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The edges of the black-and-white photograph were ragged and slightly faded, yet life shone out of it as fiercely as if it had been taken moments before, instead of some seventy years previously.
Four women and five men stood around a huge stone fireplace, all clad in the evening dress of the 1930s: the women with marcelled hair, languid limbs and dresses that pooled like silk around their ankles; the men stern-faced in black tie, with luxuriant moustaches, and an air of command lingering around them. One man, the oldest of the group, held a fat cigar to his lips, another raised his crystal tumbler to the photographer, one foot resting lazily on the fireplace’s club fender, the perfect picture of a gentleman at ease.
On either side of the group stood two antique tables decorated with flowers and silver-framed photographs. On the parquet in front of them, a tiger rug lay carelessly.
The whole scene spoke of money, class and privilege.
Jodi could almost hear a scratchy gramophone playing Ivor Novello or the Kit Kat Band in the background, the music weaving a potent spell.
Lady Irene’s Birthday. Rathnaree, September 1936, was written in faded ink on the back.
Jodi wondered which of the four women was Lady Irene. One of the two blondes, or perhaps the woman with a jewelled diadem woven into her cloudy dark hair like an Indian nautch dancer?
The photo had been tucked away in a copy of The Scarlet Pimpernel, caught in the library’s elderly glued-on cover from decades ago. Jodi Beckett had nearly missed it. She’d gone to the Tamarin library one morning when her computer crashed for the third time and she’d been so angry that she just had to get out of the small cottage that still wasn’t her home, even though she and Dan had lived in Tamarin for two months now. Relentless rain meant that even walking was no escape, and then Jodi had thought of the library right at the end of their street.
She’d spent many hours in the college library when she’d been studying at home in Brisbane, but in the past few years she’d rarely ventured into one. She passed the Tamarin Public Library every day on her way to buy groceries and she’d never stepped inside. That morning, she ran down Delaney Street, head bent against rain that stung like needles, and entered a haven.
The place was empty except for an elderly man engrossed in the day’s newspapers, and a twenty-something librarian with a clever face, dyed jet-black hair, a nose ring and violet lipstick that matched her fluffy angora hand-knit sweater. Silence reigned, settling over Jodi as calmly as if a meditation CD was playing in her head.
An hour flew past as she wandered between the shelves, picking up book after book, smiling at ones she’d read and loved, making mental notes of ones she hadn’t.
And then the photograph had fallen from The Scarlet Pimpernel, and Jodi had felt that surge of fascination she remembered from a long-ago summer when she’d joined an archaeological dig in Turkey as a student.
Archaeology hadn’t been for her: she loved history but wasn’t enamoured of the physical digging-in-the-dirt part of it. Yet this photo gave her the same buzz, the sense of finding something nobody had seen for decades, the sense of a mystery waiting to be unravelled.
The librarian had been delighted to be asked for information and had told her that Rathnaree was the big house of the locality.
‘They were known as the Lochraven family, Lord Lochraven of Tamarin. Sounds good, huh? They were Tamarin’s gentry,’ she’d said. ‘It’s still a beautiful house, although it’s a bit ruined now. Nobody’s lived there for years. Well, since I can remember,’ she added.
‘Are there any books about the house or the family?’ Jodi asked.
The librarian shook her head. ‘No, not one, which is odd. The Lochravens were in that house for two hundred years at least, maybe longer, so there must be lots of interesting stuff there.’
Jodi felt the surge of mystery again. ‘I know the photo’s probably officially the library’s,’ she said, ‘but could I take it and get a copy made? I’m a writer,’ she added, which was technically true. She was a writer, but was unpublished since her thesis on nineteenth-century American poets, and had made her living for the past seven years in publishing, working as a copy editor. ‘I’d love to do some research on Rathnaree. See the house, hear about the people…write a book about it.’
There, she’d said it. Dan was always urging her to write one, but Jodi didn’t know if she had the spark required for fiction and, until now, she’d never had an idea for non-fiction.
‘A book on Rathnaree! Wicked!’ the librarian replied. ‘There’s a guidebook on the town with information about it, but that’s all. Don’t move! I’ll find it for you. You’ll love the house. It’s beautiful. I mean, imagine living in a mansion like that.’
A copy of the photo now lay on the passenger seat of Jodi’s car along with a small local guide to the area which carried another photo of Rathnaree House as it had looked in the fifties. She rounded the last corner of the avenue to the house, mentally muttering about how hopeless the car’s suspension was, and how bumpy the avenue. Avenue was really far too grand a word for it, she decided, for even though it was lined with stately beech trees and was at least a mile long, it was nothing more than a country track with a high ridge in the middle where grass grew.
And then, when she’d cleared the last corner and driven past an overgrown coral pink azalea, she saw the house. And her foot slid automatically to the brake, hauling the little car to a stop on a scree of gravel.
‘Holy moly,’ Jodi said out loud and stared.
The grainy black-and-white picture in the Tamarin guidebook hadn’t done justice to the house. In its nest of trees, once-perfect hedging and trailing roses, stood what the guidebook had described as ‘a perfect example of Victorian Palladianism’. In reality, this meant a gracefully designed grey building with the graceful arches and stone pillars of Palladian architecture and vast symmetrical windows looking out over a pillowy green lawn dotted with daisies and dandelions.
The huge house stretched endlessly back and widened into stables, servants’ quarters, a Victorian conservatory to the right, and the lichened walls of a kitchen garden that led off to the left. Giant stone plinths topped with weed-filled jardinières signalled the start of a box-tree-edged herb garden designed in a knot layout, now rampant with woody rosemary and lavender that sent their hazy smells drifting into the air.
There were no ladies in elaborate flowered hats and long dresses standing about beside stern moustachioed men, nor any sign of long sweeping cars with gleaming bonnets. But this Rathnaree, although older and clearly much less tended than the version from either of the photographs, still retained the unmistakable grandeur of the Big House.
Fleets of servants would have been needed to run it and thousands of acres of land would have been needed to pay for it all.
It was another world, a time when Tamarin was the little town where the powerful Lochraven family sent their servants to do their bidding. Now Tamarin was a thriving place while Rathnaree was empty, the Lochravens long gone, apart from the house’s owner, a distant cousin who never set foot in the place, the librarian had explained.
‘Rathnaree is the Anglicised version of the name. It’s really Rath na ri – fort of the king, in the Irish language,’ she’d continued. ‘Can’t remember half of what I learned in school, but we all had that drummed into us. I had a history teacher once who was very interested in the Lochravens, said her mother had been at hunt balls at Rathnaree House in the thirties; it was very formal, with a butler and women wearing long dresses and gloves. Imagine! I like those sort of dresses but I wouldn’t be into the gloves. Do you want me to draw you a map of how to get there?’
‘No,’ Jodi said. ‘I know roughly where it is. I’ve been living here for two months now.’