become an idol and an icon in Hollywood, how they, the ravishing female stars, established and aspiring, regretted how they had gone astray, embracing the emptiness of their Hollywood lives when, if they gave it all up, they could rejoice daily in the integrity of teaching the future craftsmen, tradesmen and clerk- typists of America. How it must feel, they would say, to wake up in the morning, to leap gladly from the bed, knowing that before you stretched a day in which you’d do God’s work with the youth of America, content with your meager remuneration, your real reward the glow of gratitude in the eager eyes of your students as they bear gifts from their grateful and admiring parents: cookies, bread, homemade pasta and the occasional bottle of wine from the backyard vines of Italian families, the mothers and fathers of your one hundred and seventy students at McKee Vocational and Technical High School, Borough of Staten Island, in the City of New York.
Here they come.
And I’m not ready.
How could I be?
I’m a new teacher and learning on the job.
On the first day of my teaching career, I was almost fired for eating the sandwich of a high school boy. On the second day I was almost fired for mentioning the possibility of friendship with a sheep. Otherwise, there was nothing remarkable about my thirty years in the high school classrooms of New York City. I often doubted if I should be there at all. At the end I wondered how I lasted that long.
It is March 1958. I sit at my desk in an empty classroom in McKee Vocational and Technical High School in the Borough of Staten Island, New York City. I toy with the implements of my new calling: five manila folders, one for each class; a clump of crumbling rubber bands; a block of brown wartime composition paper flecked with whatever went into the making of it; a worn blackboard eraser; a stack of white cards that I will insert row by row into slots in this tattered red Delaney book to help me remember the names of one hundred and sixty-odd boys and girls who will sit in rows every day in five different classes. On the cards I’ll record their attendance and tardiness and make little marks when boys and girls do bad things. I’m told I should keep a red pen to record the bad things, but the school hasn’t supplied one, and now I have to request it on a form or buy one in a shop because the red pen for the bad things is the teacher’s most powerful weapon. There are many things I will have to buy in a shop. In Eisenhower’s America there is prosperity but it does not trickle down to schools, especially to new teachers who need supplies for their classes. There is a note from an assistant principal in charge of administration reminding all teachers of the city’s financial plight and to please use these supplies sparingly. This morning I have to make decisions. In a minute the bell will ring. They’ll swarm in and what will they say if they see me at the desk? Hey, look. He’s hiding out. They are experts on teachers. Sitting at the desk means you’re scared or lazy. You’re using the desk as a barrier. Best thing is to get out there and stand. Face the music. Be a man. Make one mistake your first day and it takes months to recover.
The kids arriving are juniors, sixteen years old, eleven years in school from kindergarten to today. So, teachers come, teachers go, all kinds, old, young, tough, kind. Kids watch, scrutinize, judge. They know body language, tone of voice, demeanor in general. It’s not as if they sit around in toilets or cafeterias discussing these things. They just absorb it over eleven years, pass it on to coming generations. Watch out for Miss Boyd, they’ll say. Homework, man, homework, and she corrects it. Corrects it. She ain’t married so she’s got nothing else to do. Always try to get married teachers with kids. They don’t have time for sitting around with papers and books. If Miss Boyd got laid regular she wouldn’t give so much homework. She sits there at home with her cat listening to classical music, correcting our homework, bothering us. Not like some teachers. They give you a pile of homework, check it off, never even look at it. You could copy a page of the Bible and they’d write at the top, “Very nice.” Not Miss Boyd. She’s on to you right off. Excuse me, Charlie. Did you write this yourself? And you have to admit, no, you didn’t and now you’re up shit creek, man.
It’s a mistake to arrive early, gives you too much time to think of what you’re facing. Where did I get the nerve to think I could handle American teenagers? Ignorance. That’s where I got the nerve. It is the Eisenhower era and newspapers report the great unhappiness of American adolescents. These are the “Lost Children of the Lost Children of the Lost Generation.” Movies, musicals, books tell us of their unhappiness: Rebel Without a Cause, The Blackboard Jungle, West Side Story, The Catcher in the Rye. They make despairing speeches. Life is meaningless. All adults are phonies. What’s the use of living at all? They have nothing to look forward to, not even a war of their own where they can kill natives in distant places and march up ticker-tape Broadway with medals and limps for the girls to admire. No use complaining to their fathers, who just fought a war, or their mothers, who waited while the fathers fought. Fathers say, Oh, shaddup. Don’t bodder me. I got a pounda shrapnel up my ass an’ I don’t have time for you bitchin’ an’ moanin’ wid your belly full an’ your closet stuffed with clothes. F’Christ’s sakes, when I was your age I was out woikin’ in a junkyard before I went on the docks so I could send your sorry ass to school. Go squeeze your goddam pimples an’ lemme read my paper.
There’s so much teen unhappiness they form gangs and fight other gangs, not rumbles like the ones you see in movies with star- crossed romances and dramatic music in the background, but mean fights where they grunt and curse one another, where Italians, Blacks, Irish, Puerto Ricans attack with knives, chains, baseball bats in Central Park and Prospect Park and stain the grass with their blood, which is always red no matter where it came from. Then if there’s a killing there’s public outrage and accusations that if the schools and teachers were doing their jobs these terrible things wouldn’t happen. There are patriots who say, If these kids have the time and energy to be fighting one another why can’t we just ship them overseas to fight the goddam Communists and settle that problem for once and for all?
Vocational schools were seen by many as dumping grounds for students ill-equipped for academic high schools. That was snobbery. It didn’t matter to the public that thousands of young people wanted to be auto mechanics, beauticians, machinists, electricians, plumbers, carpenters. They didn’t want to be bothered with the Reformation, the War of 1812, Walt Whitman, art appreciation, the sex life of the fruit fly.
But, man, if we have to do it we’ll do it. We’ll sit in those classes that have nothing to do with our lives. We’ll work in our shops where we learn about the real world and we’ll try to be nice to the teachers and get outa here in four years. Whew!
Here they are. The door slams against the shelf that runs along the base of the blackboard, stirs a cloud of chalk dust. Entering a room is a big deal. Why couldn’t they simply walk into the room, say, Good morning, and sit? Oh, no. They have to push and jostle. One says, Hey, in a mock threatening way and another one says, Hey, right back. They insult one another, ignore the late bell, take their time sitting. That’s cool, baby. Look, there’s a new teacher up there and new teachers don’t know shit. So? Bell? Teacher? New guy. Who is he? Who cares? They talk to friends across the room, lounge in desks too small for them, stick out their legs, laugh if someone trips. They stare out the window, over my head at the American flag or the pictures taped to the walls by Miss Mudd, now retired, pictures of Emerson, Thoreau, Whitman, Emily Dickinson and—how did he get here?— Ernest Hemingway. It’s the Life magazine cover and that picture is everywhere. They gouge their initials on desk tops with penknives, declarations of love with hearts and arrows alongside the long-ago gougings of their fathers and brothers. Some old desks are gouged so deep you can see your knees through holes where hearts and names used to be. Couples sit together, hold hands, whisper and gaze into each other’s eyes while three boys against the back closets sing doowop,