and cadence all its own, comparable to the unique sound of people from the Chesapeake region, a blend of accents and archaic terms.
“All right, you two. Stop being so foreign and cliquish,” Queenie said.
“We are foreign,” Gaston said with a wink.
“Camille works in photography, too,” Queenie said. “Did she tell you?”
Camille could smell matchmaking a mile off. Her mom and friends and half sisters abhorred a single woman’s status the way nature abhorred a vacuum. Sometimes it seemed her mother had recruited the whole town to find her a boyfriend. For no reason she could fathom, her thoughts strayed to Malcolm Finnemore. The ticked-off client. Not boyfriend material.
“Sorry,” she told Gaston in French. “She always tries to throw me together with random men.”
“Not to worry,” he said, also in French. “I’m an artist. Everybody knows it’s dangerous to hook up with an artist.” He grinned and reverted to English. “So. You like photography.”
“Yes.”
“She specializes in old film and prints,” Queenie said. “I keep trying to get her to do a show here at the Beholder.”
One of Queenie’s assistants came over. “Sorry to interrupt,” she said. “We’ve got a buyer for the big landscape.”
Queenie went straight into action. She pressed her hand against Gaston’s elbow and steered him to the large piece that dominated what had once been the mantel over the hearth.
Camille took the opportunity to pull Billy away from the puppyeyed shopgirl, and they went back out into the street.
“Hey,” said Billy. “She was cute.”
“All twenty-year-olds are cute.”
He sent her a fake-resentful look. “Since when are twenty-year-olds too young for me?”
“We’re thirty-six,” she reminded him.
“In that case, you should take me up on my offer to marry you. I’d make an honest woman of you.”
“Where to next?” she asked, ignoring the suggestion. “Ooh-La-La?”
“Lead on,” he said. “I haven’t seen your mom in a while. Plus, Rhonda always serves those little crab croquettes. They taste like an angel farted in your mouth.”
“No wonder I’d never marry you. You’re too obnoxious.”
“Let’s get over there before the angel farts are gone.”
The shop looked bright and twinkly and inviting, as always. Located in a vine-clad brick building that used to be a milliner’s shop a century before, it had twin display windows facing the street. As always, the display was gorgeous, a blend of beach style and continental chic. Despite the kitschy shop name, Camille’s mother had exquisite taste, and her half sister, Britt, had a keen eye for design.
Cherisse filled the place with supremely interesting things—unique home goods, sommelier tools, glass rolling pins, printed toile curtains, Clairefontaine writing paper and pens that felt just right in the hand. Camille had practically grown up in the boutique, listening to Edith Piaf and Serge Gainsbourg while helping her mom display a set of crystal knife rests or a collector’s edition of Mille Bornes or the Dutch bike game of Stap op.
In the 1990s, the first lady was photographed in the shop, buying a fabulous set of Laguiole cutlery, and business kicked into high gear. Socialites from D.C. and even a couple of celebrities became regular customers. There were write-ups in national magazines, travel articles, and shopping blogs touting the treasures of Ooh-La-La, designating it as a must-visit destination.
Camille owed her very existence to the shop. Although she never realized it growing up, her parents had married for reasons of coldblooded commerce. Her father, Henry, was looking for a marriage path to citizenship. Cherisse, who was fifteen years younger, needed a backer for the shop she’d always dreamed of opening. They both wanted a child, desperately. Desperately enough to believe their shared desire for a home and family was a kind of love. What they eventually had to admit—first to themselves privately, then to each other, and finally to Camille—was that no matter how much they loved their daughter, the marriage wasn’t working for them.
When Camille was eight years old, they sat her down and told her just that.
Their divorce was, as the mediator termed it, freakishly civilized. After a couple of years, Camille adjusted to dividing her time between two households. A few years after the divorce, Cherisse met Bart, and that was when Camille finally learned what true love looked like. It was the light in her mother’s eyes when Bart walked into a room. It was the firm touch of his hand in the small of her back. It was a million little things that simply were not there, had never been there, between her mom and dad.
She was grateful that her parents got along. Bart and her father were cordial whenever they encountered each other. But despite their efforts, the decades-old breakup of her family felt like an old wound that still ached sometimes. When she thought about Julie, she wondered which was harder, to have your family taken apart by divorce, or to lose a parent entirely.
Cherisse, at least, had thrived in her new life. She and Bart had two girls together, Britt and Hilda. Ooh-La-La annexed the building next door, turning it into its sister property, Brew-La-La, the best café in town. All through her high school years, Camille had minded the shop while her two younger half sisters played in the small garden courtyard.
These days, Camille worked behind the scenes with the bookkeeper, Wendell, an insatiable surfer and skateboarder who financed his passion by keeping the books. Despite his shaggy hair and surfer duds, he was smart, intuitive, and meticulous. The sales staff consisted of Rhonda, who was also an amazing cook, and Daphne, a transplant from upstate New York with a mysterious past.
Britt was the resident merchandiser and display designer. Cherisse was in charge of “flying and buying.” Two times a year, she went to Europe to find the lovely offerings that had put the shop on the map. Before losing Jace, Camille used to accompany her on buying trips, soaking in the sights of Paris and Amsterdam, London and Prague. It was a mother-daughter treasure hunt, those unforgettable days.
After Jace died, Cherisse urged Camille to come along on trips the way she used to, but Camille refused. She never flew anywhere. Just the idea of setting foot on a plane sent her into a panic. She never again climbed a mountain or rode a trail, rafted on a river, surfed a wave, or flew on a kiteboard. Other than routine commutes to D.C. for work, she didn’t go anywhere. These days, she regarded the world as a dangerous place, and her job was to stay put and keep Julie safe.
She had failed miserably at that today. She vowed not to make that mistake again.
Rhonda greeted them at the shop entrance with a tray of her legendary crab croquettes.
“I’m never leaving you,” Billy said, helping himself to three of them.
“Promises, promises,” said Rhonda. “Come on in, you two. We’re having a great night. The tourist season is about to kick into high gear.”
Camille’s mother was in her element, greeting visitors, treating even out-of-towners like cherished friends. Billy made a beeline for her. “Hello, gorgeous,” he said, giving her a quick hug.
“Hello yourself,” she said, her face lighting up. Then she noticed Camille. “Glad you came after all. How’s Julie doing?”
“She shooed us both out of the house,” Camille said. “She’s okay, Mom. Thanks for showing up at the hospital. I was a mess.”
“You were not. Or did I miss something?”
You missed me having a meltdown in front of Malcolm Finnemore, Camille thought, but she simply said, “I’m all right now.”
Billy surveyed an antique table displaying a polished punch bowl in the shape of a giant octopus. “The shop looks great,