, anxious not to cause me any more pain. “There now.” She smoothes the cascade of golden curls streaming down my back. “All ready now, you are, pet, except for your purse, though you’ll not be needing it just yet, but I have it ready—it’s there upon the desk.”
“Not quite ready yet, Pirto.” I smile. “I want my necklace. The special one My Lord gave me when he still loved me.”
“Aye, I know the one.” She nods and brings forth from my jewel coffer a rich and heavy necklace of golden oak leaves and amber acorns that matches the betrothal ring I have worn on my left hand since the day Robert put it on my finger when I was a green girl of seventeen brimming over with hopes and dreams. I could not imagine then a world in which Robert would cease to love me. Even now, I like being clothed and jewelled in Robert’s oak leaves and acorns; like cattle wearing its master’s brand, I am still his wife, even if he wishes otherwise; I still remember, even when all he wants to do is forget. I am Lady Amy Dudley, Lord Robert’s wife, and I will never surrender that until Death takes it from me. With this ring I thee wed. Until death do us part. My affections are not frivolous and fickle despite the changeable nature often ascribed to my sex; when I stood beside Robert on our wedding day to make our vows, I spoke from my heart and meant every word.
“Will you lie down for a bit, love?” Pirto hovers anxiously beside me.
“No.” I shake my head. “It will muss my gown. Help me to my chair please, Pirto.”
It is the most comfortable, beautiful, cheerful chair imaginable, so inviting that it often tempts me from my bed, which is good and exactly as it should be, Dr Biancospino said when I told him. It was the last present my husband sent to me. Such thoughtfulness surely proves that, somewhere, deep in his heart, despite his outward show of indifference, he must still care for me. It is upholstered in the most vibrant, rich emerald green all embroidered